hornbostelSachs.json

{
    "1": {
        "Label": "Idiophones",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and may radiate sound without requiring stretched membranes or strings. (en)",
        "MIMOPage": "1"
    },
    "11": {
        "Label": "Struck idiophones",
        "Instruments": [
            "Struck idiophone",
            "Tamtam",
            "Zanga"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and may radiate sound without requiring stretched membranes or strings. The instrument is made to vibrate by being struck. (en)",
        "MIMOPage": "2"
    },
    "11-9": {
        "Label": "Mechanically driven struck idiophones",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and may radiate sound without requiring stretched membranes or strings. The instrument is made to vibrate by being struck. Mechanically driven. (en)",
        "MIMOPage": "6409"
    },
    "111": {
        "Label": "Idiophones struck directly",
        "Instruments": [
            "Ndingo",
            "Rain machine",
            "Wind machine"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and may radiate sound without requiring stretched membranes or strings. The instrument is made to vibrate by being struck. The player executes the movement of striking; whether by mechanical intermediate devices, beaters, keyboards, or by pulling ropes, etc., is immaterial; it is definitive that the player can apply clearly defined individual strokes and that the instrument itself is equipped for this kind of percussion. (en)",
        "MIMOPage": "3"
    },
    "111.1": {
        "Label": "Concussion idiophones or clappers",
        "Instruments": [
            "Cap ke",
            "Clappers",
            "N'tsiba",
            "Whip"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. The player strikes together two or more complementary sonorous parts to create clearly defined individual strokes. (en)",
        "MIMOPage": "4"
    },
    "111.11": {
        "Label": "Concussion sticks or stick clappers",
        "Instruments": [
            "Bones",
            "Claves",
            "Grap saypha",
            "Khartal",
            "Paiban",
            "Phal",
            "Sanh"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. The player strikes together two or more sonorous sticks; to create clearly defined individual strokes. Annam, India, Marshall Islands. (en)",
        "MIMOPage": "5"
    },
    "111.12": {
        "Label": "Concussion plaques or plaque clappers",
        "Instruments": [
            "Abak",
            "Bak",
            "Batte d'arlequin",
            "Cai ban nhac",
            "Capra",
            "Cimta",
            "Clappers",
            "Jabara",
            "Sanqioban",
            "Shkashek"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. The player strikes together two or more sonorous plaques to create clearly defined individual strokes. China, India. (en)",
        "MIMOPage": "6"
    },
    "111.13": {
        "Label": "Concussion troughs or trough clappers",
        "Instruments": [
            "Balingbing",
            "Palipal",
            "Va let kyot"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. The player strikes together two or more sonorous plaques to create clearly defined individual strokes. Burma. (en)",
        "MIMOPage": "7"
    },
    "111.14": {
        "Label": "Concussion vessels or vessel clappers",
        "Instruments": [
            "Cymbals",
            "Kemanak",
            "Spoons"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. The player strikes together two or more sonorous vessels to create clearly defined individual strokes. Even a slight hollow in the surface of a board counts as a vessel. (en)",
        "MIMOPage": "8"
    },
    "111.141": {
        "Label": "Castanets",
        "Instruments": [
            "Castanets",
            "Castanets",
            "Hanske knap",
            "Kasik",
            "Knaptand",
            "Tajeraste"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. The player strikes together two or more sonorous vessel clappers to create clearly defined individual strokes. The clappers are either naturally or artificially hollowed out. (en)",
        "MIMOPage": "9"
    },
    "111.142": {
        "Label": "Cymbals",
        "Instruments": [
            "Bhusyah",
            "Bo",
            "Chap",
            "Choke cymbal",
            "Crash cymbal",
            "Cymbals",
            "Cymbals",
            "Dongbal",
            "Hyangbal",
            "Jhalica",
            "Kartal",
            "Kasat",
            "Kecer",
            "Mandira",
            "Penzhong",
            "Rincik",
            "Sajat",
            "Sichyah",
            "Sizzle cymbal",
            "Sock cymbal",
            "Tahca",
            "Than lvin",
            "Zang"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Cymbals are metal vessel clappers with everted rims, struck together by the player to create clearly defined individual strokes. (en)",
        "MIMOPage": "10"
    },
    "111.143": {
        "Label": "Concussion bells",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. The player strikes together two or more metal bells to create clearly defined individual strokes. Nigeria. (en)",
        "MIMOPage": "11"
    },
    "111.2": {
        "Label": "Percussion idiophones",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and may radiate sound when struck either with a non-sonorous object (hand, stick, striker) or against a non-sonorous object (human body, the ground). The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "12"
    },
    "111.21": {
        "Label": "Percussion sticks",
        "Instruments": [
            "Hammer",
            "Karingaringa"
        ],
        "Description": "Instruments in the form of sticks, owing to the solidity and elasticity of their substance, vibrate and may radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects (human body, the ground). The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "13"
    },
    "111.211": {
        "Label": "(Individual) percussion sticks",
        "Instruments": [
            "Bangibang",
            "Dok",
            "Gandi",
            "Ikengere",
            "Moktak",
            "Nyangile",
            "Pattung",
            "Tintinca",
            "Triangle"
        ],
        "Description": "An instrument in the form of a stick, owing to the solidity and elasticity of its substance, vibrates and may radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects (human body, the ground). The player creates clearly defined individual strokes. Japan, Annam, Balkans. Also the triangle. (en)",
        "MIMOPage": "14"
    },
    "111.212": {
        "Label": "Sets of percussion sticks",
        "Instruments": [
            "Balafon",
            "Balafossa",
            "Bolange",
            "Chinzumana",
            "Dibhinda",
            "Djanou",
            "Djil",
            "Gambang",
            "Golagni",
            "Hélé",
            "Kashtha tarang",
            "Kenyir",
            "Keyboard glockenspiel",
            "Kundu",
            "Mabékabéka",
            "Madimba",
            "Manza",
            "Marimba",
            "Mbila",
            "Mendzan",
            "Mokkin",
            "Ngombi",
            "Pat-tala",
            "Penyacah",
            "Ranat",
            "Sanje",
            "Strohfiedel",
            "Tregnon",
            "Valimba",
            "Xèma",
            "Xylophone",
            "Xylophones",
            "Zanga"
        ],
        "Description": "Instruments in the form of sets of sticks, owing to the solidity and elasticity of their substance, vibrate and may radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects (human body, the ground). Several percussion sticks of different pitches are combined to form a single instrument. The player creates clearly defined individual strokes. All xylophones. (en)",
        "MIMOPage": "15"
    },
    "111.212-8": {
        "Label": "Sets of percussion sticks with keyboard",
        "Instruments": [
            "Dulcitone",
            "Pianino"
        ],
        "Description": "Instruments in the form of sets of sticks, owing to the solidity and elasticity of their substance, vibrate and may radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects (human body, the ground). Several percussion sticks of different pitches are combined to form a single instrument. The player creates clearly defined individual strokes. With keyboard. (en)",
        "MIMOPage": "6419"
    },
    "111.22": {
        "Label": "Percussion plaques",
        "Instruments": [
            "Anvil"
        ],
        "Description": "Instruments in the form of plaques, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "16"
    },
    "111.221": {
        "Label": "(Individual) percussion plaques",
        "Instruments": [
            "Canh",
            "Chime bar",
            "Ghari",
            "Hammer clapper",
            "Kyi-zi",
            "Matraqueta",
            "Percussion plaque",
            "Teukgyeong",
            "Troccola",
            "Upatsu"
        ],
        "Description": "An instrument in the form of a plaque, owing to the solidity and elasticity of its substance, vibrates and radiates sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The player creates clearly defined individual strokes. In the oriental Christian Church. (en)",
        "MIMOPage": "17"
    },
    "111.222": {
        "Label": "Sets of percussion plaques",
        "Instruments": [
            "Akuru",
            "Banghyang",
            "Calung",
            "Carillon",
            "Chime bar",
            "Crystallophone",
            "Djanou",
            "Djil",
            "Glass glockenspiel",
            "Glockenspiel",
            "Golagni",
            "Hélé",
            "Kiringongo",
            "Lyra glockenspiel",
            "Manza",
            "Marimba",
            "Metallophones",
            "Omvek",
            "Pyeongyeong",
            "Saron barung",
            "Saron demung",
            "Saron panerus",
            "Saron peking",
            "Saron ricik",
            "Strohfiedel",
            "Tregnon",
            "Vibraphone",
            "Xèma",
            "Xylophones"
        ],
        "Description": "Instruments in the form of sets of plaques, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. Several percussion plaques of different pitches are combined to form a single instrument. The player creates clearly defined individual strokes. Lithophone (China), and most metallophones. (en)",
        "MIMOPage": "18"
    },
    "111.23": {
        "Label": "Percussion tubes",
        "Instruments": [
            "Percussion tubes"
        ],
        "Description": "Instruments in the form of tubes, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects (human body, the ground). The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "19"
    },
    "111.231": {
        "Label": "(Individual) percussion tubes",
        "Instruments": [
            "Bantula",
            "Duri dana",
            "Lali",
            "Mugu"
        ],
        "Description": "An instrument in the form of a tube, owing to the solidity and elasticity of its substance, vibrates and radiates sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects (human body, the ground). The player creates clearly defined individual strokes. This group does not include slit drums, which are a sub-group of bells, 111.243. (en)",
        "MIMOPage": "20"
    },
    "111.232": {
        "Label": "Sets of percussion tubes",
        "Instruments": [
            "Calon",
            "Calung",
            "Dan krong-put",
            "Dan t'rung",
            "Tubaphone",
            "Tubular bell"
        ],
        "Description": "Instruments in the form of sets of tubes, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects (human body, the ground). Several percussion tubes of different pitches are combined to form a single instrument. The player creates clearly defined individual strokes. Tubaphon, tubular xylophone. (en)",
        "MIMOPage": "21"
    },
    "111.24": {
        "Label": "Percussion vessels",
        "Instruments": [
            "Aki",
            "Bronze drum",
            "Bu",
            "Chuk",
            "Eung",
            "Heobeok",
            "Jaltarang",
            "Kaar",
            "Muljanggu",
            "Percussion vessel",
            "Water drum"
        ],
        "Description": "Instruments in the form of vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "22"
    },
    "111.241": {
        "Label": "Gongs",
        "Instruments": [
            "Emong",
            "Engkuk",
            "Gongs",
            "Kulingtang"
        ],
        "Description": "Metal percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The vibration is strongest near the vertex of the struck surface. The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "23"
    },
    "111.241.1": {
        "Label": "(Individual) gongs",
        "Instruments": [
            "Ayotl",
            "Babendil",
            "Breng",
            "Canh",
            "Ching",
            "Gendingan",
            "Malamala",
            "Tamtam"
        ],
        "Description": "Individual metal percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The vibration is strongest near the vertex of the struck surface. The player creates clearly defined individual strokes. S. and E. Asia. This group includes the so-called metal drums, or rather kettle-gongs. (en)",
        "MIMOPage": "24"
    },
    "111.241.11": {
        "Label": "Bossed and flat gongs",
        "Instruments": [
            "Gong",
            "Gwangsoe",
            "Jing",
            "Kkwaenggwari",
            "Seolsoe"
        ],
        "Description": "Metal percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The vibration is strongest near the vertex. The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "6201"
    },
    "111.241.12": {
        "Label": "Gongs with divided surface",
        "Instruments": [],
        "Description": "Metal percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The struck surface of the vessel is divided to create notes of different pitches, and the vibration is strongest near the vertex of each struck section. The player creates clearly defined individual strokes. Steel drums, Caribbean. (en)",
        "MIMOPage": "25"
    },
    "111.241.2": {
        "Label": "Sets of gongs",
        "Instruments": [
            "Bonang",
            "Bonang barung",
            "Bonang panembung",
            "Bonang panerus",
            "Khawng",
            "Pong",
            "Tanggunggu",
            "Waniguchi",
            "Yaoling"
        ],
        "Description": "Sets of metal percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The vibration is strongest near the vertex of the struck surface. The gongs are tuned to different pitches. The player creates clearly defined individual strokes. [Gong chimes] S. E. Asia. (en)",
        "MIMOPage": "26"
    },
    "111.241.21": {
        "Label": "Sets of bossed and flat gongs",
        "Instruments": [],
        "Description": "Sets of metal percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The vibration is strongest near the vertex. The player creates clearly defined individual strokes. S. E. Asia, E. Asia. (en)",
        "MIMOPage": "6202"
    },
    "111.241.22": {
        "Label": "Sets of gongs with divided surface",
        "Instruments": [
            "Ulla"
        ],
        "Description": "Sets of metal percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The struck surface is divided to create notes of different pitches and the vibration is strongest near the vertex of each struck section. The player creates clearly defined individual strokes. Steel drums, Caribbean. (en)",
        "MIMOPage": "5532"
    },
    "111.242": {
        "Label": "Bells",
        "Instruments": [
            "Bells",
            "Cowbell"
        ],
        "Description": "Percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The vibration is weakest near the vertex of the struck surface. The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "27"
    },
    "111.242.1": {
        "Label": "(Individual) bells",
        "Instruments": [
            "Bell",
            "Nzunzun",
            "Single bell"
        ],
        "Description": "Individual percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The vibration is weakest near the vertex of the struck surface. The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "28"
    },
    "111.242.11": {
        "Label": "(Individual) resting bells",
        "Instruments": [
            "Agongon",
            "Cai tiu",
            "Kin (bell)",
            "Mbombu",
            "Resting bell"
        ],
        "Description": "Individual percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The cup is placed on the palm of the hand or on a cushion; its mouth faces upwards. The vibration is weakest near the crown. The player creates clearly defined individual strokes. China, Indo-China, Japan. (en)",
        "MIMOPage": "29"
    },
    "111.242.12": {
        "Label": "(Individual) suspended bells",
        "Instruments": [],
        "Description": "Individual percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The vibration is weakest near the apex from which the instrument is suspended. The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "30"
    },
    "111.242.121": {
        "Label": "(Individual) suspended bells struck from the outside",
        "Instruments": [
            "Bozhong",
            "Chung",
            "Cowbell",
            "Sojong",
            "Tak",
            "T'ukchong",
            "Yo"
        ],
        "Description": "Individual percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The vibration is weakest near the apex from which the instrument is suspended. The bell has no internal striker; the player creates clearly defined individual strokes on its external surface, using a separate beater. (en)",
        "MIMOPage": "31"
    },
    "111.242.122": {
        "Label": "(Individual) clapper bells",
        "Instruments": [
            "Ambassa",
            "Dibu",
            "Dibu dimbwa",
            "Dibu dinganga",
            "Gshang",
            "Kili",
            "Klakacki",
            "Klentong",
            "Ling",
            "Ngonge",
            "Shepherd's bell",
            "Sun",
            "Tak",
            "Tribu",
            "Wadjira",
            "Washint",
            "Yoryeong"
        ],
        "Description": "Individual percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects. The vibration is weakest near the apex from which the instrument is suspended. The player creates clearly defined individual strokes using the striker (clapper) attached inside the bell. (en)",
        "MIMOPage": "32"
    },
    "111.242.123": {
        "Label": "(Individual) bells with attached external clapper/s",
        "Instruments": [],
        "Description": "Individual percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects. The vibration is weakest near the apex from which the instrument is suspended. The player creates clearly defined individual strokes on the exterior surface of the bell, using an attached external striker (clapper). (en)",
        "MIMOPage": "33"
    },
    "111.242.2": {
        "Label": "Sets of bells",
        "Instruments": [],
        "Description": "Sets of percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The vibration is weakest near the vertex of the struck surface. The player creates clearly defined individual strokes. [chimes]. (en)",
        "MIMOPage": "34"
    },
    "111.242.21": {
        "Label": "(Sets of) resting bells",
        "Instruments": [
            "Aporo",
            "Mounkouki"
        ],
        "Description": "Sets of percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The cup of each bell is placed on the palm of the hand or on a cushion; its mouth faces upwards. The vibration is weakest near the crown. The player creates clearly defined individual strokes. China, Japan. (en)",
        "MIMOPage": "5533"
    },
    "111.242.22": {
        "Label": "(Sets of) suspended bells",
        "Instruments": [],
        "Description": "Sets of individual percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The vibration is weakest near the apex from which each instrument is suspended. The player creates clearly defined individual strokes. (en)",
        "MIMOPage": "5534"
    },
    "111.242.221": {
        "Label": "(Sets of) suspended bells struck from the outside",
        "Instruments": [
            "Bell"
        ],
        "Description": "Sets of percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The vibration is weakest near the apex from which each instrument is suspended. The bells have no internal strikers; the player creates clearly defined individual strokes on their exterior surfaces, using external beaters. (en)",
        "MIMOPage": "5535"
    },
    "111.242.222": {
        "Label": "(Sets of) clapper bells",
        "Instruments": [
            "Abanangbweli",
            "Apertintaille",
            "Bells belt",
            "Mbé",
            "Soko",
            "Tchikounda",
            "Turkish crescent",
            "Zang"
        ],
        "Description": "Sets of percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker). The vibration is weakest near the apex from which each instrument is suspended. The player creates clearly defined individual strokes using the strikers (clappers) attached inside the bells. (en)",
        "MIMOPage": "5536"
    },
    "111.242.223": {
        "Label": "(Sets of) bells with attached external clappers",
        "Instruments": [],
        "Description": "Sets of percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker). The vibration is weakest near the apex from which each instrument is suspended. The player creates clearly defined individual strokes on the exterior surfaces of the bells, using attached external strikers (clappers). (en)",
        "MIMOPage": "5537"
    },
    "111.243": {
        "Label": "Slit drums",
        "Instruments": [
            "Ban",
            "Drums",
            "Ekole",
            "Garamut",
            "Kiringi",
            "Mukonzi",
            "Nkoko",
            "Nkul",
            "Temple block",
            "Teponaztli",
            "Tunkul",
            "Woodblock"
        ],
        "Description": "Wooden percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with a non-sonorous object (hand, stick, striker) or against non-sonorous objects. The vessels have a longitudinal slit. The player creates clearly defined individual strokes on the external surface of the instrument. (en)",
        "MIMOPage": "35"
    },
    "111.244": {
        "Label": "Percussion troughs",
        "Instruments": [],
        "Description": "Wooden percussion vessels, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The instruments have a wide longitudinal mouth. The player creates clearly defined individual strokes on the external surface of the instrument. Some forms of 'slit drum' such as Fijian lali where the whole 'mouth' is open. (en)",
        "MIMOPage": "36"
    },
    "111.25": {
        "Label": "Percussion boulders",
        "Instruments": [],
        "Description": "Sonorous boulders, owing to the solidity and elasticity of their substance, vibrate and radiate sound when struck either with non-sonorous objects (hand, stick, striker) or against non-sonorous objects. The player creates clearly defined individual strokes. Rock gongs. (en)",
        "MIMOPage": "37"
    },
    "112": {
        "Label": "Indirectly struck idiophones",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and may radiate sound without requiring stretched membranes or strings. The instrument is made to vibrate by being struck. The player does not go through the movement of striking; percussion results indirectly through some other movement by the player. The intention is to yield clusters of sounds or noises, and not to let individual strokes be perceived. (en)",
        "MIMOPage": "38"
    },
    "112.1": {
        "Label": "Shaken idiophones or rattles",
        "Instruments": [
            "Cimta",
            "Rangle",
            "Rattle",
            "Rattles",
            "Ritual scepter",
            "Uteo"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Percussion results indirectly through a shaking movement executed by the player. The intention is to yield clusters of sounds or noises, and not to let individual strokes be perceived. (en)",
        "MIMOPage": "39"
    },
    "112.11": {
        "Label": "Suspension rattles",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Percussion results indirectly through a shaking movement executed by the player. Perforated idiophones are mounted together, and shaken to strike against each other. The intention is to yield clusters of sounds or noises, and not to let individual strokes be perceived. (en)",
        "MIMOPage": "40"
    },
    "112.111": {
        "Label": "Strung rattles",
        "Instruments": [
            "Arbu",
            "Azibwazi",
            "Bangul",
            "Ifambu",
            "Mekora",
            "Ngora",
            "Qachel",
            "Tchogo",
            "Zan"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Percussion results indirectly through a shaking movement executed by the player. Rattling objects are strung in rows on a cord. The intention is to yield clusters of sounds or noises, and not to let individual strokes be perceived. Necklaces with rows of shells. (en)",
        "MIMOPage": "41"
    },
    "112.112": {
        "Label": "Stick rattles",
        "Instruments": [
            "Assa muta chati",
            "Bordon as ones",
            "Ghol",
            "Stick rattle",
            "Tamburino",
            "Wasamba"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Percussion results indirectly through a shaking movement executed by the player. Rattling objects are strung on a bar (or ring). The intention is to yield clusters of sounds or noises, and not to let individual strokes be perceived. Sistrum with rings. (en)",
        "MIMOPage": "42"
    },
    "112.12": {
        "Label": "Frame rattles",
        "Instruments": [
            "Hit-hat mounted jingles",
            "Karatali",
            "Sekere"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Percussion results indirectly through a shaking movement executed by the player. Rattling objects are attached to a carrier against which they strike. The intention is to yield clusters of sounds or noises, and not to let individual strokes be perceived. (en)",
        "MIMOPage": "43"
    },
    "112.121": {
        "Label": "Pendant rattles",
        "Instruments": [
            "Rubaru",
            "Taga"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Percussion results indirectly through a shaking movement executed by the player. Rattling objects are hung from a frame. The intention is to yield clusters of sounds or noises, and not to let individual strokes be perceived. Dancing shield with rattling rings. (en)",
        "MIMOPage": "44"
    },
    "112.122": {
        "Label": "Sliding rattles",
        "Instruments": [
            "Angklung",
            "Jhinka",
            "Peke",
            "Sanasel",
            "Sesheh"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Percussion results indirectly through a shaking movement executed by the player. Non-sonorous objects slide to and fro in the slots of the sonorous object so that the latter is made to vibrate; or sonorous objects slide to and fro in the slots of a non-sonorous object, to be set in vibration by the impacts. The intention is to yield clusters of sounds or noises, and not to let individual strokes be perceived. Anklung, sistrum with rods. (en)",
        "MIMOPage": "45"
    },
    "112.13": {
        "Label": "Vessel rattles",
        "Instruments": [
            "Ajawa",
            "Andzolo",
            "Ankle rattle",
            "Anzona",
            "Atamo",
            "Cabaca",
            "Capra",
            "Cascabel",
            "Caxixi",
            "Dibu dimbwa",
            "Dzala",
            "Ebirandi",
            "Essia",
            "Ga",
            "Ganza",
            "Ghungru",
            "Gulung-gulung",
            "Gurra",
            "instrumentskeywords:2412",
            "Kanyahte'ka'nowa",
            "Katana",
            "Kayamba",
            "Kigamba",
            "Kulu",
            "Legwegwe",
            "Lozhky",
            "Manyanga",
            "Maracas",
            "M'feul",
            "Mouassi",
            "Moumouaka",
            "Moupfiri",
            "Msewe",
            "Mukwanga",
            "Mvoo",
            "Ndonga",
            "Nhac",
            "Ntsakala",
            "Ntum medzo",
            "Nyas",
            "Nzoro",
            "Oboto",
            "Ontsara",
            "Osubi",
            "Raft rattle",
            "Rainstick",
            "Rin-no-tama",
            "Segbureh",
            "Sissaka",
            "Sleigh bell",
            "Sonaja",
            "Swanga",
            "Vessel rattle",
            "Wada"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Percussion results indirectly through a shaking movement executed by the player. Rattling objects are enclosed in a vessel or are attached to a net slipped over a vessel. They strike against each other or against the walls of the vessel, or usually against both. The intention is to yield clusters of sounds or noises, and not to let individual strokes be perceived. Fruit shells with seeds, 'pellet bells' enclosing loose percussion pellets. (en)",
        "MIMOPage": "46"
    },
    "112.2": {
        "Label": "Scraped idiophones",
        "Instruments": [
            "Scraped idiophone"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when scraped. The player causes a scraping movement directly or indirectly. A non-sonorous object moves along the notched surface of a sonorous object, to be alternately lifted off the teeth and flicked against them; or an elastic sonorous object moves along the surface of a notched non-sonorous object to cause a series of impacts. This group must not be confused with that of friction idiophones. (en)",
        "MIMOPage": "48"
    },
    "112.21": {
        "Label": "Scraped sticks",
        "Instruments": [
            "Reque reque",
            "Scraped stick"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when scraped. A notched stick is scraped with a little stick. (en)",
        "MIMOPage": "49"
    },
    "112.211": {
        "Label": "Scraped sticks without resonator",
        "Instruments": [
            "Ferrinho",
            "Mukwangi"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when scraped. A notched stick is scraped with a little stick. The notched stick has no resonator. S. America, India (notched musical bow), Congo. (en)",
        "MIMOPage": "50"
    },
    "112.212": {
        "Label": "Scraped sticks with resonator",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when scraped. A notched stick is scraped with a little stick. The notched stick has an attached resonator. Usumbara, E. Asia (tiger). (en)",
        "MIMOPage": "51"
    },
    "112.22": {
        "Label": "Scraped tubes",
        "Instruments": [
            "Kenyen",
            "Reco-reco",
            "Scraped tube",
            "Tagutok"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when scraped. A sonorous notched tube is scraped with a non-sonorous stick. S. India. (en)",
        "MIMOPage": "52"
    },
    "112.23": {
        "Label": "Scraped vessels",
        "Instruments": [
            "Eo",
            "Guiro",
            "Quijada",
            "Scraped vessel",
            "Yu"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when scraped. The corrugated surface of a vessel is scraped. S. America, Congo region. (en)",
        "MIMOPage": "53"
    },
    "112.24": {
        "Label": "Scraped wheels or cog rattles",
        "Instruments": [
            "Matraca",
            "Ratchet"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when scraped. There is a cog wheel, whose axle serves as the handle, and a tongue fixed in a frame which is free to turn on the handle; when whirled, the tongue strikes the teeth of the wheel one after another. Europe, India. (en)",
        "MIMOPage": "54"
    },
    "112.25": {
        "Label": "Scraped boards",
        "Instruments": [
            "Washboard"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when scraped. A notched board is scraped with a stick. Jazz washboard. (en)",
        "MIMOPage": "55"
    },
    "112.3": {
        "Label": "Split idiophones",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound when struck. Instruments are in the shape of two springy arms connected at one end and touching at the other; in some instances the arms are forced apart by a little stick, to jingle or vibrate on recoil. China (huan t'u), Malacca, Persia (qašik), Balkans. (en)",
        "MIMOPage": "56"
    },
    "12": {
        "Label": "Lamellaphones (or plucked idiophones)",
        "Instruments": [
            "Plucked idiophone"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. (en)",
        "MIMOPage": "57"
    },
    "12-8": {
        "Label": "Lamellaphones (or plucked idiophones) with keyboard",
        "Instruments": [
            "Claviola"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. With keyboard. (en)",
        "MIMOPage": "6420"
    },
    "121": {
        "Label": "Lamellaphones (or plucked idiophones) in the form of a frame",
        "Instruments": [
            "Distinette"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. The lamellae vibrate within a frame or hoop. (en)",
        "MIMOPage": "58"
    },
    "121.1": {
        "Label": "Clack idiophones",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. A lamella, i.e. elastic plaque, fixed at one end, is flexed and then released to return to its position of rest. The lamella is carved in the surface of a fruit shell, which serves as resonator. Melanesia (cricri). (en)",
        "MIMOPage": "59"
    },
    "121.2": {
        "Label": "Guimbardes",
        "Instruments": [
            "Bikong",
            "Jew's harp",
            "Tombagl",
            "Trumps"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. A lamella, i.e. elastic plaque, fixed at one end, is flexed and then released to return to its position of rest. The lamella is mounted in a rod- or plaque-shaped frame and depends on the player's mouth cavity for resonance. Trumps (also known as jew's harps). (en)",
        "MIMOPage": "60"
    },
    "121.21": {
        "Label": "Idioglot guimbardes",
        "Instruments": [
            "Afiw",
            "Karinding",
            "Kinaban",
            "Kuding",
            "Mukkuri",
            "Susap"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. A lamella, i.e. elastic plaque, fixed at one end, is flexed and then released to return to its position of rest. The lamella is carved within a rod- or plaque-shaped frame and depends on the player's mouth cavity for resonance. The base of the lamella remains joined to the frame. India, Indonesia, Melanesia. (en)",
        "MIMOPage": "61"
    },
    "121.22": {
        "Label": "Heteroglot guimbardes",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. A lamella, i.e. elastic plaque, fixed at one end, is flexed and then released to return to its position of rest. The lamella is a separate piece from the rod- or plaque-shaped frame on which it is mounted. The instrument depends on the player's mouth cavity for resonance. (en)",
        "MIMOPage": "62"
    },
    "121.221": {
        "Label": "(Single) heteroglot guimbardes",
        "Instruments": [
            "Cheng",
            "Drimba",
            "Drymba",
            "Komuz",
            "Kovïzh",
            "Marranzanu",
            "Murcang"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. In an individual guimbarde a lamella, i.e. elastic plaque, fixed at one end, is flexed and then released to return to its position of rest. The lamella is a separate piece from the rod- or plaque-shaped frame on which it is mounted. The instrument depends on the player's mouth cavity for resonance. Europe, India, China. (en)",
        "MIMOPage": "63"
    },
    "121.222": {
        "Label": "Sets of heteroglot guimbardes",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. A lamella, i.e. elastic plaque, fixed at one end, is flexed and then released to return to its position of rest. The lamella is a separate piece from the rod- or plaque-shaped frame on which it is mounted. Several heteroglot guimbardes of different pitches are combined to form a single instrument that depends on the player's mouth cavity for resonance. Aura. (en)",
        "MIMOPage": "64"
    },
    "122": {
        "Label": "Lamellaphones (or plucked idiophones) in board- or comb-form",
        "Instruments": [
            "Lamellaphones",
            "Sanza"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. The lamellae are attached to a board or cut out from a board like the teeth of a comb. (en)",
        "MIMOPage": "65"
    },
    "122.1": {
        "Label": "Lamellaphones (or plucked idiophones) with laced-on, or hooked-in lamellae",
        "Instruments": [
            "Bantyu",
            "Ikembe",
            "Insimbi",
            "Kakolondondo",
            "Kinditi",
            "Madiumba",
            "Marimba",
            "Mbira",
            "Myonga"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. The lamellae are laced on or hooked into a board. (en)",
        "MIMOPage": "66"
    },
    "122.11": {
        "Label": "Lamellaphones (or plucked idiophones) with laced-on, or hooked-in lamellae, without resonator",
        "Instruments": [
            "Ilimba",
            "Lamellaphone",
            "Likembe",
            "Madaku",
            "Modeku",
            "Timbrh",
            "Tsimbi"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. The lamellae are laced on or hooked into a board. The instrument has no resonator. (en)",
        "MIMOPage": "67"
    },
    "122.12": {
        "Label": "Lamellaphones (or plucked idiophones) with laced-on, or hooked-in lamellae, with resonator",
        "Instruments": [
            "Adong'o",
            "Kalimba",
            "Kone",
            "Lamellaphone"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. The lamellae are laced on or hooked into a board. The instrument has a bowl or an integral box below the board, functioning as a resonator. (en)",
        "MIMOPage": "68"
    },
    "122.2": {
        "Label": "Lamellaphones (or plucked idiophones) with cut-out lamellae",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. The lamellae are of steel and are cut out in the form of a comb. Pins on a cylinder, or projections on a disc, pluck the lamellae. (Musical boxes). (en)",
        "MIMOPage": "69"
    },
    "122.2-8": {
        "Label": "Lamellaphones (or plucked idiophones) with cut-out lamellae with keyboard",
        "Instruments": [
            "Lamellaphone"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. The lamellae are of steel and are cut out in the form of a comb. Pins on a cylinder, or projections on a disc, pluck the lamellae. With keyboard. (en)",
        "MIMOPage": "6421"
    },
    "122.2-9": {
        "Label": "Mechanically driven lamellaphones (or plucked idiophones) with cut-out lamellae",
        "Instruments": [
            "Musical box"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. Lamellae, i.e. elastic plaques, fixed at one end, are flexed and then released to return to their position of rest. The lamellae are of steel and are cut out in the form of a comb. Pins on a cylinder, or projections on a disc, pluck the lamellae. Mechanically driven. (en)",
        "MIMOPage": "6422"
    },
    "13": {
        "Label": "Friction Idiophones",
        "Instruments": [
            "Friction idiophone",
            "Fusu de nuxi"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. (en)",
        "MIMOPage": "70"
    },
    "131": {
        "Label": "Friction sticks",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is in the form of a stick, and is made to vibrate by friction. (en)",
        "MIMOPage": "71"
    },
    "131.1": {
        "Label": "(Individual) friction sticks",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, is made to vibrate and radiate sound by friction. The instrument consists of an individual friction stick. Sandpaper blocks. (en)",
        "MIMOPage": "72"
    },
    "131.1-9": {
        "Label": "Mechanically driven (individual) friction sticks",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. The vibrating material consists of an individual vessel. Mechanically driven. (en)",
        "MIMOPage": "6423"
    },
    "131.2": {
        "Label": "Sets of friction sticks",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, is made to vibrate and radiate sound by friction. The instrument is formed of a set of friction sticks. (en)",
        "MIMOPage": "73"
    },
    "131.21": {
        "Label": "Sets of friction sticks with direct friction",
        "Instruments": [
            "Klavizilinder",
            "Melodion",
            "Nail violin"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, is made to vibrate and radiate sound by direct friction. The instrument is formed of a set of sticks that are rubbed. Nail fiddle, nail piano, Stockspiele. (en)",
        "MIMOPage": "74"
    },
    "131.22": {
        "Label": "Sets of friction sticks with indirect friction",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, is made to vibrate and radiate sound by indirect friction. A set of sticks is connected with others that are rubbed and, by transmitting their longitudinal vibration, stimulate transverse vibration in the former. Chladni's euphon. (en)",
        "MIMOPage": "75"
    },
    "132": {
        "Label": "Friction plaques",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. The vibrating material consists of plaques. (en)",
        "MIMOPage": "76"
    },
    "132.1": {
        "Label": "(Individual) friction plaques",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. The vibrating material consists of an individual plaque. (en)",
        "MIMOPage": "77"
    },
    "132.2": {
        "Label": "Sets of friction plaques",
        "Instruments": [
            "Launut"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. The vibrating material consists of a set of plaques. (en)",
        "MIMOPage": "78"
    },
    "133": {
        "Label": "Friction vessels",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is in the form of a vessel, and is made to vibrate by friction. (en)",
        "MIMOPage": "79"
    },
    "133.1": {
        "Label": "(Individual) friction vessels",
        "Instruments": [
            "Turtle shell"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. The vibrating material consists of an individual vessel. Brazil (tortoise shell). (en)",
        "MIMOPage": "80"
    },
    "133.2": {
        "Label": "Sets of friction vessels",
        "Instruments": [
            "Crystal Baschet",
            "Mattauphone",
            "Musical glasses"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. The vibrating material consists of a set of vessels. Verillon (glass armonica). (en)",
        "MIMOPage": "81"
    },
    "133.2-9": {
        "Label": "Mechanically driven sets of friction vessels",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. The vibrating material consists of a set of vessels. Mechanically driven. (en)",
        "MIMOPage": "6424"
    },
    "134": {
        "Label": "Friction sheet",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. The vibrating material consists of a stretched sheet. Theatrical wind machine. (en)",
        "MIMOPage": "82"
    },
    "14": {
        "Label": "Blown idiophones",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being blown upon. (en)",
        "MIMOPage": "83"
    },
    "141": {
        "Label": "Blown sticks",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being blown upon. The vibrating material consists of sticks. (en)",
        "MIMOPage": "84"
    },
    "141.1": {
        "Label": "(Individual) blown sticks",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being blown upon. The vibrating material consists of an individual stick. Unknown. (en)",
        "MIMOPage": "85"
    },
    "141.2": {
        "Label": "Sets of blown sticks",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being blown upon. The vibrating material consists of a set of blown sticks. Aeolsklavier. (en)",
        "MIMOPage": "86"
    },
    "142": {
        "Label": "Blown plaques",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being blown upon. The vibrating material consists of blown plaques. (en)",
        "MIMOPage": "87"
    },
    "142.1": {
        "Label": "(Individual) blown plaques",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being blown upon. The vibrating material consists of individual blown plaques. Unknown. (en)",
        "MIMOPage": "88"
    },
    "142.2": {
        "Label": "Sets of blown plaques",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being blown upon. The vibrating material consists of a set of blown plaques. Piano chanteur. (en)",
        "MIMOPage": "89"
    },
    "15": {
        "Label": "Metal sheets",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The vibrating material consists of a flexible sheet of metal. (en)",
        "MIMOPage": "6204"
    },
    "151": {
        "Label": "Friction metal sheet",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by friction. The vibrating material consists of a flexible sheet of metal. (en)",
        "MIMOPage": "6205"
    },
    "152": {
        "Label": "Directly struck metal sheet",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being struck directly. The vibrating material consists of a flexible sheet of metal. Theatrical thunder sheet played with a hammer. (en)",
        "MIMOPage": "6206"
    },
    "153": {
        "Label": "Metal sheet played by shaking",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being shaken. The vibrating material consists of a flexible sheet of metal. Theatrical thunder sheet played without a hammer. (en)",
        "MIMOPage": "6207"
    },
    "154": {
        "Label": "Metal sheet shaken and indirectly struck",
        "Instruments": [
            "Flexatone"
        ],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The instrument is made to vibrate by being shaken and indirectly struck. The vibrating material consists of a flexible sheet of metal. Flexatone. (en)",
        "MIMOPage": "6208"
    },
    "16": {
        "Label": "Flexed diapragms",
        "Instruments": [],
        "Description": "The substance of the instrument itself, owing to its solidity and elasticity, vibrates and radiates sound. The vibrating material consists of a semi-rigid diaphragm. The diaphragm is flexed when a string passing through its centre is pulled, before returning to rest. England, modified watering can rose or string-and-yoghurt pot toy imitating a clucking cockerel. (en)",
        "MIMOPage": "6209"
    },
    "2": {
        "Label": "Membranophones",
        "Instruments": [],
        "Description": "The sound is excited by tightly-stretched membranes. (en)",
        "MIMOPage": "94"
    },
    "21": {
        "Label": "Struck drums",
        "Instruments": [],
        "Description": "Tightly stretched membranes are struck. (en)",
        "MIMOPage": "95"
    },
    "211": {
        "Label": "Drums struck directly",
        "Instruments": [
            "Bombo",
            "Drums",
            "Gangât",
            "Tabl",
            "Tuvung"
        ],
        "Description": "The player executes the movement of striking tightly stretched membranes. This includes striking by any intermediate devices, such as beaters, keyboards, etc. Drums that are shaken are excluded. (en)",
        "MIMOPage": "96"
    },
    "211.1": {
        "Label": "Vessel drums",
        "Instruments": [
            "Kettledrums"
        ],
        "Description": "Drums with single tightly stretched membranes enclosing drum bodies in the form of vessels that are curvilinear or rectilinear in profile. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. Kettledrums. (en)",
        "MIMOPage": "97"
    },
    "211.11": {
        "Label": "(Separate) vessel drums",
        "Instruments": [
            "Akilwa",
            "Baya",
            "Baz",
            "Bendré",
            "Dagara",
            "Damama",
            "Djolon",
            "Duggi",
            "Jharidap",
            "Kara",
            "Kettledrum",
            "Kultrun",
            "Kvakhi",
            "Rabingo",
            "Tabla",
            "Tamva",
            "Tobol"
        ],
        "Description": "An individual drum with a single tightly stretched membrane enclosing a drum body in the form of a vessel that is curvilinear or rectilinear in profile. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. European timpani. (en)",
        "MIMOPage": "98"
    },
    "211.11-812": {
        "Label": "(Separate) vessel drums with tension loops",
        "Instruments": [
            "Kettledrum"
        ],
        "Description": "An individual drum with a single tightly stretched membrane enclosing a drum body in the form of a vessel that is curvilinear or rectilinear in profile. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. With membrane laced to drum. With tension loops. The cords are laced in a zigzag: every pair of strings is caught together with a small ring or loop. India. (en)",
        "MIMOPage": "6425"
    },
    "211.11-82": {
        "Label": "(Separate) vessel drums with cord-and-hide bracing",
        "Instruments": [],
        "Description": "An individual drum with a single tightly stretched membrane enclosing a drum body in the form of a vessel that is curvilinear or rectilinear in profile. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. With membrane laced to drum. Cord-and-hide bracing. The cords are laced at the lower end to a non-sonorous piece of hide. (en)",
        "MIMOPage": "6426"
    },
    "211.11-85": {
        "Label": "(Separate) vessel drums with cord-and-belt bracing",
        "Instruments": [],
        "Description": "An individual drum with a single tightly stretched membrane enclosing a drum body in the form of a vessel that is curvilinear or rectilinear in profile. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. With membrane laced to drum. Cord-and-belt bracing. The cords are laced at the lower end to a belt of different material. India. (en)",
        "MIMOPage": "6427"
    },
    "211.11-92": {
        "Label": "(Separate) vessel drums with membrane lapped onto a hoop",
        "Instruments": [
            "Kettledrum"
        ],
        "Description": "An individual drum with a single tightly stretched membrane enclosing a drum body in the form of a vessel that is curvilinear or rectilinear in profile. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. With membrane lapped onto a hoop. (en)",
        "MIMOPage": "6428"
    },
    "211.11-9211": {
        "Label": "(Separate) vessel drums with membrane lapped onto a hoop with pedal mechanism",
        "Instruments": [
            "Kettledrum"
        ],
        "Description": "An individual drum with a single tightly stretched membrane enclosing a drum body in the form of a vessel that is curvilinear or rectilinear in profile. The membrane is directly struck by the player using the hands or intermediate devices such as sticks.  With membrane lapped onto a hoop. With mechanism; with pedals. (en)",
        "MIMOPage": "6429"
    },
    "211.12": {
        "Label": "Sets of vessel drums",
        "Instruments": [
            "Diplipito",
            "Goilbi",
            "Gosha naghara",
            "Naqqara",
            "Sangad",
            "Tubilattes",
            "Tymbalon"
        ],
        "Description": "Joined sets of drums with single tightly stretched membranes enclosing drum bodies in the form of vessels that are curvilinear or rectilinear in profile. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. West Asian permanently joined pairs of kettledrums. (en)",
        "MIMOPage": "99"
    },
    "211.12-812": {
        "Label": "Sets of kettledrums with tension loops",
        "Instruments": [
            "Nakers"
        ],
        "Description": "Joined sets of drums with single tightly stretched membranes enclosing drum bodies in the form of vessels that are curvilinear or rectilinear in profile. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. West Asian permanently joined pairs of kettledrums.  With membrane laced to drum. With tension loops. The cords are laced in a zigzag: every pair of strings is caught together with a small ring or loop. India. (en)",
        "MIMOPage": "6430"
    },
    "211.2": {
        "Label": "Tubular drums",
        "Instruments": [
            "Ngoma",
            "Pan-kou"
        ],
        "Description": "Drums with tubular bodies and tightly stretched membranes enclosing one or both ends. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "100"
    },
    "211.21": {
        "Label": "Cylindrical drums",
        "Instruments": [
            "Cylindrical drum"
        ],
        "Description": "Drums with tubular bodies that have essentially the same diameter at the middle and the ends; whether or not the ends taper slightly or have projecting discs, is immaterial. Tightly stretched membranes enclose one or both ends, and are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "101"
    },
    "211.211": {
        "Label": "Single-skin cylindrical drums",
        "Instruments": [
            "Llamador",
            "Tlalpanhuetlhuetl"
        ],
        "Description": "Drums with tubular bodies that have the same diameter at the middle and the ends. These drums have single tightly stretched membranes and the opposite ends are open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "102"
    },
    "211.211.1": {
        "Label": "Individual single-skin cylindrical drums",
        "Instruments": [
            "Angoho",
            "Boyard",
            "Bumbumbu",
            "Gordang",
            "Kalapapla",
            "Mokita",
            "Ngoua ngomo",
            "Ngutha",
            "Okimou",
            "Tlalpanhuetlhuetl",
            "Tom-tom",
            "Tsoumba"
        ],
        "Description": "An individual drum with a tubular body that has the same diameter at the middle and the ends. The drum body is enclosed at one end by a single tightly stretched membrane and the opposite end is open. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. Malacca, now West Malaysia. (en)",
        "MIMOPage": "103"
    },
    "211.211.1-7": {
        "Label": "Individual single-skin cylindrical drums with membrane nailed to drum",
        "Instruments": [
            "Engalabi"
        ],
        "Description": "An individual drum with a tubular body that has the same diameter at the middle and the ends. The drum body is enclosed at one end by a single tightly stretched membrane and the opposite end is open. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. With membrane nailed to drum. (en)",
        "MIMOPage": "6431"
    },
    "211.211.1-92": {
        "Label": "Individual single-skin cylindrical drums with membrane lapped onto a hoop",
        "Instruments": [
            "Tom-tom"
        ],
        "Description": "An individual drum with a tubular body that has the same diameter at the middle and the ends. The drum body is enclosed at one end by a single tightly stretched membrane and the opposite end is open. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. With membrane lapped onto a hoop. (en)",
        "MIMOPage": "6432"
    },
    "211.211.2": {
        "Label": "Sets of single-skin cylindrical drums",
        "Instruments": [
            "Ching'oma"
        ],
        "Description": "Sets of drums with tubular bodies that have the same diameter at the middle and the ends. Each drum body is enclosed at one end by a single tightly stretched membrane, and the opposite end is open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "104"
    },
    "211.212": {
        "Label": "Double-skin cylindrical drums",
        "Instruments": [
            "Bombo",
            "Contra surdo",
            "Gimbar",
            "Gongand",
            "Tajeraste",
            "Tambora"
        ],
        "Description": "Drums with tubular bodies that have the same diameter at the middle and the ends. The drum bodies are enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "105"
    },
    "211.212.1": {
        "Label": "Individual double-skin cylindrical drums",
        "Instruments": [
            "Bass drum",
            "Contra surdo",
            "Gangango",
            "Gangari",
            "Gongon",
            "Guagulu",
            "Gubié",
            "Kabaro",
            "Ndo",
            "Tambor",
            "Tebashul",
            "Tümïr"
        ],
        "Description": "An individual drum with a tubular body that has the same diameter at the middle and the ends. The drum body is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "106"
    },
    "211.212.1-92": {
        "Label": "Individual double-skin cylindrical drums with membrane lapped onto a hoop",
        "Instruments": [],
        "Description": "An individual drum with a tubular body that has the same diameter at the middle and the ends. The drum body is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. With membrane lapped onto a hoop. (en)",
        "MIMOPage": "6433"
    },
    "211.212.11": {
        "Label": "Individual double-skin cylindrical drums, one skin used for playing",
        "Instruments": [
            "Chapuo"
        ],
        "Description": "An individual drum with a tubular body that has the same diameter at the middle and the ends. The drum body is enclosed by a tightly stretched membrane at either end. One membrane is directly struck by the player using the hands or intermediate devices such as sticks. Europe; side drum, tenor drum, tambourin de Provence. (en)",
        "MIMOPage": "2179"
    },
    "211.212.11-92": {
        "Label": "Individual double-skin cylindrical drums, one skin used for playing with membrane lapped onto a hoop",
        "Instruments": [
            "Side drum",
            "Tenor drum"
        ],
        "Description": "An individual drum with a tubular body that has a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose the body at either end. One membrane is directly struck by the player using the hands or intermediate devices such as sticks. With membrane lapped onto a hoop. (en)",
        "MIMOPage": "6434"
    },
    "211.212.12": {
        "Label": "Individual double-skin cylindrical drums, both heads played",
        "Instruments": [],
        "Description": "An individual drum with a tubular body that has the same diameter at the middle and the ends. The drum body is enclosed by a tightly stretched membrane at either end. Both membranes are directly struck by the player using the hands or intermediate devices such as sticks. Turkey davul, Europe bass drum in marching band. (en)",
        "MIMOPage": "2180"
    },
    "211.212.2": {
        "Label": "Sets of double-skin cylindrical drums",
        "Instruments": [
            "Pambai"
        ],
        "Description": "Sets of drums with tubular bodies that have the same diameter at the middle and the ends. Each drum body is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "107"
    },
    "211.212.21": {
        "Label": "Sets of double-skin cylindrical drums with single playing heads",
        "Instruments": [
            "Mchirima",
            "Ohangla"
        ],
        "Description": "Sets of drums with tubular bodies that have the same diameter at the middle and the ends. Each drum body is enclosed at both ends by a tightly stretched membrane only one of which is directly struck by the player, using the hands or intermediate devices such as sticks. Europe drum kit. (en)",
        "MIMOPage": "2181"
    },
    "211.212.22": {
        "Label": "Sets of double-skin cylindrical drums, both heads played",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have the same diameter at the middle and the ends. Each drum body is enclosed at either end by a tightly stretched membrane. Both membranes are directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2182"
    },
    "211.22": {
        "Label": "Barrel-shaped drums",
        "Instruments": [
            "Barrel drum",
            "Bombo",
            "Ciblon",
            "Kenang"
        ],
        "Description": "Drums with barrel-shaped bodies, where the diameter is larger at the middle than at the ends. The outline of the body is curvilinear. Tightly stretched membranes enclose one or both ends, and are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "108"
    },
    "211.221": {
        "Label": "Single-skin barrel drums",
        "Instruments": [],
        "Description": "Drums with barrel-shaped bodies, where the diameter is larger at the middle than at the ends. The drums have single tightly stretched membranes and the opposite ends are open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5538"
    },
    "211.221.1": {
        "Label": "Individual single-skin barrel drums",
        "Instruments": [
            "Atwereba",
            "Djembe",
            "Ngoho",
            "Ngoua essoumba",
            "Trong",
            "Trong chien",
            "Tyepondo-pinge"
        ],
        "Description": "An individual drum with a barrel-shaped body, where the diameter is larger at the middle than at the ends. The drum body is enclosed at one end by a single tightly stretched membrane and the opposite end is open. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5539"
    },
    "211.221.2": {
        "Label": "Sets of single-skin barrel drums",
        "Instruments": [
            "Noego",
            "Yeonggo"
        ],
        "Description": "Sets of drums with barrel-shaped bodies, where the diameter is larger at the middle than at the ends. Each drum body is enclosed at one end by a single tightly stretched membrane, and the opposite end is open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5540"
    },
    "211.222": {
        "Label": "Double-skin barrel drums",
        "Instruments": [
            "Kendang",
            "Ketipung"
        ],
        "Description": "Drums with barrel-shaped bodies, where the diameter is larger at the middle than at the ends. The drum bodies are enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5541"
    },
    "211.222.1": {
        "Label": "Individual double-skin barrel drums",
        "Instruments": [
            "Dhol",
            "Dholak",
            "Ndoungou",
            "Ngô",
            "Tien-kou",
            "Trong cai"
        ],
        "Description": "An individual drum with a barrel-shaped body, where the diameter is larger at the middle than at the ends. The drum body is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5542"
    },
    "211.222.1-7": {
        "Label": "Individual double-skin barrel drums with membrane nailed to drum",
        "Instruments": [
            "Barrel drum"
        ],
        "Description": "An individual drum with a barrel-shaped body, where the diameter is larger at the middle than at the ends. The drum body is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. With membrane nailed to drum. (en)",
        "MIMOPage": "6435"
    },
    "211.222.1-813": {
        "Label": "Individual double-skin barrel drums with wedge-bracing",
        "Instruments": [],
        "Description": "An individual drum with a barrel-shaped body, where the diameter is larger at the middle than at the ends. The drum body is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. With membrane laced to drum, with wedge-bracing. (en)",
        "MIMOPage": "6436"
    },
    "211.222.1-86": {
        "Label": "Individual double-skin barrel drums with cord-and-peg bracing",
        "Instruments": [],
        "Description": "An individual drum with a barrel-shaped body, where the diameter is larger at the middle than at the ends. The drum body is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. With membrane laced to drum. (en)",
        "MIMOPage": "6437"
    },
    "211.222.1-92": {
        "Label": "Individual double-skin barrel drums with membrane lapped onto a hoop",
        "Instruments": [],
        "Description": "An individual drum with a barrel-shaped body, where the diameter is larger at the middle than at the ends. The drum body is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. With membrane lapped onto a hoop. (en)",
        "MIMOPage": "6438"
    },
    "211.222.11": {
        "Label": "Individual double-skin barrel drums, one skin used for playing",
        "Instruments": [
            "A",
            "Beopgo",
            "Eunggo",
            "Geongo",
            "Jwago",
            "Mugo",
            "Pungmulbuk",
            "Sang"
        ],
        "Description": "An individual drum with a barrel-shaped body, where the diameter is larger at the middle than at the ends. The drum body is enclosed by a tightly stretched membrane at either end. One membrane is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5543"
    },
    "211.222.12": {
        "Label": "Individual double-skin barrel drums, both heads played",
        "Instruments": [
            "Yonggo"
        ],
        "Description": "An individual drum with a barrel-shaped body, where the diameter is larger at the middle than at the ends. The drum body is enclosed by a tightly stretched membrane at either end. Both membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5544"
    },
    "211.222.2": {
        "Label": "Sets of double-skin barrel drums",
        "Instruments": [
            "Joraghai"
        ],
        "Description": "Sets of drums with barrel-shaped bodies, where the diameter is larger at the middle than at the ends. Each drum body is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5545"
    },
    "211.222.21": {
        "Label": "Sets of double-skin barrel drums with single playing heads",
        "Instruments": [],
        "Description": "Sets of drums with barrel-shaped bodies, where the diameter is larger at the middle than at the ends. Each drum body is enclosed at both ends by a tightly stretched membrane only one of which is directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5546"
    },
    "211.222.22": {
        "Label": "Sets of double-skin barrel drums, both heads played",
        "Instruments": [
            "Nodo",
            "Noedo"
        ],
        "Description": "Sets of drums with barrel-shaped bodies, where the diameter is larger at the middle than at the ends. Each drum body is enclosed at either end by a tightly stretched membrane. Both membranes are directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5547"
    },
    "211.23": {
        "Label": "Double-conical drums",
        "Instruments": [
            "Double-conical drum"
        ],
        "Description": "Drums with tubular bodies that have a larger diameter at the middle than at the ends. The drum bodies are rectilinear, with an angular profile. Tightly stretched membranes enclose one or both ends, and are directly struck by the player using the hands or intermediate devices such as sticks. India (mrdanga, pakhavaja). (en)",
        "MIMOPage": "109"
    },
    "211.231": {
        "Label": "Single-skin double-conical drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies that have a larger diameter at the middle than at the ends. The drum bodies are rectilinear, with an angular profile. They have single tightly stretched membranes and the opposite ends are open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5548"
    },
    "211.231.1": {
        "Label": "Individual single-skin double-conical drums",
        "Instruments": [],
        "Description": "An individual drum with a tubular body that has a larger diameter at the middle than at the ends. The drum body is rectilinear, with an angular profile. It is enclosed at one end by a single tightly stretched membrane and the opposite end is open. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5549"
    },
    "211.231.2": {
        "Label": "Sets of single-skin double-conical drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a larger diameter at the middle than at the ends. The drum bodies are rectilinear, with an angular profile. Each drum body is enclosed at one end by a single tightly stretched membrane, and the opposite end is open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5550"
    },
    "211.232": {
        "Label": "Double-skin double-conical drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies that have a larger diameter at the middle than at the ends. The drum bodies are rectilinear, with an angular profile. Tightly stretched membranes enclose the body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5551"
    },
    "211.232.1": {
        "Label": "Individual double-skin double-conical drums",
        "Instruments": [
            "Dholak"
        ],
        "Description": "An individual drum with a tubular body that has a larger diameter at the middle than at the ends. The drum body is rectilinear, with an angular profile. Tightly stretched membranes enclose the body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5552"
    },
    "211.232.11": {
        "Label": "Individual double-skin double-conical drums, one skin used for playing",
        "Instruments": [],
        "Description": "An individual drum with a tubular body that has a larger diameter at the middle than at the ends. The drum body is rectilinear, with an angular profile. Tightly stretched membranes enclose the body at either end. One membrane is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5553"
    },
    "211.232.12": {
        "Label": "Individual double-skin double-conical drums, both heads played",
        "Instruments": [],
        "Description": "An individual drum with a tubular body that has a larger diameter at the middle than at the ends. The drum body is rectilinear, with an angular profile. Tightly stretched membranes enclose the body at either end. Both membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5554"
    },
    "211.232.2": {
        "Label": "Sets of double-skin double-conical drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a larger diameter at the middle than at the ends. The drum bodies are rectilinear, with an angular profile. Tightly stretched membranes enclose each drum body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5555"
    },
    "211.232.21": {
        "Label": "Sets of double-skin double-conical drums with single playing heads",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a larger diameter at the middle than at the ends. The drum bodies are rectilinear, with an angular profile. They are enclosed at both ends by a tightly stretched membrane only one of which is directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5556"
    },
    "211.232.22": {
        "Label": "Sets of double-skin double-conical drums, both heads played",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a larger diameter at the middle than at the ends. The drum bodies are rectilinear, with an angular profile. They are enclosed at both ends by a tightly stretched membrane. Both membranes are directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5557"
    },
    "211.24": {
        "Label": "Hourglass-shaped drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies that have a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose one or both ends, and are directly struck by the player using the hands or intermediate devices such as sticks. Asia, Melanesia, E. Africa. (en)",
        "MIMOPage": "110"
    },
    "211.241": {
        "Label": "Single-skin hourglass-shaped drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies that have a smaller diameter at the middle than at the ends. These drums have single tightly stretched membranes and the opposite ends are open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5558"
    },
    "211.241.1": {
        "Label": "Individual single-skin hourglass-shaped drums",
        "Instruments": [
            "Jevetya",
            "Ngoma za muheme"
        ],
        "Description": "An individual drum with a tubular body that has a smaller diameter at the middle than at the ends. It is enclosed at one end by a single tightly stretched membrane and the opposite end is open. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5559"
    },
    "211.241.2": {
        "Label": "Sets of single-skin hourglass-shaped drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a smaller diameter at the middle than at the ends. Each drum body is enclosed at one end by a single tightly stretched membrane, and the opposite end is open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5560"
    },
    "211.242": {
        "Label": "Double-skin hourglass-shaped drums",
        "Instruments": [
            "Biô"
        ],
        "Description": "Drums with tubular bodies that have a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose the body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5561"
    },
    "211.242.1": {
        "Label": "Individual double-skin hourglass-shaped drums",
        "Instruments": [
            "Bata",
            "Djoungdjoung",
            "Gubié",
            "Gudolo",
            "Gufalo",
            "Hudukka",
            "Janggu",
            "Tomba"
        ],
        "Description": "An individual drum with a tubular body that has a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose the body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5562"
    },
    "211.242.11": {
        "Label": "Individual double-skin hourglass-shaped drums, one skin used for playing",
        "Instruments": [
            "Dangossènè",
            "Dendene-sa",
            "Eguan",
            "Gussiné Bié",
            "Lonlonga",
            "Lunga",
            "Tama",
            "Tondôrou",
            "Tourou",
            "Youba"
        ],
        "Description": "An individual drum with a tubular body that has a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose the body at either end. One membrane is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5563"
    },
    "211.242.11-81": {
        "Label": "Individual double-skin hourglass-shaped drums, one skin used for playing with cord- (ribbon-) bracing",
        "Instruments": [],
        "Description": "An individual drum with a tubular body that has a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose the body at either end. One membrane is directly struck by the player using the hands or intermediate devices such as sticks. With membrane laced to drum. Cord-(ribbon-) bracing. The cords are stretched from membrane to membrane or arranged in the form of a net. (en)",
        "MIMOPage": "6439"
    },
    "211.242.12": {
        "Label": "Individual double-skin hourglass-shaped drums, both heads played",
        "Instruments": [
            "Dojagi janggu",
            "Galgo",
            "Mukupiela",
            "Sajanggu"
        ],
        "Description": "An individual drum with a tubular body that has a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose the body at either end. Both membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5564"
    },
    "211.242.2": {
        "Label": "Sets of double-skin hourglass-shaped drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose each drum body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5565"
    },
    "211.242.21": {
        "Label": "Sets of double-skin hourglass-shaped drums with single playing heads",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a smaller diameter at the middle than at the ends. They are enclosed at both ends by a tightly stretched membrane only one of which is directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5566"
    },
    "211.242.22": {
        "Label": "Sets of double-skin hourglass-shaped drums, both heads played",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose the body at either end. Both membranes are directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5567"
    },
    "211.25": {
        "Label": "Conical drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies in which the diameter at the ends differs considerably; some minor departures from strict conicity, inevitably met, are disregarded here. Tightly stretched membranes enclose one or both ends, and are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "111"
    },
    "211.251": {
        "Label": "Single-skin conical drums",
        "Instruments": [
            "Kultrun",
            "Tambor mayor"
        ],
        "Description": "Drums with tubular bodies in which the diameter at the ends differs considerably. These drums have single tightly stretched membranes and the opposite ends are open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2183"
    },
    "211.251.1": {
        "Label": "Individual single-skin conical drums",
        "Instruments": [
            "Kuidzoua",
            "Kvakhica",
            "Libbit",
            "Llamador",
            "Minigé",
            "Panaba",
            "Shagu",
            "Sima",
            "Tambor mayor",
            "Trong boc",
            "Tsoumba"
        ],
        "Description": "An individual drum with a tubular body in which the diameter at the ends differs considerably. It is enclosed at one end by a single tightly stretched membrane and the opposite end is open. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2185"
    },
    "211.251.2": {
        "Label": "Sets of single-skin conical drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies in which the diameter at the ends differs considerably. Each drum body is enclosed at one end by a single tightly stretched membrane, and the opposite end is open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2186"
    },
    "211.252": {
        "Label": "Double-skin conical drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies in which the diameter at the ends differs considerably. Tightly stretched membranes enclose the body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2184"
    },
    "211.252.1": {
        "Label": "Individual double-skin conical drums",
        "Instruments": [
            "Jagajhampa",
            "Madar"
        ],
        "Description": "An individual drum with a tubular body in which the diameter at the ends differs considerably. Tightly stretched membranes enclose the body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2187"
    },
    "211.252.1-81": {
        "Label": "Individual double-skin conical drums with cord- (ribbon-) bracing",
        "Instruments": [
            "Bata"
        ],
        "Description": "An individual drum with a tubular body in which the diameter at the ends differs considerably. Tightly stretched membranes enclose the body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. With membrane laced to drum. Cord-(ribbon-) bracing. The cords are stretched from membrane to membrane or arranged in the form of a net. (en)",
        "MIMOPage": "6440"
    },
    "211.252.11": {
        "Label": "Individual double-skin conical drums, one skin used for playing",
        "Instruments": [
            "Gaza",
            "Go",
            "N'danda"
        ],
        "Description": "An individual drum with a tubular body in which the diameter at the ends differs considerably. Tightly stretched membranes enclose the body at either end. One membrane is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2189"
    },
    "211.252.12": {
        "Label": "Individual double-skin conical drums, both heads played",
        "Instruments": [],
        "Description": "An individual drum with a tubular body in which the diameter at the ends differs considerably. Tightly stretched membranes enclose the body at either end. Both membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2190"
    },
    "211.252.2": {
        "Label": "Sets of double-skin conical drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies in which the diameter at the ends differs considerably. Tightly stretched membranes enclose the body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2188"
    },
    "211.252.21": {
        "Label": "Sets of double-skin conical drums with single playing heads",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies in which the diameter at the ends differs considerably. Each drum body is enclosed at both ends by a tightly stretched membrane only one of which is directly struck by the player, using the hands or intermediate devices such as sticks. Entenga drum chime. (en)",
        "MIMOPage": "2191"
    },
    "211.252.22": {
        "Label": "Sets of double-skin conical drums, both heads played",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies in which the diameter at the ends differs considerably. Tightly stretched membranes enclose each drum body at either end. Both membranes are directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "2192"
    },
    "211.26": {
        "Label": "Goblet-shaped drums",
        "Instruments": [
            "Bérenté",
            "Bibliku",
            "Bülkül",
            "Dadabuan",
            "Darabukka",
            "Ditumba",
            "Ebele",
            "Glaw ng yao",
            "Gouagnon",
            "Gummati",
            "Isikuti",
            "Laiyant",
            "Musondo",
            "Nonga",
            "Ombangui",
            "Téhindé",
            "Woka",
            "Zarb",
            "Zirbaghali"
        ],
        "Description": "Drums with tubular bodies consisting of a main section which is either cup-shaped or cylindrical, and a slender stem. A tightly stretched membrane encloses the upper end, and is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "112"
    },
    "211.26-6": {
        "Label": "Single-skin goblet-shaped drums with membrane glued to drum",
        "Instruments": [],
        "Description": "Drums with tubular bodies consisting of a main section which is either cup-shaped or cylindrical, and a slender stem. A tightly stretched membrane encloses the upper end, and is directly struck by the player using the hands or intermediate devices such as sticks. With membrane glued to drum. (en)",
        "MIMOPage": "6450"
    },
    "211.27": {
        "Label": "Cylindro-conical drums",
        "Instruments": [
            "Cylindrical-conical drum",
            "Ndungu"
        ],
        "Description": "Drums with tubular bodies consisting of a cylindrical upper section and a conical lower section. Tightly stretched membranes enclose one or both ends, and are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5568"
    },
    "211.271": {
        "Label": "Single-skin cylindro-conical drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies consisting of a cylindrical upper section and a conical lower section. These drums have single tightly stretched membranes and the opposite ends are open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5569"
    },
    "211.271.1": {
        "Label": "Individual single-skin cylindro-conical drums",
        "Instruments": [
            "Palandan"
        ],
        "Description": "An individual drum with a tubular body consisting of a cylindrical upper section and a conical lower section. It is enclosed at one end by a single tightly stretched membrane and the opposite end is open. Sometimes the foot is flared. The membrane is directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5570"
    },
    "211.271.2": {
        "Label": "Sets of single-skin cylindro-conical drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies consisting of a cylindrical upper section and a conical lower section. Each drum body is enclosed at one end by a single tightly stretched membrane, and the opposite end is open. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5571"
    },
    "211.272": {
        "Label": "Double-skin cylindro-conical drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies consisting of a cylindrical upper section and a conical lower section. They are enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5572"
    },
    "211.272.1": {
        "Label": "Individual double-skin cylindro-conical drums",
        "Instruments": [],
        "Description": "An individual drum with a tubular body consisting of a cylindrical upper section and a conical lower section. It is enclosed by a tightly stretched membrane at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5573"
    },
    "211.272.11": {
        "Label": "Individual double-skin cylindro-conical drums, one skin used for playing",
        "Instruments": [
            "Uganda drum"
        ],
        "Description": "An individual drum with a tubular body consisting of a cylindrical upper section and a conical lower section. It is enclosed by a tightly stretched membrane at either end. One membrane is directly struck by the player using the hands or intermediate devices such as sticks. Uganda drum. (en)",
        "MIMOPage": "5574"
    },
    "211.272.12": {
        "Label": "Individual double-skin cylindro-conical drums, both heads played",
        "Instruments": [],
        "Description": "An individual drum with a tubular body consisting of a cylindrical upper section and a conical lower section. It is enclosed by a tightly stretched membrane at either end. Both membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5575"
    },
    "211.272.2": {
        "Label": "Sets of double-skin cylindro-conical drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies consisting of a cylindrical upper section and a conical lower section. Tightly stretched membranes enclose each drum body at either end. The membranes are directly struck by the player using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5576"
    },
    "211.272.21": {
        "Label": "Sets of double-skin cylindro-conical drums with single playing heads",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies consisting of a cylindrical upper section and a conical lower section. They are enclosed at both ends by a tightly stretched membrane only one of which is directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5577"
    },
    "211.272.22": {
        "Label": "Sets of double-skin cylindro-conical drums, both heads played",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies consisting of a cylindrical upper section and a conical lower section. They are enclosed at either end by a tightly stretched membrane. Both membranes are directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5578"
    },
    "211.28": {
        "Label": "Vase-shaped drums",
        "Instruments": [
            "Vase-shaped drum"
        ],
        "Description": "Tubular drums with waisted bodies. The upper section is conical, and the lower section is rectilinear or curvilinear in profile, and tapers towards the open foot that may be flared. The tightly stretched single membrane is directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "5579"
    },
    "211.3": {
        "Label": "Frame drums",
        "Instruments": [
            "Frame drum",
            "Tarol"
        ],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. The tightly stretched membranes are directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "114"
    },
    "211.31": {
        "Label": "Frame drums without handle",
        "Instruments": [
            "Repinique"
        ],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. The body has no rigid handle. The tightly stretched membranes are directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "115"
    },
    "211.311": {
        "Label": "Single-skin frame drums without handle",
        "Instruments": [
            "Bajiao gu",
            "Bendir",
            "Daire",
            "Daph",
            "Dindimi",
            "Duba",
            "Duff",
            "Khaijari",
            "Lppumin",
            "Mazhar",
            "Pandereta",
            "Patenge",
            "Redap",
            "Riqq",
            "Roto-toms",
            "Sakara",
            "Tambourine",
            "Tamburino",
            "Tapattai",
            "Tar",
            "Trong manh",
            "Trong va",
            "Wankara"
        ],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. The body has no rigid handle. The single tightly stretched membrane is directly struck by the player, using the hands or intermediate devices such as sticks. Tambourine. (en)",
        "MIMOPage": "116"
    },
    "211.311-7": {
        "Label": "Single-skin frame drums without handle with membrane nailed to drum",
        "Instruments": [
            "Bangu"
        ],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. The body has no rigid handle. The single tightly stretched membrane is directly struck by the player, using the hands or intermediate devices such as sticks. With membrane nailed to drum. (en)",
        "MIMOPage": "6441"
    },
    "211.311-86": {
        "Label": "Single-skin frame drums without handle with cord-and-peg bracing",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. The body has no rigid handle. The single tightly stretched membrane is directly struck by the player, using the hands or intermediate devices such as sticks. With membrane laced to drum. Cord-and-peg bracing. the cords are lsced at the lower end to pegs stuck into the wall of the drum. Africa. (en)",
        "MIMOPage": "6442"
    },
    "211.311-92": {
        "Label": "Single-skin frame drums without handle with membrane lapped onto a hoop",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. The body has no rigid handle. The single tightly stretched membrane is directly struck by the player, using the hands or intermediate devices such as sticks.  With membrane lapped onto a hoop. (en)",
        "MIMOPage": "6443"
    },
    "211.312": {
        "Label": "Double-skin frame drums without handle",
        "Instruments": [
            "Automatic drum",
            "Bombo",
            "Bul",
            "Caja",
            "Daf",
            "Ganga",
            "Gu",
            "Repinique",
            "Wankara"
        ],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. The body has no rigid handle. It is enclosed by two tightly stretched membranes that are directly struck by the player, using the hands or intermediate devices such as sticks. North Africa, Portugal. (en)",
        "MIMOPage": "117"
    },
    "211.312-7": {
        "Label": "Double-skin frame drums without handle with membrane nailed to drum",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. The body has no rigid handle. It is enclosed by two tightly stretched membranes that are directly struck by the player, using the hands or intermediate devices such as sticks. With membrane nailed to drum. (en)",
        "MIMOPage": "6444"
    },
    "211.32": {
        "Label": "Frame drums with handle",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The tightly stretched membranes are directly struck by the player, using the hands or intermediate devices such as sticks. (en)",
        "MIMOPage": "118"
    },
    "211.321": {
        "Label": "Single-skin frame drums with handle",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The single tightly stretched membrane is directly struck by the player, using the hands or intermediate devices such as sticks. Inuit. (en)",
        "MIMOPage": "119"
    },
    "211.321-86": {
        "Label": "Single-skin frame drums with handle with cord-and-peg bracing",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The single tightly stretched membrane is directly struck by the player, using the hands or intermediate devices such as sticks. With membrane laced to drum. (en)",
        "MIMOPage": "6445"
    },
    "211.321-92": {
        "Label": "Single-skin frame drums with handle with membrane lapped onto a hoop",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The single tightly stretched membrane is directly struck by the player, using the hands or intermediate devices such as sticks.  With membrane lapped onto a hoop. (en)",
        "MIMOPage": "6446"
    },
    "211.322": {
        "Label": "Double-skin frame drums with handle",
        "Instruments": [
            "Beokgu",
            "Soge",
            "Sogo"
        ],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The body is enclosed by tightly stretched membranes that are directly struck by the player, using the hands or intermediate devices such as sticks. Tibet. (en)",
        "MIMOPage": "120"
    },
    "212": {
        "Label": "Rattle drums",
        "Instruments": [
            "Rattle drum"
        ],
        "Description": "Tightly stretched membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "121"
    },
    "212.1": {
        "Label": "Vessel rattle drums",
        "Instruments": [],
        "Description": "Drums with single tightly stretched membranes enclosing drum bodies in the form of vessels that are curvilinear or rectilinear in profile. The membranes are indirectly struck by enclosed pellets, or similar objects, when the drum is shaken. (Unknown). (en)",
        "MIMOPage": "5580"
    },
    "212.2": {
        "Label": "Tubular rattle drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies and tightly stretched membranes enclosing both ends. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5581"
    },
    "212.21": {
        "Label": "Cylindrical rattle drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies that have the same diameter at the middle and the ends. The drum bodies are enclosed by a tightly stretched membrane at either end. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5582"
    },
    "212.211": {
        "Label": "Individual cylindrical rattle drums",
        "Instruments": [],
        "Description": "An individual drum with a tubular body that has the same diameter at the middle and the ends. The drum body is enclosed by a tightly stretched membrane at either end. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5583"
    },
    "212.212": {
        "Label": "Sets of cylindrical rattle drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have the same diameter at the middle and the ends. Each drum body is enclosed by a tightly stretched membrane at either end. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5584"
    },
    "212.22": {
        "Label": "Barrel-shaped rattle drums",
        "Instruments": [],
        "Description": "Drums with barrel-shaped bodies, where the diameter is larger at the middle than at the ends. The drum bodies are enclosed by a tightly stretched membrane at either end. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5585"
    },
    "212.221": {
        "Label": "Individual barrel-shaped rattle drums",
        "Instruments": [],
        "Description": "An individual drum with a barrel-shaped body in which the diameter is larger at the middle than at the ends. The drum body is enclosed by a tightly stretched membrane at either end. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5586"
    },
    "212.222": {
        "Label": "Sets of barrel-shaped rattle drums",
        "Instruments": [],
        "Description": "Sets of drums with barrel-shaped bodies, where the diameter is larger at the middle than at the ends. Each drum body is enclosed by a tightly stretched membrane at either end. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5587"
    },
    "212.23": {
        "Label": "Double-conical rattle drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies that have a larger diameter at the middle than at the ends. The drum bodies are rectilinear, with an angular profile. Tightly stretched membranes enclose the body at either end. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (Unknown). (en)",
        "MIMOPage": "5588"
    },
    "212.231": {
        "Label": "Individual double-conical rattle drums",
        "Instruments": [],
        "Description": "An individual drum with a tubular body that has a larger diameter at the middle than at the ends. The drum body is rectilinear, with an angular profile. Tightly stretched membranes enclose the body at either end. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5589"
    },
    "212.232": {
        "Label": "Sets of double-conical rattle drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a larger diameter at the middle than at the ends. The drum bodies are rectilinear, with an angular profile. Tightly stretched membranes enclose each drum body at either end. The membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5590"
    },
    "212.24": {
        "Label": "Hourglass-shaped rattle drums",
        "Instruments": [],
        "Description": "Drums with tubular bodies that have a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose the body at either end. The membranes are indirectly struck by pendant pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5591"
    },
    "212.241": {
        "Label": "Individual hourglass-shaped rattle drums",
        "Instruments": [
            "Damaru"
        ],
        "Description": "An individual drum with a tubular body that has a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose the body at either end. The membranes are indirectly struck by pendant pellets, or similar objects, when the drum is shaken. India. (en)",
        "MIMOPage": "5592"
    },
    "212.242": {
        "Label": "Sets of hourglass-shaped rattle drums",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose each drum body at either end. The membranes are indirectly struck by pendant pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5593"
    },
    "212.242-7": {
        "Label": "Sets of hourglass-shaped rattle drums with membrane nailed to drum",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose each drum body at either end. The membranes are indirectly struck by pendant pellets, or similar objects, when the drum is shaken. With membrane nailed to drum. (en)",
        "MIMOPage": "6447"
    },
    "212.242-91": {
        "Label": "Sets of hourglass-shaped rattle drums with membrane lapped onto a ring of cord",
        "Instruments": [],
        "Description": "Sets of drums with tubular bodies that have a smaller diameter at the middle than at the ends. Tightly stretched membranes enclose each drum body at either end. The membranes are indirectly struck by pendant pellets, or similar objects, when the drum is shaken.  With membrane lapped onto a ring of cord. (en)",
        "MIMOPage": "6448"
    },
    "212.3": {
        "Label": "Frame rattle drums",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The tightly stretched membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5594"
    },
    "212.31": {
        "Label": "Single-skin frame rattle drums",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The single tightly stretched membrane is indirectly struck by pendant pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5595"
    },
    "212.31-92": {
        "Label": "Single-skin frame rattle drums with membrane lapped onto a hoop",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The single tightly stretched membrane is indirectly struck by pendant pellets, or similar objects, when the drum is shaken.  With membrane lapped onto a hoop. (en)",
        "MIMOPage": "6449"
    },
    "212.32": {
        "Label": "Double-skin frame rattle drums",
        "Instruments": [],
        "Description": "Drums in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The tightly stretched membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. (en)",
        "MIMOPage": "5596"
    },
    "212.321": {
        "Label": "Individual double-skin frame rattle drums",
        "Instruments": [],
        "Description": "An individual drum in which the depth of the body does not exceed the radius of the membrane. A stick forming a handle is attached to the frame in line with its diameter. The tightly stretched membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. India. (en)",
        "MIMOPage": "5597"
    },
    "212.322": {
        "Label": "Sets of double-skin frame rattle drums",
        "Instruments": [],
        "Description": "Sets of drums in each one of which the depth of the body does not exceed the radius of the membrane. A stick forming a handle passes through all the drum bodies. The tightly stretched membranes are indirectly struck by pendant or enclosed pellets, or similar objects, when the drum is shaken. China. (en)",
        "MIMOPage": "5598"
    },
    "23": {
        "Label": "Friction drums",
        "Instruments": [],
        "Description": "The sound is excited by tightly stretched membranes made to vibrate by friction. (en)",
        "MIMOPage": "123"
    },
    "231": {
        "Label": "Friction drums with stick",
        "Instruments": [],
        "Description": "The sound is excited by tightly stretched membranes, made to vibrate by friction. A stick in contact with the membrane is either itself rubbed, or is employed to rub the membrane. (en)",
        "MIMOPage": "124"
    },
    "231.1": {
        "Label": "Friction drums with inserted stick",
        "Instruments": [],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by friction with a stick that passes through a hole in it. The stick is either itself rubbed, or is employed to rub the membrane. (en)",
        "MIMOPage": "125"
    },
    "231.11": {
        "Label": "Friction drums with fixed stick",
        "Instruments": [
            "Kingula-ngula",
            "Zambola"
        ],
        "Description": "The sound is excited by a tightly stretched membrane, made to vibrate by friction. A fixed stick makes contact with the membrane, passing through a hole in it. The stick is subjected to friction by rubbing. Africa. (en)",
        "MIMOPage": "126"
    },
    "231.12": {
        "Label": "Friction drums with semi-fixed stick",
        "Instruments": [
            "Nyamalwa"
        ],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by friction with a stick that passes through a hole in it. The stick is movable to a sufficient extent to rub the membrane when it is itself rubbed by the hand. Africa. (en)",
        "MIMOPage": "127"
    },
    "231.13": {
        "Label": "Friction drums with free stick",
        "Instruments": [],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by friction with a stick that passes through a hole in it. The stick can be moved freely; it is not itself rubbed, but is employed to rub the membrane. Venezuela. (en)",
        "MIMOPage": "128"
    },
    "231.2": {
        "Label": "Friction drums with tied stick",
        "Instruments": [
            "Pignata",
            "Rommelpot",
            "Zambomba"
        ],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by friction. A stick makes contact with the membrane, passing through a hole in it. The stick is tied to the membrane in an upright position. Europe. (en)",
        "MIMOPage": "129"
    },
    "232": {
        "Label": "Friction drums with cord",
        "Instruments": [],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by friction. A cord attached to the membrane is rubbed. (en)",
        "MIMOPage": "130"
    },
    "232.1": {
        "Label": "Stationary friction drums with friction cord",
        "Instruments": [],
        "Description": "The sound is excited by tightly stretched membranes made to vibrate by friction. A cord, attached to the membrane, is rubbed. The drum is held stationary. Europe, Africa. (en)",
        "MIMOPage": "131"
    },
    "232.11": {
        "Label": "Single-skin stationary drums with friction cord",
        "Instruments": [
            "Fanfrnoch",
            "Partrijzenlokker"
        ],
        "Description": "The sound is excited by a tightly stretched single membrane made to vibrate by friction when a cord, attached to the membrane is rubbed. The drum is held stationary. (en)",
        "MIMOPage": "132"
    },
    "232.12": {
        "Label": "Double-skin stationary drums with frictioncord",
        "Instruments": [],
        "Description": "The sound is excited by two tightly stretched membranes made to vibrate by friction when a cord, attached to them, is rubbed. The drum is held stationary. (en)",
        "MIMOPage": "133"
    },
    "232.2": {
        "Label": "Friction drum with whirling stick",
        "Instruments": [
            "Ronker",
            "Wawa"
        ],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by friction. The drum is whirled on a cord which rubs on a [resined] notch in the holding stick. Waldteufel [cardboard buzzer]. Europe, India, E. Africa. (en)",
        "MIMOPage": "134"
    },
    "233": {
        "Label": "Hand friction drums",
        "Instruments": [],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by friction when rubbed by the hand. (en)",
        "MIMOPage": "135"
    },
    "24": {
        "Label": "Singing membranes (Kazoos)",
        "Instruments": [
            "Mirlitons",
            "Mirlitons"
        ],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by speaking or singing into it; the sound of the membrane modifies that of the voice. Europe, W. Africa. (en)",
        "MIMOPage": "137"
    },
    "241": {
        "Label": "Free kazoos",
        "Instruments": [],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by speaking or singing into it; the sound of the membrane modifies that of the voice. The membrane is incited directly, without the wind first passing through a chamber. Comb-and-paper. (en)",
        "MIMOPage": "138"
    },
    "242": {
        "Label": "Tube- or vessel-kazoos",
        "Instruments": [
            "Eunuch flute",
            "Kazoo",
            "Mirliton",
            "Nyastaranga"
        ],
        "Description": "The sound is excited by a tightly stretched membrane made to vibrate by speaking or singing into it; the sound of the membrane modifies that of the voice. The membrane is placed on top of a tube or box. Africa; while also, E. Asian flutes with a lateral hole sealed by a membrane, exhibit an affinity with the principle of the tube kazoo. (en)",
        "MIMOPage": "139"
    },
    "3": {
        "Label": "Chordophones",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. (en)",
        "MIMOPage": "140"
    },
    "31": {
        "Label": "Simple chordophones or zithers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. (en)",
        "MIMOPage": "141"
    },
    "311": {
        "Label": "Bar zithers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is bar-shaped; it may be a board placed edgewise. (en)",
        "MIMOPage": "142"
    },
    "311.1": {
        "Label": "Musical bows",
        "Instruments": [
            "Pagolo"
        ],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). (en)",
        "MIMOPage": "143"
    },
    "311.11": {
        "Label": "ldiochord musical bows",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The strings are cut from the bark of the cane, remaining attached at each end. (en)",
        "MIMOPage": "144"
    },
    "311.111": {
        "Label": "Mono-idiochord musical bows",
        "Instruments": [],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The string is cut from the bark of the cane, remaining attached at each end. New Guinea (Sepik R.), Togo. (en)",
        "MIMOPage": "145"
    },
    "311.112": {
        "Label": "Poly-idiochord musical bows or harp-bows",
        "Instruments": [],
        "Description": "Several strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The strings are cut from the bark of the cane, remaining attached at each end. They pass over a toothed stick or bridge. W. Africa (Fan). (en)",
        "MIMOPage": "146"
    },
    "311.12": {
        "Label": "Heterochord musical bows",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The strings are of separate material from the string bearer. (en)",
        "MIMOPage": "147"
    },
    "311.121": {
        "Label": "Mono-heterochord musical bows",
        "Instruments": [],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The string is of separate material from the string bearer. (en)",
        "MIMOPage": "148"
    },
    "311.121.1": {
        "Label": "Mono-heterochord musical bows without resonator",
        "Instruments": [
            "Bagili",
            "Bagni",
            "Bazombe",
            "Gora",
            "Sitolotolo"
        ],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer, and it has no resonator (the human mouth is not to be taken into account as a resonator). The string bearer is flexible (and curved). The string is of separate material from the string bearer. NB: if a separate, unattached resonator is used, the specimen belongs to 311.121.21. (en)",
        "MIMOPage": "149"
    },
    "311.121.1-5": {
        "Label": "Mono-heterochord musical bows without resonator sounded by the bare fingers",
        "Instruments": [],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer, and it has no resonator (the human mouth is not to be taken into account as a resonator). The string bearer is flexible (and curved). The string is of separate material from the string bearer. Sounded by the bare fingers. (en)",
        "MIMOPage": "6451"
    },
    "311.121.11": {
        "Label": "Mono-heterochord musical bows without resonator or tuning noose",
        "Instruments": [
            "Lonlon"
        ],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer, and it has no tuning noose or resonator (the human mouth is not to be taken into account as a resonator). The string bearer is flexible (and curved). The string is of separate material from the string bearer. Africa (ganza, samuius, to). (en)",
        "MIMOPage": "150"
    },
    "311.121.12": {
        "Label": "Mono-heterochord musical bows without resonator, with tuning noose",
        "Instruments": [],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer, and it has no resonator (the human mouth is not to be taken into account as a resonator). The string bearer is flexible (and curved). The string is of separate material from the string bearer. A fibre noose is passed round the string, dividing it into two sections. South-equatorial Africa (n'kungo, uta). (en)",
        "MIMOPage": "151"
    },
    "311.121.2": {
        "Label": "Mono-heterochord musical bows with resonator",
        "Instruments": [],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer with a resonator which is not integral, and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The string is of separate material from the string bearer. (en)",
        "MIMOPage": "152"
    },
    "311.121.21": {
        "Label": "Mono-heterochord musical bows with independent resonator",
        "Instruments": [
            "Uta"
        ],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer with an independent resonator. The string bearer is flexible (and curved). The string is of separate material from the string bearer. Borneo (busoi). (en)",
        "MIMOPage": "153"
    },
    "311.121.22": {
        "Label": "Mono-heterochord musical bows with resonator attached",
        "Instruments": [
            "Chitende",
            "Dienguela",
            "Umakhweyana"
        ],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer with a resonator that can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The string is of separate material from the string bearer. (en)",
        "MIMOPage": "154"
    },
    "311.121.221": {
        "Label": "Mono-heterochord musical bows with resonator attached, without tuning noose",
        "Instruments": [
            "Torototela"
        ],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer with a resonator that can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The string is of separate material from the string bearer. The string has no tuning noose. S. Africa (hade, thomo). (en)",
        "MIMOPage": "155"
    },
    "311.121.222": {
        "Label": "Mono-heterochord musical bows with resonator attached with tuning noose",
        "Instruments": [],
        "Description": "A single string is stretched between fixed points. The instrument consists of a string bearer with a resonator that can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The string is of separate material from the bearer. A fibre noose is passed round the string, dividing it into two sections. S. Africa, Madagascar (gubo, hungo, bobre). (en)",
        "MIMOPage": "156"
    },
    "311.122": {
        "Label": "Poly-heterochord musical bows",
        "Instruments": [],
        "Description": "Several strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The strings are of separate material from the string bearer. (en)",
        "MIMOPage": "157"
    },
    "311.122.1": {
        "Label": "Poly-heterochord musical bows without tuning noose",
        "Instruments": [
            "Adungu"
        ],
        "Description": "Several strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The strings are of separate material from the string bearer. The strings have no tuning noose. Oceania (kalove). (en)",
        "MIMOPage": "158"
    },
    "311.122.2": {
        "Label": "Poly-heterochord musical bows with tuning noose",
        "Instruments": [],
        "Description": "Several strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is flexible (and curved). The strings are of separate material from the string bearer. A fibre noose is passed round the strings, dividing them into two sections. Oceania (pagolo). (en)",
        "MIMOPage": "159"
    },
    "311.2": {
        "Label": "Stick zithers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string carrier is rigid. (en)",
        "MIMOPage": "160"
    },
    "311.21": {
        "Label": "Musical bow cum stick",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is a stick with one flexible, curved end. India. NB: stick zithers with both ends flexible and curved, like the Basuto bow, are counted as musical bows. (en)",
        "MIMOPage": "161"
    },
    "311.22": {
        "Label": "(True) stick zithers",
        "Instruments": [
            "Bûche des Flandres",
            "Bumbass",
            "Higheghe",
            "Mvet",
            "Phin",
            "Stick zither"
        ],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer, or of a string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string carrier is a rigid stick. NB: round sticks which happen to be hollow by chance do not belong on this account to the tube zithers, but are round bar zithers; however, instruments in which a tubular cavity is employed as a true resonator, like the modern Mexican harpa, are tube zithers. (en)",
        "MIMOPage": "162"
    },
    "311.221": {
        "Label": "(True) stick zithers with one resonator gourd",
        "Instruments": [
            "Kairata vina",
            "Torototela",
            "Zeze"
        ],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer with one gourd resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is a rigid stick. India (tuila), Celebes (suleppe). (en)",
        "MIMOPage": "163"
    },
    "311.222": {
        "Label": "(True) stick zithers with several resonator gourds",
        "Instruments": [
            "Bin sitar",
            "Ghangli",
            "Koni",
            "Vicitra vina"
        ],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a string bearer with several gourd resonators which are not integral and can be detached without destroying the sound-producing apparatus. The string bearer is a rigid stick. India (vina). (en)",
        "MIMOPage": "164"
    },
    "312": {
        "Label": "Tube zithers",
        "Instruments": [
            "Bin",
            "Tube zither"
        ],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid string bearer, or of a rigid string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is a vaulted surface. (en)",
        "MIMOPage": "165"
    },
    "312.1": {
        "Label": "Whole-tube zithers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid string bearer, or of a rigid string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is a complete tube. (en)",
        "MIMOPage": "166"
    },
    "312.11": {
        "Label": "ldiochord (true) tube zithers",
        "Instruments": [
            "Idiochord tube zither",
            "Jakdak-ulul",
            "Keteng-keteng",
            "Kolitong",
            "Kulliteng",
            "Lotong",
            "Nengnong",
            "Pagan",
            "Serongagandi",
            "Sluday",
            "Takumbo",
            "Tambi",
            "Tambol",
            "Valiha"
        ],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid string bearer, or of a rigid string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is a complete tube. The strings are cut from the bark of the tube, remaining attached at each end. Africa and Indonesia (gonra, togo, valiha). (en)",
        "MIMOPage": "167"
    },
    "312.12": {
        "Label": "Heterochord (true) tube zithers",
        "Instruments": [
            "Sasando",
            "Sousounou",
            "Tanggetong"
        ],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid string bearer, or of a rigid string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is a complete tube. The strings are of separate material from the tube. (en)",
        "MIMOPage": "168"
    },
    "312.121": {
        "Label": "Heterochord (true) tube zithers without extra resonator",
        "Instruments": [
            "Gondang buluh"
        ],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid string bearer which is a complete tube. The strings are of separate material from the tube. The instrument has no additional resonator. S. E. Asia (alligator). (en)",
        "MIMOPage": "169"
    },
    "312.122": {
        "Label": "Heterochord (true) tube zithers with extra resonator",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid tubular string bearer that is an internode length of bamboo. It is placed inside a resonator which is a palm leaf tied in the shape of a bowl. The resonator is not integral and can be detached without destroying the sound-producing apparatus. The strings are of separate material from the string bearer. Timor. (en)",
        "MIMOPage": "170"
    },
    "312.2": {
        "Label": "Half-tube zithers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points along the convex surface of a gutter. (en)",
        "MIMOPage": "171"
    },
    "312.21": {
        "Label": "ldiochord half-tube zithers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points along the convex surface of a gutter. The strings are cut from the bark of the string bearer, remaining attached at each end. Flores. (en)",
        "MIMOPage": "172"
    },
    "312.22": {
        "Label": "Heterochord half-tube zithers",
        "Instruments": [
            "Aeolian harp",
            "Yaqin",
            "Zheng"
        ],
        "Description": "One or more strings are stretched between fixed points along the convex surface of a gutter. The strings are of separate material from the string bearer. E. Asia. (en)",
        "MIMOPage": "173"
    },
    "313": {
        "Label": "Raft zithers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid string bearer, or of a rigid string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is composed of canes tied together in the manner of a raft. (en)",
        "MIMOPage": "174"
    },
    "313.1": {
        "Label": "ldiochord raft zithers",
        "Instruments": [
            "Raft zither",
            "Tianhoun",
            "Yomkwo"
        ],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid string bearer, or of a rigid string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is composed of canes tied together in the manner of a raft. The strings are cut from the bark of the string bearer, remaining attached at each end. India, Upper Guinea, Central Congo. (en)",
        "MIMOPage": "175"
    },
    "313.2": {
        "Label": "Heterochord raft zithers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid string bearer, or of a rigid string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is composed of canes tied together in the manner of a raft. The strings are of separate material from the string bearer. N. Malawi region. (en)",
        "MIMOPage": "176"
    },
    "313.2-5": {
        "Label": "Heterochord raft zithers sounded by the bare fingers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The instrument consists of a rigid string bearer, or of a rigid string bearer with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The string bearer is composed of canes tied together in the manner of a raft. The strings are of separate material from the string bearer. Sounded by the bare fingers. (en)",
        "MIMOPage": "6452"
    },
    "314": {
        "Label": "Board zithers",
        "Instruments": [
            "Board zither"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, or a board with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The ground too, is to be counted as a string bearer. (en)",
        "MIMOPage": "177"
    },
    "314.1": {
        "Label": "True board zithers",
        "Instruments": [
            "Bangwe"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, or a board with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer. (en)",
        "MIMOPage": "178"
    },
    "314.11": {
        "Label": "True board zithers without resonator",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, without a resonator. The plane of the strings is parallel with that of the string bearer. Borneo. (en)",
        "MIMOPage": "179"
    },
    "314.11-4-8": {
        "Label": "True board zithers without resonator sounded by hammers or beaters, with keyboard",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, without a resonator. The plane of the strings is parallel with that of the string bearer. Sounded by hammers or beaters. With keyboard. (en)",
        "MIMOPage": "6453"
    },
    "314.11-4-8+421.132-62-8": {
        "Label": "True board zithers without resonator, sounded by hammers or beaters, with keyboard + sets of free reeds, with flexible air reservoir, with keyboard",
        "Instruments": [
            "Harmonium-piano"
        ],
        "Description": "314.11-4-8+421.132-62-8",
        "MIMOPage": "6480"
    },
    "314.12": {
        "Label": "True board zithers with resonator",
        "Instruments": [
            "Huibe",
            "Lyre piano"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer. (en)",
        "MIMOPage": "180"
    },
    "314.121": {
        "Label": "True board zithers with resonator bowl",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a bowl-shaped resonator which is not integral and can be detached without destroying the sound-producing apparatus. The resonator is a fruit shell or similar object, or an artificially carved equivalent. The plane of the strings is parallel with that of the string bearer. (en)",
        "MIMOPage": "181"
    },
    "314.121-9": {
        "Label": "Mechanically driven true board zithers with resonator bowl",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a bowl-shaped resonator which is not integral and can be detached without destroying the sound-producing apparatus. The resonator is a fruit shell or similar object, or an artificially carved equivalent. The plane of the strings is parallel with that of the string bearer. With mechanical drive. (en)",
        "MIMOPage": "6454"
    },
    "314.122": {
        "Label": "True board zithers with resonator box (box zither)",
        "Instruments": [
            "Ajaeng",
            "Autoharp",
            "Bandura",
            "Celempung",
            "Chakhe",
            "Chord zither",
            "Dan tam thac luc",
            "Double virginal",
            "Fenghuangqin",
            "Guitar-zither",
            "Hommel",
            "Hümmelke",
            "Kacapi",
            "Kakugnoto",
            "Kanklès",
            "Kantele",
            "Koto",
            "Küsle",
            "Langspil",
            "Mandolin-zither",
            "Mi-gyaung",
            "Piano à pédalier",
            "Piano organisé",
            "Piano table",
            "Psalmodikon",
            "Psaltery",
            "Qanun",
            "Qin",
            "Sanjo ajaeng",
            "Scheitholt",
            "Shichigen-kin",
            "String drum",
            "Ta'khay",
            "Türharfe",
            "Violin-zither",
            "Wagon",
            "Yanggeum",
            "Zithers"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a box-shaped resonator made of slats which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer. Zither, Hackbrett, pianoforte. NB This is true of the early piano only; modern pianos have no bottom and are board zithers. Harpsichords and some clavichords are box zithers. (en)",
        "MIMOPage": "182"
    },
    "314.122-3": {
        "Label": "True board zithers with resonator box (box zither) sounded by blowing",
        "Instruments": [
            "Aeolian harp"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a box-shaped resonator made of slats which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer. Sounded by blowing. (en)",
        "MIMOPage": "6455"
    },
    "314.122-4": {
        "Label": "True board zithers with resonator box (box zither) sounded by hammers or beaters",
        "Instruments": [
            "Cimbalom",
            "Dulcimer",
            "Dulcimer",
            "Sandouri",
            "Santur",
            "Tambal",
            "Yangqin"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a box-shaped resonator made of slats which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer. Sounded by hammers or beaters. (en)",
        "MIMOPage": "6456"
    },
    "314.122-4-8": {
        "Label": "True board zithers with resonator box (box zither) sounded by hammers or beaters, with keyboard",
        "Instruments": [
            "Clavichord",
            "Grand pianoforte",
            "Square pianoforte",
            "Upright pianoforte"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a box-shaped resonator made of slats which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer. Sounded by hammers or beaters. With keyboard. (en)",
        "MIMOPage": "6458"
    },
    "314.122-5": {
        "Label": "True board zithers with resonator box (box zither) sounded by the bare fingers",
        "Instruments": [
            "Gayageum",
            "Gusli",
            "Kesle"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a box-shaped resonator made of slats which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer. Sounded by the bare fingers. (en)",
        "MIMOPage": "6459"
    },
    "314.122-6": {
        "Label": "True board zithers with resonator box (box zither) sounded by plectrum",
        "Instruments": [
            "Appalchian dulcimer",
            "Arpanetta",
            "Bell harp",
            "Dan tranh",
            "Epinette des Vosges",
            "Geomungo",
            "Takhe",
            "Zither"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a box-shaped resonator made of slats which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer. Sounded by plectrum. (en)",
        "MIMOPage": "6460"
    },
    "314.122-6-8": {
        "Label": "True board zithers with resonator box (box zither) sounded by plectrum, with keyboard",
        "Instruments": [
            "Double virginal",
            "Harpsichord",
            "Portable harpsichord",
            "Spinet",
            "Virginal"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a box-shaped resonator made of slats which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer. Sounded by plectrum. With keyboard. (en)",
        "MIMOPage": "6461"
    },
    "314.122-6-8+421.222-62-8": {
        "Label": "Boxzither, sounded by plectrum, with keyboard + set of duct flutes, with flexible air reservoir, with keyboard",
        "Instruments": [],
        "Description": "314.122-6-8+421.222-62-8",
        "MIMOPage": "6481"
    },
    "314.122-8": {
        "Label": " True board zithers with resonator box (box zither) with keyboard",
        "Instruments": [
            "Akkordolia"
        ],
        "Description": "314.122-8",
        "MIMOPage": "6518"
    },
    "314.122-9": {
        "Label": "Mechanically driven true board zithers with resonator box (box zither)",
        "Instruments": [
            "Cylinder dulcimer"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, with a box-shaped resonator made of slats which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is parallel with that of the string bearer.  With mechanical drive. (en)",
        "MIMOPage": "6462"
    },
    "314.2": {
        "Label": "Board zither variations",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer is a rigid board, or a board with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The plane of the strings is at right angles to the string bearer. (en)",
        "MIMOPage": "183"
    },
    "314.21": {
        "Label": "Ground zithers",
        "Instruments": [],
        "Description": "A single string is stretched between fixed points. The ground is the string bearer; there is only one string. The plane of the strings is at right angles to the string bearer. Malacca, Madagascar. (en)",
        "MIMOPage": "184"
    },
    "314.22": {
        "Label": "Harp zithers",
        "Instruments": [
            "Bokongo",
            "Harp-zither"
        ],
        "Description": "Several strings are stretched between fixed points. The string bearer is a rigid board, or a rigid board with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. The strings pass over a notched bridge. The plane of the strings is at right angles to the string bearer. Borneo, Africa: Bokongo, harp zither from the Bambinga people of the Uele district, Congo-Kinshasa. (en)",
        "MIMOPage": "185"
    },
    "315": {
        "Label": "Trough zithers",
        "Instruments": [
            "Kinanda",
            "Kita",
            "Trough zither"
        ],
        "Description": "Strings are stretched between fixed points across the mouth of a rigid trough. The strings are often formed from a single length threaded through several holes. The instrument may consist solely of a trough, or a trough with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. Tanzania. (en)",
        "MIMOPage": "186"
    },
    "315.1": {
        "Label": "Trough zithers without resonator",
        "Instruments": [
            "Enanga",
            "Inanga",
            "Kundi"
        ],
        "Description": "Strings are stretched between fixed points across the mouth of a rigid trough. The strings are often formed from a single length threaded through several holes. The trough has no additional resonator. (en)",
        "MIMOPage": "187"
    },
    "315.1-5": {
        "Label": "Trough zithers without resonator sounded by the bare fingers",
        "Instruments": [],
        "Description": "Strings are stretched between fixed points across the mouth of a rigid trough. The strings are often formed from a single length threaded through several holes. The trough has no additional resonator. Sounded by the bare fingers. (en)",
        "MIMOPage": "6464"
    },
    "315.2": {
        "Label": "Trough zithers with resonator",
        "Instruments": [
            "Ligombo"
        ],
        "Description": "Strings are stretched between fixed points across the mouth of a rigid trough. The strings are often formed from a single length threaded through several holes. The trough has a gourd or a similar object as a resonator attached, which is not integral and can be detached without destroying the sound-producing apparatus. (en)",
        "MIMOPage": "188"
    },
    "316": {
        "Label": "Frame zithers",
        "Instruments": [],
        "Description": "Strings are stretched between fixed points across a rigid open frame. The instrument may consist of a frame, or a frame with a resonator which is not integral and can be detached without destroying the sound-producing apparatus. (en)",
        "MIMOPage": "5607"
    },
    "316.1": {
        "Label": "Frame zithers without resonator",
        "Instruments": [],
        "Description": "Strings are stretched between fixed points across a rigid open frame. The instrument has no resonator. Perhaps amongst medieval psalteries. (en)",
        "MIMOPage": "5608"
    },
    "316.2": {
        "Label": "Frame zithers with resonator",
        "Instruments": [
            "Kani",
            "Salangoun"
        ],
        "Description": "Strings are stretched between fixed points across a rigid open frame. The instrument has a resonator which is not integral and can be detached without destroying the sound-producing apparatus. W. Africa, amongst the Kru (kani). (en)",
        "MIMOPage": "5609"
    },
    "32": {
        "Label": "Composite chordophones",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. (en)",
        "MIMOPage": "192"
    },
    "321": {
        "Label": "Lutes",
        "Instruments": [
            "Dan nguyet",
            "Fonic",
            "Orpheon",
            "Sitari"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. (en)",
        "MIMOPage": "193"
    },
    "321.1": {
        "Label": "Bow lutes",
        "Instruments": [
            "Llg'ase",
            "Lukombe",
            "Lunko",
            "Ndjembo",
            "Ngwomi",
            "Nsambi",
            "Ntja'ntuba",
            "Wambee"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. Each string has its own flexible carrier. Africa (akam, kalangu, wambi). (en)",
        "MIMOPage": "194"
    },
    "321.2": {
        "Label": "Yoke lutes or lyres",
        "Instruments": [
            "Daegonghu",
            "Lyre"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The strings are attached to a yoke which lies in the same plane as the sound-table and consists of two arms and a cross-bar. (en)",
        "MIMOPage": "195"
    },
    "321.21": {
        "Label": "Bowl lyres",
        "Instruments": [
            "Bowl lyre",
            "Chirawatta",
            "Kisir",
            "Kissar",
            "Krar",
            "Kudu",
            "Litungu",
            "Masonquo",
            "Ndongo",
            "Nyatiti",
            "Obokano",
            "Rikano",
            "Semsemiya"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The strings are attached to a yoke which lies in the same plane as the sound-table and consists of two arms and a cross-bar. A natural or carved-out bowl serves as the resonator. Lyra, E. African lyre. (en)",
        "MIMOPage": "196"
    },
    "321.21-5": {
        "Label": "Bowl lyres sounded by the bare fingers",
        "Instruments": [
            "Krar"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The strings are attached to a yoke which lies in the same plane as the sound-table and consists of two arms and a cross-bar. A natural or carved-out bowl serves as the resonator. Sounded by the bare fingers. (en)",
        "MIMOPage": "6465"
    },
    "321.22": {
        "Label": "Box lyres",
        "Instruments": [
            "Beganna",
            "Litlit"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The strings are attached to a yoke which lies in the same plane as the sound-table and consists of two arms and a cross-bar. A built-up wooden box serves as the resonator. Kithara, crwth. (en)",
        "MIMOPage": "197"
    },
    "321.3": {
        "Label": "Handle lutes",
        "Instruments": [
            "Bengala",
            "Fiddles",
            "Krajappi",
            "Lutes",
            "Tambura"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle. Subsidiary necks, as e.g. in the Indian prasarini vina are disregarded, as also are lutes with strings distributed over several necks, like the harpolyre, and those like the lyre-guitars, in which the yoke is merely ornamental. (en)",
        "MIMOPage": "198"
    },
    "321.31": {
        "Label": "Spike lutes",
        "Instruments": [
            "Chuniri"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that passes diametrically through or over the resonator. (en)",
        "MIMOPage": "199"
    },
    "321.311": {
        "Label": "Spike bowl lutes",
        "Instruments": [
            "Arababu",
            "Arbab",
            "Dan tinh",
            "Dayuray",
            "Dra khmer",
            "Dra u",
            "Duruga",
            "Ekonting",
            "Ektara",
            "Enserunai",
            "Finini",
            "Garadap",
            "Gesok-gesok",
            "Godié",
            "Gondze",
            "Gurmi",
            "Iklig",
            "Izeze",
            "Jarana",
            "Joza",
            "Kaburu",
            "Kikir",
            "Kowodigo",
            "Kubangu",
            "Kucho",
            "Lahute",
            "Murdap",
            "Njarka",
            "Nyanyeru",
            "Pena",
            "Rabab",
            "Rababa",
            "Remba",
            "Riti",
            "Robeka",
            "Ruudga",
            "Spike fiddle"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that passes diametrically through or over the resonator that consists of a natural or carved-out bowl. Iran, India, Indonesia. (en)",
        "MIMOPage": "200"
    },
    "321.311-7": {
        "Label": "Spike bowl lutes sounded by bowing",
        "Instruments": [
            "Banhu",
            "Dan gao",
            "Ghugha",
            "Goge",
            "Imzad",
            "Kamanche",
            "Kundye",
            "Kutet",
            "Ravanhattha",
            "So sam sai",
            "So u",
            "Tro u",
            "Umkiki",
            "Yehu"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that passes diametrically through or over the resonator that consists of a natural or carved-out bowl. Sounded by bowing. (en)",
        "MIMOPage": "6466"
    },
    "321.312": {
        "Label": "Spike box lutes or spike guitars",
        "Instruments": [
            "Banjo",
            "Banjo-mandolin",
            "Dan tam",
            "Qinqin",
            "Rababa",
            "Sangen",
            "Sanshin",
            "Sanxian",
            "Shamisen",
            "Soussi ribab"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that passes diametrically through or over the resonator, which is built up from wood in the form of a box. Banjo, Egypt (rebab). (en)",
        "MIMOPage": "201"
    },
    "321.312-5": {
        "Label": "Spike box lutes or spike guitars sounded by the bare fingers",
        "Instruments": [
            "Banjo",
            "Banjo-mandolin"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that passes diametrically through or over the resonator, which is built up from wood in the form of a box. Sounded by the bare fingers. (en)",
        "MIMOPage": "6467"
    },
    "321.312-7": {
        "Label": "Spike box lutes or spike guitars sounded by bowing",
        "Instruments": [
            "Cimboa",
            "Huqin",
            "Kokyu",
            "Masenqo",
            "Morin khuur",
            "Rabab"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that passes diametrically through or over the resonator, which is built up from wood in the form of a box. Sounded by bowing. (en)",
        "MIMOPage": "6468"
    },
    "321.313": {
        "Label": "Spike tube lutes",
        "Instruments": [
            "Akanyembe",
            "Byzaanchy",
            "Huluhu",
            "Idonongo",
            "Izeze",
            "Kaligo",
            "Khuuchir",
            "Kokin",
            "Maguhu",
            "Mugole",
            "Niujiaoqin",
            "Orutu",
            "Pi-wang",
            "So i",
            "Taratibu",
            "Zhonghu"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that passes diametrically through the walls of the tubular resonator. China, Indochina. (en)",
        "MIMOPage": "202"
    },
    "321.313-7": {
        "Label": "Spike tube lutes played by bowing     ",
        "Instruments": [
            "Endingidi",
            "Erhu",
            "Haegeum",
            "instrumentskeywords:3135",
            "Ishiriri",
            "Jinghu",
            "Mbeve",
            "Nisen",
            "Sihu",
            "So duang"
        ],
        "Description": "321.313-7",
        "MIMOPage": "6710"
    },
    "321.32": {
        "Label": "Necked lutes",
        "Instruments": [
            "Archcittern",
            "Ardanuchi",
            "Jungga",
            "Sapeh"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. (en)",
        "MIMOPage": "204"
    },
    "321.321": {
        "Label": "Necked bowl lutes",
        "Instruments": [
            "Angel lute",
            "Arbajo",
            "Archcittern",
            "Baglama",
            "Balalaika",
            "Bandolim",
            "Bharata vina",
            "Biwa",
            "Bouzouki",
            "Bugarija",
            "Cavaco",
            "Chogur",
            "Cifteli",
            "Cinna vina",
            "Colascione",
            "C'onguri",
            "Cura",
            "Dambura",
            "Dan ty ba",
            "Dotara",
            "Double mandolin",
            "Dutar",
            "English guitar",
            "Gabbus",
            "Gambus",
            "Gudok",
            "Guslica",
            "Huobusi",
            "Hushtar",
            "Kaca vina",
            "Kacchapi vina",
            "Kachva sitar",
            "Kamaica",
            "Karaduzen",
            "Kemençe",
            "Kulpaci",
            "Lutar",
            "Mandoloncello",
            "Mandolone",
            "Mandora",
            "Mandore",
            "Milanese mandolin",
            "Molo",
            "Neapolitan mandolin",
            "Ngonfi",
            "Niutuiqin",
            "Pipa",
            "Qanbus",
            "Quwaytara",
            "Rabab",
            "Sargija",
            "Sarod",
            "Saz",
            "Setar e rebab",
            "Sgra-snyan",
            "Sitar",
            "Sruti vina",
            "Surbahar",
            "Surmanjali",
            "Sur-sanga",
            "Sursrngar",
            "Tanbur",
            "Tar",
            "Theorbo",
            "Torbane",
            "Trumpet marine",
            "Ud",
            "Viola d'arame",
            "Viola de cabaca",
            "Vipanci vina"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. The resonator consists of a natural or carved-out bowl. Mandolin, theorbo. (en)",
        "MIMOPage": "205"
    },
    "321.321-5": {
        "Label": "Necked bowl lutes sounded by the bare fingers",
        "Instruments": [
            "Archlute",
            "Charango",
            "Dangbipa",
            "Dital harp",
            "Harp lute",
            "Hyangbipa",
            "Lute",
            "Setar",
            "Wolgeum"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. The resonator consists of a natural or carved-out bowl. Sounded by the bare fingers. (en)",
        "MIMOPage": "6469"
    },
    "321.321-7": {
        "Label": "Necked bowl lutes sounded by bowing",
        "Instruments": [
            "Banam",
            "Bladder fiddle",
            "Cikara",
            "Dilruba",
            "Esraj",
            "Gadulka",
            "Gusle",
            "instrumentskeywords:5990",
            "Pi-bang",
            "Qobuz",
            "Rebec",
            "Sarangi",
            "Sarinda",
            "Ta'us",
            "Träskofiol"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. The resonator consists of a natural or carved-out bowl. Sounded by bowing. (en)",
        "MIMOPage": "6470"
    },
    "321.322": {
        "Label": "Necked box lutes or necked guitars",
        "Instruments": [
            "Alto guitar",
            "Archcittern",
            "Bambir",
            "Bandola",
            "Bandurria",
            "Biola",
            "Braguinho",
            "Cavaquinho",
            "Ceterone",
            "Cithrinchen",
            "Cittern",
            "Cuatro",
            "Dala-fandir",
            "Dan day",
            "Dobro",
            "Double bass",
            "Double guitar",
            "Gekkin",
            "Guitar",
            "Guitar mandolin",
            "Guitarron",
            "Hasapi",
            "Hawaiian guitar",
            "Hun tayàw",
            "Husla",
            "Igil",
            "Iguana",
            "Kacapi",
            "Kalembete",
            "Kalyakalya",
            "K'aman",
            "Kemençe",
            "Kudlung",
            "Lokanga",
            "Lyre-bandurria",
            "Mbike",
            "Nadecvara-vina",
            "Nyckelharpa",
            "Octobass",
            "Piyapi",
            "Prasarani vina",
            "Pulluvan vina",
            "Quatro",
            "Rabeca",
            "Requinto",
            "Tarawangsa",
            "Tiple",
            "Violins",
            "Yueqin"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. The resonator is built up from wood in the form of a box. NB: lutes whose body is built up in the shape of a bowl are classified as bowl lutes. Violin, viol, guitar. (en)",
        "MIMOPage": "206"
    },
    "321.322-5": {
        "Label": "Necked box lutes or necked guitars sounded by the bare fingers",
        "Instruments": [
            "Arch harp-lute",
            "Double bass",
            "English guitar",
            "Guitar",
            "Harp-guitar",
            "Lute-guitar",
            "Machete",
            "Portuguese guitar",
            "Terz guitar",
            "Ukulele"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. The resonator is built up from wood in the form of a box. Sounded by the bare fingers. (en)",
        "MIMOPage": "6471"
    },
    "321.322-7": {
        "Label": "Necked box lutes or necked guitars sounded by bowing",
        "Instruments": [
            "Hurdy-gurdy",
            "Violin"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. The resonator is built up from wood in the form of a box. Sounded by bowing. (en)",
        "MIMOPage": "6472"
    },
    "321.322-71": {
        "Label": "Necked box lutes or necked guitars sounded by bowing with a bow",
        "Instruments": [
            "Arpeggione",
            "Bass new violin",
            "Bass violin",
            "Basy",
            "Braci",
            "Bracsa",
            "Clog fiddle",
            "Controviolino",
            "Double bass",
            "Double bass viol",
            "Fidel",
            "Gorduna",
            "Hardanger fiddle",
            "High treble viol",
            "Kementses",
            "Kit",
            "Lira da braccio",
            "Lirone",
            "Mazanki",
            "One-string fiddle",
            "Quinton",
            "Suka",
            "Sultana",
            "Tenor new violin",
            "Tenor viol",
            "Tenor violin",
            "Treble viol",
            "Viol",
            "Viola",
            "Viola alta",
            "Viola arpa",
            "Viola bastarda",
            "Viola da gamba",
            "Viola d'amore",
            "Viola pomposa",
            "Violas",
            "Violino piccolo",
            "Violoncello",
            "Violoncello piccolo",
            "Violone"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. The resonator is built up from wood in the form of a box. Sounded by bowing with a bow. (en)",
        "MIMOPage": "6473"
    },
    "321.322-8": {
        "Label": "Necked box lutes or necked guitars, with keyboard",
        "Instruments": [
            "English guitar"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. The resonator is built up from wood in the form of a box. With keyboard. (en)",
        "MIMOPage": "6474"
    },
    "321.322-9": {
        "Label": "Mechanically driven necked box lutes or necked guitars",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is attached to or carved from the resonator, like a neck. The resonator is built up from wood in the form of a box.  With mechanical drive. (en)",
        "MIMOPage": "6475"
    },
    "321.33": {
        "Label": "Half-spike lutes or tanged lutes",
        "Instruments": [
            "Konting",
            "Nkoni"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is neither attached to the resonator nor passes all the way through it, but terminates within the body. W.Africa. (en)",
        "MIMOPage": "2159"
    },
    "321.331": {
        "Label": "Half-spike or tanged bowl lutes",
        "Instruments": [
            "Guinbri",
            "Hajhuj",
            "Hoddu",
            "instrumentskeywords:3405",
            "Jurukélé",
            "Kambre",
            "Kara",
            "Khalam",
            "Kiiki",
            "Kone",
            "Kundé",
            "Mâabo",
            "Tahardant",
            "Tahardjan"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is neither attached to the resonator nor passes all the way through it, but terminates within the body. The resonator consists of a natural or carved-out bowl. (en)",
        "MIMOPage": "5621"
    },
    "321.332": {
        "Label": "Half-spike or tanged box lutes",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings runs parallel with the sound-table. The string bearer is a plain handle that is neither attached to the resonator nor passes all the way through it, but terminates within the body. The resonator is built up from wood in the form of a box. (en)",
        "MIMOPage": "5622"
    },
    "322": {
        "Label": "Harps",
        "Instruments": [
            "Harp",
            "Zlobcoki"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. (en)",
        "MIMOPage": "5660"
    },
    "322.1": {
        "Label": "Open harps",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has no pillar. (en)",
        "MIMOPage": "5661"
    },
    "322.11": {
        "Label": "Arched harps",
        "Instruments": [
            "Arched harp",
            "Ngombi",
            "Saung-gauk"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has no pillar. The neck curves away from the resonator. Burma and Africa. (en)",
        "MIMOPage": "5665"
    },
    "322.11-5": {
        "Label": "Arched harps sounded by the bare fingers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has no pillar. The neck curves away from the resonator. Sounded by the bare fingers. (en)",
        "MIMOPage": "6476"
    },
    "322.111": {
        "Label": "Arched harps - Wachsmann type 1",
        "Instruments": [
            "Adeudeu",
            "Ennanga"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has no pillar. The neck rests on the bottom of the resonator 'like a spoon in a cup'. Uganda. (en)",
        "MIMOPage": "5667"
    },
    "322.112": {
        "Label": "Arched harps - Wachsmann type 2",
        "Instruments": [
            "Kinde",
            "Kundi (harp)",
            "Nedomu"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has no pillar. The tanged neck fits tightly into a hole at the narrow end of the resonator 'like a cork in a bottle'. Democratic Republic of Congo, Zande, Nzakara, Banda, Mangebetu. (en)",
        "MIMOPage": "5668"
    },
    "322.113": {
        "Label": "Arched harps - Wachsmann type 3",
        "Instruments": [
            "Ombi",
            "Para"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has no pillar. A carved finial extends from the resonator, usually in the form of a human head; it is often tied to the neck. (en)",
        "MIMOPage": "5670"
    },
    "322.12": {
        "Label": "Angular harps",
        "Instruments": [
            "Ardin",
            "C'angi"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has no pillar. The neck makes a sharp angle with the resonator. Assyria, Ancient Egypt, Ancient Korea, Mauretania ardin. (en)",
        "MIMOPage": "5666"
    },
    "322.2": {
        "Label": "Frame harps",
        "Instruments": [
            "Chromatic harp"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. (en)",
        "MIMOPage": "5662"
    },
    "322.21": {
        "Label": "Frame harps without tuning action",
        "Instruments": [
            "Kin (harp)"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. There is no mechanism to alter the tuning of the harp while it is played. All medieval harps. (en)",
        "MIMOPage": "5671"
    },
    "322.211": {
        "Label": "Diatonic frame harps without tuning action",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. It is tuned diatonically. There is no mechanism to alter the tuning of the harp while it is played. (en)",
        "MIMOPage": "5675"
    },
    "322.212": {
        "Label": "Chromatic frame harps without tuning action",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. It is tuned chromatically. There is no mechanism to alter the tuning of the harp while it is played. (en)",
        "MIMOPage": "5676"
    },
    "322.212.1": {
        "Label": "Chromatic frame harps without tuning action, with the strings in one plane",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. It is tuned chromatically. There is no mechanism to alter the tuning of the harp while it is played. Most of the older chromatic harps. (en)",
        "MIMOPage": "5677"
    },
    "322.212.2": {
        "Label": "Chromatic frame harps without tuning action, with the strings in two planes crossing one another",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. It is tuned chromatically, with the strings in two planes crossing one another. The Lyon chromatic harp. (en)",
        "MIMOPage": "5678"
    },
    "322.212.3": {
        "Label": "Chromatic frame harps without tuning action, with the strings in two or more parallel planes",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. It is tuned chromatically, with the strings in two or more parallel planes. Triple harp. (en)",
        "MIMOPage": "5679"
    },
    "322.22": {
        "Label": "Frame harps with tuning action",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. The strings can be shortened by mechanical action. (en)",
        "MIMOPage": "5672"
    },
    "322.221": {
        "Label": "Frame harps with manual action",
        "Instruments": [
            "Hook harp"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. The strings can be shortened by mechanical hand-levers. Hook harp, dital harp, harpinella. (en)",
        "MIMOPage": "5673"
    },
    "322.221-5": {
        "Label": "Frame harps with manual action sounded by the bare fingers",
        "Instruments": [
            "Clarsach",
            "Irish harp"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. The strings can be shortened by mechanical hand-levers. Sounded by the bare fingers. (en)",
        "MIMOPage": "6477"
    },
    "322.222": {
        "Label": "Frame harps with pedal action",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. The tuning can be altered by pedals. (en)",
        "MIMOPage": "5674"
    },
    "322.222-5": {
        "Label": "Frame harps with pedal action sounded by the bare fingers",
        "Instruments": [
            "Harp",
            "instrumentskeywords:6059"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the sound-table; a line joining the lower ends of the strings would point towards the neck. The harp has a pillar. The tuning can be altered by pedals. Sounded by the bare fingers. (en)",
        "MIMOPage": "6478"
    },
    "323": {
        "Label": "Spike harps with tall stringholders",
        "Instruments": [
            "Spike harp"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the soundtable; a tall stringholder or bridge holds the strings at successive levels, their sounding lengths increasing with their distance from the soundtable. The body resembles a spike lute, with a neck bisecting a calabash resonator. (en)",
        "MIMOPage": "5663"
    },
    "323.1": {
        "Label": "Arched spike harps with tall stringholders",
        "Instruments": [
            "Kolondjo",
            "Kori",
            "N'goni",
            "Simbing",
            "Tokô"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the soundtable. The strings are attached at different levels to a tall stringholder; their sounding lengths increasing with their distance from the soundtable. The body resembles a spike lute, with a neck bisecting a calabash resonator. The neck curves away from the resonator. Guinea (bolon), Gambia (simbango). (en)",
        "MIMOPage": "5680"
    },
    "323.2": {
        "Label": "Spike harps with pressure bridges, bridge harps or harp-lutes",
        "Instruments": [
            "Kasso",
            "Kora",
            "Sarong"
        ],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the soundtable. The strings pass over a tall notched bridge at successive levels, their sounding lengths increasing with their distance from the soundtable. The body, like a spike lute, has a string bearer that passes diametrically through the resonator. A line joining the lower ends of the strings would be perpendicular to the neck. Gambia, kora. (en)",
        "MIMOPage": "5681"
    },
    "323.2-5": {
        "Label": "Spike harps with pressure bridges, bridge harps or harp-lutes sounded by the bare fingers",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the soundtable. The strings pass over a tall notched bridge at successive levels, their sounding lengths increasing with their distance from the soundtable. The body, like a spike lute, has a string bearer that passes diametrically through the resonator. A line joining the lower ends of the strings would be perpendicular to the neck. Sounded by the bare fingers. (en)",
        "MIMOPage": "6479"
    },
    "324": {
        "Label": "Tanged harps with tall stringholders",
        "Instruments": [],
        "Description": "One or more strings are stretched between fixed points. The string bearer and the resonator are organically united and cannot be separated without destroying the instrument. The plane of the strings lies at right angles to the soundtable; a tall stringholder or bridge holds the strings at successive levels, their sounding lengths increasing with their distance from the soundtable. A carved extension of the resonator forms the socket for the shaft of the neck (illustrated in S.C. DeVale 'African Harps: Construction, Decoration and Sound' Sounding Forms ed. M-T Brincard, [New York, 1989] p.56 figure 6.3a). (en)",
        "MIMOPage": "5664"
    },
    "33": {
        "Label": "Variable tension chordophones or 'plucked drums'",
        "Instruments": [],
        "Description": "A single or double stretched string is fixed at one end to a handle. At the other end it is attached to a membrane covering a hole cut out of the base of a resonator, resembling a drum. The string bearer and resonator are organically united so that they cannot be separated without destroying the instrument. The plane of the string lies at right angles to the membrane. By adjusting the handle, the player braces the string to alter its tension and change its pitch. (en)",
        "MIMOPage": "222"
    },
    "331": {
        "Label": "Variable tension chordophones or 'plucked drums' with loose string attached to the drum-head",
        "Instruments": [
            "Anandalahari"
        ],
        "Description": "A single or double stretched string is fixed at one end to a handle. At the other end it is attached to a membrane covering a hole cut out of the base of a resonator, resembling a drum. The string bearing handle and the resonator are united by the string so that they cannot be separated without destroying the instrument. The plane of the string lies at right angles to the membrane. By adjusting the position of the handle, the player braces the loose string to alter its tension and change its pitch. India (anandalahari). (en)",
        "MIMOPage": "223"
    },
    "332": {
        "Label": "Variable tension chordophones or 'plucked drums' with string attached to the end of a neck and to the drum-head",
        "Instruments": [
            "Gopiyantra"
        ],
        "Description": "A single string is stretched between two fixed points. At one end it is attached to a handle in the form of a neck or yoke. At the other end it is fixed to a membrane covering a hole cut out of the base of a resonator, resembling a drum. The string bearer and resonator are organically united so that they cannot be separated without destroying the instrument. The plane of the string lies at right angles to the membrane. By adjusting the handle, the player braces the string to alter its tension and change its pitch. India (gopi yantra). (en)",
        "MIMOPage": "224"
    },
    "4": {
        "Label": "Aerophones",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. In this group also are classed those reed instruments sounded by a flow of air in which the reed is the primary vibrator. (en)",
        "MIMOPage": "225"
    },
    "41": {
        "Label": "Free aerophones",
        "Instruments": [
            "Free aerophone",
            "Lira"
        ],
        "Description": "The air itself is the vibrator in the primary sense. In this group also are classed those reed instruments sounded by a flow of air in which the reed is the primary vibrator. The vibrating air is not confined by the instrument. (en)",
        "MIMOPage": "226"
    },
    "411": {
        "Label": "Displacement free aerophones",
        "Instruments": [
            "Whip"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The vibrating air is not confined by the instrument. The air-stream meets a sharp edge, or a sharp edge is moved through the air. In either case a periodic displacement of air occurs to alternate flanks of the edge. Whip, sword-blade. (en)",
        "MIMOPage": "227"
    },
    "412": {
        "Label": "Interruptive free aerophones",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. In this group also are classed those reed instruments sounded by a flow of air in which the reed is the primary vibrator. The vibrating air is not confined by the instrument. The air-stream is interrupted periodically. (en)",
        "MIMOPage": "228"
    },
    "412-122-8": {
        "Label": "Sets of beating reeds with keyboard",
        "Instruments": [],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. In sets of beating reeds the air-stream is directed against a set of lamellae, setting them in periodic vibration to interrupt the stream intermittently. The lamellae periodically open and close a set of apertures. The instrument is tuned by mechanical action on the lamellae. Such reeds may have a resonator, in which the air vibrates only in a secondary sense, not producing the sound; generally recognizable by the absence of fingerholes. With a keyboard. (en)",
        "MIMOPage": "6483"
    },
    "412.1": {
        "Label": "Idiophonic interruptive aerophones or reeds",
        "Instruments": [],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. The vibrating air is not confined by the instrument. The air-stream is directed against a lamella, setting it in periodic vibration to interrupt the stream intermittently. The instrument is tuned by mechanical action on the lamella. (en)",
        "MIMOPage": "229"
    },
    "412.1-9": {
        "Label": "Mechanically driven idiophonic interruptive aerophones or reeds",
        "Instruments": [],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. The vibrating air is not confined by the instrument. The air-stream is directed against a lamella, setting it in periodic vibration to interrupt the stream intermittently. The instrument is tuned by mechanical action on the lamella.  With mechanical drive. (en)",
        "MIMOPage": "6482"
    },
    "412.11": {
        "Label": "Idiophonic interruptive aerophones or reeds: paired reeds",
        "Instruments": [],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. The vibrating air is not confined by the instrument. The air-stream is directed against a lamella, setting it in periodic vibration to interrupt the stream intermittently. Two lamellae make a gap which closes periodically during their vibration. A split grass-blade. (en)",
        "MIMOPage": "230"
    },
    "412.12": {
        "Label": "Beating reeds",
        "Instruments": [],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. The vibrating air is not confined by the instrument. The air-stream is directed against a lamella, setting it in periodic vibration to interrupt the stream intermittently. A lamella periodically opens and closes an aperture. The instrument is tuned by mechanical action on the lamella. (en)",
        "MIMOPage": "231"
    },
    "412.121": {
        "Label": "Individual beating reeds",
        "Instruments": [
            "Double reed",
            "Klaxon effect",
            "Reed horn",
            "Simple reed"
        ],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. In individual beating reeds the air-stream is directed against a single lamella, setting it in periodic vibration to interrupt the stream intermittently. The lamella periodically opens and closes an aperture. The instrument is tuned by mechanical action on the lamella. The reed may have a resonator in which the air vibrates only in a secondary sense, not producing the sound; generally recognizable by the absence of fingerholes. British Columbia. (en)",
        "MIMOPage": "232"
    },
    "412.122": {
        "Label": "Sets of beating reeds",
        "Instruments": [],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. In sets of beating reeds the air-stream is directed against a set of lamellae, setting them in periodic vibration to interrupt the stream intermittently. The lamellae periodically open and close a set of apertures. The instrument is tuned by mechanical action on the lamellae. Such reeds may have a resonator, in which the air vibrates only in a secondary sense, not producing the sound; generally recognizable by the absence of fingerholes. The earlier reed stops of organs. (en)",
        "MIMOPage": "233"
    },
    "412.13": {
        "Label": "Free reeds",
        "Instruments": [],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. The air-stream is directed against a lamella, setting it in periodic vibration to interrupt the stream intermittently. The lamella vibrates through a closely-fitting slot. The instrument is tuned by mechanical action on the lamella. The vibrating air is not confined by the instrument. Each reed may have a resonator in which the air vibrates only in a secondary sense, not producing the sound; generally recognizable by the absence of fingerholes. (en)",
        "MIMOPage": "234"
    },
    "412.131": {
        "Label": "(Individual) free reeds",
        "Instruments": [
            "Free reed instrument",
            "Klaxon",
            "Tiet-tiet"
        ],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. In individual free reeds the air-stream is directed against a single lamella, setting it in periodic vibration to interrupt the stream intermittently. The lamella vibrates through a closely-fitting slot. The instrument is tuned by mechanical action on the lamella. Such reeds may have a resonator in which the air vibrates only in a secondary sense, not producing the sound; generally recognizable by the absence of fingerholes. Single-note motor horn. (en)",
        "MIMOPage": "235"
    },
    "412.132": {
        "Label": "Sets of free reeds",
        "Instruments": [
            "Basse-aux-pieds",
            "Chromatic accordion",
            "Dinh nam",
            "Garmoshka",
            "Harmonica",
            "Harmoni-cor",
            "Heligonka",
            "Hwa",
            "Hybrid accordion",
            "Ken meo",
            "Khaen",
            "Mouth accordion",
            "Mouth organ",
            "Organetto",
            "Physharmonica",
            "Qeej",
            "Reed horn",
            "Saeng",
            "Saenghwang",
            "Sheng",
            "Sho",
            "Sruti-box",
            "Sumpotan",
            "Symphonium",
            "U"
        ],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. In sets of free reeds the air-stream is directed against a set of lamellae, setting them in periodic vibration to interrupt the stream intermittently. The lamellae vibrate through a closely-fitting slot. The instrument is tuned by mechanical action on the lamellae. Each reed may have a resonator in which the air vibrates only in a secondary sense, not producing the sound; generally recognizable by the absence of fingerholes. NB: in instruments like the Chinese sheng, where the bamboo pipes act as an acoustic coupler, the fingerholes do not serve to modify the pitch and are therefore not equivalent to the fingerholes of other pipes. Reed organ, mouthorgan, accordion. (en)",
        "MIMOPage": "236"
    },
    "412.132-6-9": {
        "Label": "Mechanically driven sets of free reeds with air reservoir",
        "Instruments": [],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. In sets of free reeds the air-stream is directed against a set of lamellae, setting them in periodic vibration to interrupt the stream intermittently. The lamellae vibrate through a closely-fitting slot. The instrument is tuned by mechanical action on the lamellae. Each reed may have a resonator in which the air vibrates only in a secondary sense, not producing the sound; generally recognizable by the absence of fingerholes. With air reservoir. With mechanical drive. (en)",
        "MIMOPage": "6484"
    },
    "412.132-62": {
        "Label": "Sets of free reeds with flexible air reservoir",
        "Instruments": [
            "Chemnitzer concertina",
            "Concertina",
            "Diatonic accordion",
            "Electric accordion",
            "English concertina",
            "Regal"
        ],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. In sets of free reeds the air-stream is directed against a set of lamellae, setting them in periodic vibration to interrupt the stream intermittently. The lamellae vibrate through a closely-fitting slot. The instrument is tuned by mechanical action on the lamellae. Each reed may have a resonator in which the air vibrates only in a secondary sense, not producing the sound; generally recognizable by the absence of fingerholes. With flexible air reservoir. (en)",
        "MIMOPage": "6485"
    },
    "412.132-62-8": {
        "Label": "Sets of free reeds with flexible air reservoir, with keyboard     ",
        "Instruments": [
            "Accordion",
            "Bandoneon",
            "Bayan",
            "Cecilium",
            "Chromatic accordion",
            "Diatonic accordion",
            "Harmonia pedałowa",
            "Harmonieflute",
            "Melodeon"
        ],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. In sets of free reeds the air-stream is directed against a set of lamellae, setting them in periodic vibration to interrupt the stream intermittently. The lamellae vibrate through a closely-fitting slot. The instrument is tuned by mechanical action on the lamellae. Each reed may have a resonator in which the air vibrates only in a secondary sense, not producing the sound. The instrument has a flexible air reservoir.  The mechanism admitting air to the reeds is operated by a keyboard. (en)",
        "MIMOPage": "6769"
    },
    "412.132-9": {
        "Label": "Mechanically driven sets of free reeds",
        "Instruments": [
            "Amorette",
            "Ariosa",
            "Ariston",
            "Cartonium",
            "Herophon",
            "Kalliston",
            "Manopan",
            "Mechanical harmonium",
            "Mezon",
            "Organina"
        ],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. In sets of free reeds the air-stream is directed against a set of lamellae, setting them in periodic vibration to interrupt the stream intermittently. The lamellae vibrate through a closely-fitting slot. The instrument is tuned by mechanical action on the lamellae. Each reed may have a resonator in which the air vibrates only in a secondary sense, not producing the sound; generally recognizable by the absence of fingerholes.  With mechanical drive. (en)",
        "MIMOPage": "6487"
    },
    "412.14": {
        "Label": "Ribbon reeds",
        "Instruments": [
            "Pulpiri",
            "Ribbon reed"
        ],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. The vibrating air is not confined by the instrument. The air-stream is directed against the edge of a stretched band or ribbon. The acoustics of this process have not yet been studied. British Columbia. (en)",
        "MIMOPage": "237"
    },
    "412.15": {
        "Label": "Retreating reeds",
        "Instruments": [
            "Raspberry"
        ],
        "Description": "Reed instruments that are free aerophones are sounded by a flow of air in which the reed is the primary vibrator. The vibrating air is not confined by the instrument. The reeds are of grass and similar stems with longitudinal slits. (en)",
        "MIMOPage": "238"
    },
    "412.2": {
        "Label": "Non-idiophonic interruptive instruments",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The vibrating air is not confined by the instrument. The interruptive agent is not a reed. (en)",
        "MIMOPage": "239"
    },
    "412.21": {
        "Label": "Rotating aerophones",
        "Instruments": [
            "Buzzer",
            "Humming top",
            "Siren"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The vibrating air is not confined by the instrument. The interruptive agent is not a reed. The interruptive agent rotates in its own plane. Sirens, whirring disc. (en)",
        "MIMOPage": "240"
    },
    "412.22": {
        "Label": "Whirling aerophones",
        "Instruments": [
            "Balum",
            "Bullroarer",
            "Bullroarers",
            "Evuntere",
            "Hor",
            "Peer boor egah",
            "Sifflet chanteur"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The vibrating air is not confined by the instrument. The interruptive agent is not a reed. The interruptive agent turns on its axis. Bull-roarer, ventilating fan. (en)",
        "MIMOPage": "241"
    },
    "413": {
        "Label": "Plosive aerophones",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The vibrating air is not confined by the instrument. The air is made to vibrate by a single density stimulus condensation shock. (en)",
        "MIMOPage": "242"
    },
    "413.1": {
        "Label": "Explosive aerophones",
        "Instruments": [
            "Popgun"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The vibrating air is not confined by the instrument. The air is made to vibrate by a single density stimulus condensation shock when it is forced out. Pop guns. (en)",
        "MIMOPage": "243"
    },
    "413.2": {
        "Label": "Implosive aerophones",
        "Instruments": [
            "Implosive aerophone"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The vibrating air is not confined by the instrument. The air is made to vibrate by a single density stimulus condensation shock when it is forced in. W. Africa, shantu. (en)",
        "MIMOPage": "244"
    },
    "42": {
        "Label": "Wind instruments proper",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. (en)",
        "MIMOPage": "245"
    },
    "420": {
        "Label": "Edge-tone instruments that are not flutes",
        "Instruments": [
            "Klong put",
            "Kodokan"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The hole through which the instrument is blown opens onto a narrow chamber, and has an exit hole diametrically opposite it. Widgeon whistles. (en)",
        "MIMOPage": "246"
    },
    "421": {
        "Label": "Edge instruments or flutes",
        "Instruments": [
            "Embra",
            "Kakukkolo",
            "Whistle"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow stream of air is directed against an edge to excite a column of air in a tube or a body of air in a cavity. (en)",
        "MIMOPage": "247"
    },
    "421.1": {
        "Label": "Flutes without duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow stream of air is directed against an edge. The player creates a ribbon-shaped stream of air with his/her lips. (en)",
        "MIMOPage": "248"
    },
    "421.11": {
        "Label": "End-blown flutes",
        "Instruments": [
            "Choor",
            "End-blown flute",
            "Mbelen gwara"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a tube. (en)",
        "MIMOPage": "249"
    },
    "421.111": {
        "Label": "(Single) end-blown flutes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. (en)",
        "MIMOPage": "250"
    },
    "421.111.1": {
        "Label": "Open single end-blown flutes",
        "Instruments": [
            "Lichiwayu",
            "Tibia"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is open. (en)",
        "MIMOPage": "251"
    },
    "421.111.11": {
        "Label": "Open single end-blown flutes without fingerholes",
        "Instruments": [
            "Feku",
            "Floyara",
            "Giorgi flute",
            "Juanhuru",
            "Telenka"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is open. The instrument has no fingerholes. Bengal. (en)",
        "MIMOPage": "252"
    },
    "421.111.12": {
        "Label": "Open single end-blown flutes with fingerholes",
        "Instruments": [
            "Blul",
            "Caval",
            "Chakolao",
            "Darvyra",
            "Djouak",
            "Dul-ming",
            "Ere-mugu",
            "Gab",
            "Hir",
            "Juwak",
            "Kaa-woubié",
            "Kaleleng",
            "Kaval",
            "Kawala",
            "Kena",
            "Koko",
            "Kooauau",
            "Lopotökduda",
            "Nay",
            "Pusi p'iya",
            "Qasaba",
            "Salamiyya",
            "Saluang",
            "Serdam",
            "Sereu",
            "Shilla-shilla",
            "Sigu nihu",
            "Slowli",
            "Souravli",
            "Suffara",
            "Supeljka",
            "Svirala",
            "Togus",
            "Washint",
            "Wossir",
            "Woubié",
            "Woukon",
            "Wujan",
            "Xiflos"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is open. The instrument has fingerholes. Almost world-wide. (en)",
        "MIMOPage": "253"
    },
    "421.111.2": {
        "Label": "Stopped single end-blown flutes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is closed. (en)",
        "MIMOPage": "254"
    },
    "421.111.21": {
        "Label": "Stopped single end-blown flutes without fingerholes",
        "Instruments": [
            "Bil",
            "Lu",
            "Mwanzi",
            "Pitu",
            "Yagapi"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is closed. The instrument has no fingerholes. The bore of a key. (en)",
        "MIMOPage": "255"
    },
    "421.111.211": {
        "Label": "Stopped end-blown flutes without fingerholes used in sets",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is closed. The instrument has no fingerholes. Several instruments are played together. Lithuania, S. Africa Venda and others. (en)",
        "MIMOPage": "256"
    },
    "421.111.22": {
        "Label": "Stopped single end-blown flutes with fingerholes",
        "Instruments": [
            "Gibeemba",
            "Kiangl",
            "Woua-parforô",
            "Wunagele",
            "Ya-woubié"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is closed. The instrument has fingerholes. Especially New Guinea. (en)",
        "MIMOPage": "257"
    },
    "421.111.3": {
        "Label": "Partly-stopped single end-blown flutes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is partly closed. (en)",
        "MIMOPage": "6213"
    },
    "421.111.31": {
        "Label": "Partly-stopped single end-blown flutes without fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is partly closed. The instrument has no fingerholes. (en)",
        "MIMOPage": "6214"
    },
    "421.111.32": {
        "Label": "Partly-stopped single end-blown flutes with fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a single tube. The lower end of the flute is partly closed. The instrument has fingerholes. (en)",
        "MIMOPage": "6215"
    },
    "421.112": {
        "Label": "Sets of end-blown flutes or panpipes",
        "Instruments": [
            "Carrizo",
            "Enkwanzi",
            "Fa'aili'ofe",
            "Kaur",
            "Larchemi",
            "Paixiao",
            "Panpipe",
            "Panpipes",
            "Wot"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a tube. Several end-blown flutes of different pitch are combined to form a single instrument. (en)",
        "MIMOPage": "258"
    },
    "421.112.1": {
        "Label": "Open panpipes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a t. (en)",
        "MIMOPage": "259"
    },
    "421.112.11": {
        "Label": "Open (raft) panpipes",
        "Instruments": [
            "Trstenke"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a tube. Several end-blown flutes of different pitch are combined to form a single instrument. The lower ends of the pipes are open. The pipes are tied together in the form of a board, or they are made by drilling tubes in a board. China. (en)",
        "MIMOPage": "260"
    },
    "421.112.12": {
        "Label": "Open bundle (pan-) pipes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a tube. Several end-blown flutes of different pitch are combined to form a single instrument. The lower ends of the pipes are open. The pipes are tied together in a round bundle. Solomon Is., New Britain, New Ireland, Admiralty Is. (en)",
        "MIMOPage": "261"
    },
    "421.112.2": {
        "Label": "Stopped panpipes",
        "Instruments": [
            "Antara",
            "Biringi",
            "Carrizo",
            "Fieould",
            "Firlinfeu",
            "Julajula",
            "Orgo",
            "Rondador",
            "Sanka",
            "Siku",
            "Siringa",
            "Skuduciai",
            "Toyos",
            "Zampona"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a tube. Several end-blown flutes of different pitch are combined to form a single instrument. The lower ends of the pipes are closed. Europe, S. America. (en)",
        "MIMOPage": "262"
    },
    "421.112.3": {
        "Label": "Mixed open and stopped panpipes",
        "Instruments": [
            "Alto malta",
            "Baju malta",
            "Mishiba",
            "P'ulu",
            "Suli"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the sharp rim at the upper open end of a tube. Several end-blown flutes of different pitch are combined to form a single instrument. Some of the pipes have open lower ends, others are closed. Solomon Is., S. America. (en)",
        "MIMOPage": "263"
    },
    "421.12": {
        "Label": "Side-blown flutes",
        "Instruments": [
            "Fangufangu"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. (en)",
        "MIMOPage": "264"
    },
    "421.121": {
        "Label": "(Single) side-blown flutes",
        "Instruments": [
            "Mimby",
            "Pfalawita",
            "Tulak"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a single tube. (en)",
        "MIMOPage": "265"
    },
    "421.121.1": {
        "Label": "Open side-blown flutes",
        "Instruments": [
            "Chi"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. The distal end of the flute is open. (en)",
        "MIMOPage": "266"
    },
    "421.121.11": {
        "Label": "Open side-blown flutes without fingerholes",
        "Instruments": [
            "Ludaya"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. The distal end of the flute is open. The instrument has no fingerholes. S. W. Timor. (en)",
        "MIMOPage": "267"
    },
    "421.121.12": {
        "Label": "Open side-blown flutes with fingerholes",
        "Instruments": [
            "Alto flute",
            "Bansari",
            "Bass flute",
            "Basuri",
            "Cerelu",
            "Chivoti",
            "Daegeum",
            "Di",
            "Fife",
            "Flute",
            "Flûte d'amour",
            "Komabue",
            "Nokan",
            "Ong dich",
            "Pava",
            "Pfalawita",
            "Piccolo flute",
            "Piculina",
            "Ryuteki",
            "Shinobue",
            "Sogeum",
            "Sulim",
            "Svirka",
            "Tokhoro",
            "Transverse flute",
            "Yéléga",
            "Yèrè"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. The distal end of the flute is open. The instrument has fingerholes. European flute. (en)",
        "MIMOPage": "268"
    },
    "421.121.2": {
        "Label": "Partly-stopped side-blown flutes",
        "Instruments": [
            "Duuliyaaru"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. The distal end of the tube is a natural node of the pipe pierced by a small hole. N. W. Borneo. (en)",
        "MIMOPage": "269"
    },
    "421.121.3": {
        "Label": "Stopped side-blown flutes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. The distal end of the tube is stopped. (en)",
        "MIMOPage": "270"
    },
    "421.121.31": {
        "Label": "Stopped side-blown flutes without fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. The distal end of the tube is stopped. The instrument has no fingerholes. (en)",
        "MIMOPage": "271"
    },
    "421.121.311": {
        "Label": "Stopped side-blown flutes without fingerholes, with fixed stopped lower end",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. The distal end of the tube has a fixed stopper. The instrument has no fingerholes. Apparently non-existent. (en)",
        "MIMOPage": "272"
    },
    "421.121.312": {
        "Label": "Stopped side-blown flutes without fingerholes, adjustable stopped lower end",
        "Instruments": [],
        "Description": "Stopped side-blown flutes without fingerholes, with adjustable stopped lower end (piston flutes) The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. The distal end of the tube has an adjustable stopper. The instrument has no fingerholes. (piston flutes) Malacca, New Guinea. (en)",
        "MIMOPage": "273"
    },
    "421.121.32": {
        "Label": "Stopped side-blown flutes with fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player blows against the sharp rim of a hole in the side of a tube. The distal end of the tube is stopped. The instrument has fingerholes. E. Bengal, Malacca. (en)",
        "MIMOPage": "274"
    },
    "421.122": {
        "Label": "Sets of side-blown flutes",
        "Instruments": [
            "Mohoceno"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow stream of air is directed against the sharp rim of a hole in the side of the tube. Two or more flutes are played together. (en)",
        "MIMOPage": "275"
    },
    "421.122.1": {
        "Label": "Sets of open side-blown flutes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where narrow stream of air is directed against the sharp rim of a hole in the side of the tube. Two or more flutes are played together. The distal ends of the flutes are open. Chamber flute-orum. (en)",
        "MIMOPage": "276"
    },
    "421.122.2": {
        "Label": "Sets of stopped side-blown flutes",
        "Instruments": [],
        "Description": "Sets of stopped side-blown flutes The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow stream of air is directed against the sharp rim of a hole in the side of the tube. Two or more flutes are played together. The distal ends of the flutes are closed. N. W. Brazil (among the Siusi). (en)",
        "MIMOPage": "277"
    },
    "421.13": {
        "Label": "Vessel flutes (without distinct beak)",
        "Instruments": [
            "Hun",
            "Silbato",
            "Vessel flute",
            "Wiiga",
            "Xun"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow stream of air is directed against an edge as the player blows against the sharp rim of a hole in the side of a vessel. Brazil (Karaja), Lower Congo (Bafiote). (en)",
        "MIMOPage": "278"
    },
    "421.14": {
        "Label": "Notch flutes",
        "Instruments": [
            "Notched flute"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a tube. (en)",
        "MIMOPage": "279"
    },
    "421.141": {
        "Label": "(Single) notch flutes",
        "Instruments": [
            "Mimby"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a single tube. (en)",
        "MIMOPage": "5627"
    },
    "421.141.1": {
        "Label": "Open single notch flutes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a single tube. The lower end of the flute is open. (en)",
        "MIMOPage": "5628"
    },
    "421.141.11": {
        "Label": "Open single notch flutes without fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a single tube. The lower end of the flute is open. The instrument has no fingerholes. (en)",
        "MIMOPage": "5629"
    },
    "421.141.12": {
        "Label": "Open single notch flutes with fingerholes",
        "Instruments": [
            "Dongxiao",
            "Ekinimba",
            "Hityogiri",
            "Kena",
            "Lichiwayu",
            "Ndere",
            "Nyamulere",
            "Paldong",
            "Palendag",
            "Parundag",
            "Pusi p'iya",
            "Shakuhachi",
            "T'ongso"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a single tube. The lower end of the flute is open. The instrument has fingerholes. E. Asia, S. America. (en)",
        "MIMOPage": "5630"
    },
    "421.141.2": {
        "Label": "Stopped single notch flutes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a single tube. The lower end of the flute is closed. (en)",
        "MIMOPage": "5631"
    },
    "421.141.21": {
        "Label": "Stopped single notch flutes without fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a single tube. The lower end of the flute is closed. The instrument has no fingerholes. (en)",
        "MIMOPage": "5632"
    },
    "421.141.211": {
        "Label": "Stopped notch flutes without fingerholes used in sets",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a single tube. The lower end of the flute is closed. The instrument has no fingerholes. Several instruments are played together. (en)",
        "MIMOPage": "5633"
    },
    "421.141.22": {
        "Label": "Stopped single notch flutes with fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a single tube. The lower end of the tube is closed. The instrument has fingerholes. (en)",
        "MIMOPage": "5634"
    },
    "421.142": {
        "Label": "Sets of notch flutes or panpipes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a tube. Several notch flutes of different pitch are combined to form a single instrument. (en)",
        "MIMOPage": "5635"
    },
    "421.142.1": {
        "Label": "Open sets of notch-flutes or panpipes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a tube. Several notch flutes of different pitch are combined to form a single instrument. The lower ends of the pipes are open. (en)",
        "MIMOPage": "5636"
    },
    "421.142.2": {
        "Label": "Stopped sets of notch-flutes or panpipes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The player creates a ribbon-shaped stream of air with his/her lips, blowing against the notch at the upper open end of a tube. Several notch flutes of different pitch are combined to form a single instrument. The lower ends of the pipes are closed. Korea (so). (en)",
        "MIMOPage": "5637"
    },
    "421.2": {
        "Label": "Flutes with duct or duct flutes",
        "Instruments": [
            "Columnar recorder",
            "Duct flute",
            "Flûte d'accord",
            "Ko ling",
            "Sioulet cristedou"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. (en)",
        "MIMOPage": "280"
    },
    "421.21": {
        "Label": "Flutes with external duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is outside the wall of the flute; this group includes flutes with the duct chamfered in the wall under a ring-like sleeve and other similar arrangements. (en)",
        "MIMOPage": "281"
    },
    "421.211": {
        "Label": "(Single) flutes with external duct",
        "Instruments": [
            "Gaita"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is outside the wall of the flute; this group includes flutes with the duct chamfered in the wall under a ring-like sleeve and other similar arrangements. (en)",
        "MIMOPage": "282"
    },
    "421.211.1": {
        "Label": "Open flutes with external duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is outside the wall of the flute; this group includes flutes with the duct chamfered in the wall under a ring-like sleeve and other similar arrangements. The lower end of the flute is open. (en)",
        "MIMOPage": "283"
    },
    "421.211.11": {
        "Label": "Open flutes with external duct without fingerholes",
        "Instruments": [
            "Gaita"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is outside the wall of the flute; this group includes flutes with the duct chamfered in the wall under a ring-like sleeve and other similar arrangements. The lower end of the flute is open. The instrument has no fingerholes. China, Borneo. (en)",
        "MIMOPage": "284"
    },
    "421.211.12": {
        "Label": "Open flutes with external duct with fingerholes",
        "Instruments": [
            "Bangsi",
            "Suling"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is outside the wall of the flute; this group includes flutes with the duct chamfered in the wall under a ring-like sleeve and other similar arrangements. The lower end of the flute is open. The instrument has fingerholes. Indonesia. (en)",
        "MIMOPage": "285"
    },
    "421.211.2": {
        "Label": "Partly-stopped flutes with external duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is outside the wall of the flute; this group includes flutes with the duct chamfered in the wall under a ring-like sleeve and other similar arrangements. The lower end of the tube is a natural node of the pipe pierced by a small hole. Malacca. (en)",
        "MIMOPage": "286"
    },
    "421.211.3": {
        "Label": "Stopped flutes with external duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is outside the wall of the flute; this group includes flutes with the duct chamfered in the wall under a ring-like sleeve and other similar arrangements. The lower end of the flute is closed. (en)",
        "MIMOPage": "287"
    },
    "421.212": {
        "Label": "Sets of flutes with external duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. In each flute, a narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is outside the wall of the flute; this group includes flutes with the duct chamfered in the wall under a ring-like sleeve and other similar arrangements. The flutes are joined to form a set. Tibet. (en)",
        "MIMOPage": "288"
    },
    "421.22": {
        "Label": "Flutes with internal duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. (en)",
        "MIMOPage": "289"
    },
    "421.221": {
        "Label": "(Single) flutes with internal duct",
        "Instruments": [
            "Algoja",
            "Anata",
            "Basi",
            "Charka",
            "Mimby",
            "One goot",
            "Pincullo"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the single tube. (en)",
        "MIMOPage": "290"
    },
    "421.221.1": {
        "Label": "Open flutes with internal duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. The lower end of the tube is open. (en)",
        "MIMOPage": "291"
    },
    "421.221.11": {
        "Label": "Open flutes with internal duct without fingerholes",
        "Instruments": [
            "Fuchsreize",
            "Seljefloyte"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. The lower end of the tube is open. The instrument has no fingerholes. European signalling whistle. (en)",
        "MIMOPage": "292"
    },
    "421.221.12": {
        "Label": "Open flutes with internal duct with fingerholes",
        "Instruments": [
            "Alto recorder",
            "Anata",
            "Bamboo pipe",
            "Basset recorder",
            "Bass recorder",
            "Cane flute",
            "Charka",
            "Curlika",
            "Cwène",
            "Descant recorder",
            "Djaouak",
            "Duct flute",
            "Duduk",
            "English flageolet",
            "Flageolet",
            "Flaviol",
            "Flejguta",
            "Flûtet",
            "Flutophone",
            "Fobiol",
            "French flageolet",
            "Friscalettu",
            "Fujara",
            "Furulya",
            "Galoubet",
            "Great bass recorder",
            "Jedinka",
            "Khlui",
            "Kurai",
            "Maliche",
            "Nose flute",
            "Penny whistle",
            "Picco pipe",
            "Pincullo",
            "Pist'ala",
            "Pistalka",
            "Recorder",
            "Salamuri",
            "Salamuri",
            "Shabbaba",
            "Shvi",
            "Sijaltys",
            "Sipovka",
            "Sopilka",
            "Sopranino recorder",
            "Stabule",
            "Svirchitsa",
            "Tabor pipe",
            "Tarba",
            "Tenor recorder",
            "Treble recorder",
            "Txirula",
            "Xiao",
            "Zuffolo"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. The lower end of the tube is open. The instrument has fingerholes. Recorder. (en)",
        "MIMOPage": "293"
    },
    "421.221.2": {
        "Label": "Partly-stopped flutes with internal duct",
        "Instruments": [
            "Jatun tukana",
            "Mohoceno"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. The lower end of the tube is a natural node of the pipe pierced by a small hole. India and Indonesia. (en)",
        "MIMOPage": "294"
    },
    "421.221.3": {
        "Label": "Stopped flutes with internal duct",
        "Instruments": [
            "Bark flute",
            "Pito"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. The lower end of the tube is closed. (en)",
        "MIMOPage": "295"
    },
    "421.221.31": {
        "Label": "Stopped flutes with internal duct, without fingerholes",
        "Instruments": [
            "Tourterelle"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. The lower end of the tube is closed. The instrument has no fingerholes. (en)",
        "MIMOPage": "296"
    },
    "421.221.311": {
        "Label": "Stopped flutes with internal duct, without fingerholes with fixed stopped lower end",
        "Instruments": [
            "Whistle"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. The lower end of the tube is has a fixed stopper. The instrument has no fingerholes. European signalling whistle. (en)",
        "MIMOPage": "297"
    },
    "421.221.312": {
        "Label": "Stopped flutes with internal duct, without fingerholes with adjustable stopped lower end",
        "Instruments": [
            "Slide flute",
            "Swanee whistle"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. The lower end of the tube has an adjustable stopper. The instrument has no fingerholes. Piston pipes [swannee whistle]. (en)",
        "MIMOPage": "298"
    },
    "421.221.32": {
        "Label": "Stopped flutes with internal duct, with fingerholes",
        "Instruments": [
            "Cuckoo",
            "Flageolet"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is inside the tube. The lower end of the tube is closed. The instrument has fingerholes. Morocco. (en)",
        "MIMOPage": "299"
    },
    "421.221.4": {
        "Label": "Vessel flutes with duct",
        "Instruments": [
            "Ruisenor",
            "Shuiniao",
            "Silbador"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The body of the flute is in the form of a vessel. (en)",
        "MIMOPage": "300"
    },
    "421.221.41": {
        "Label": "Vessel flutes with duct, without fingerholes",
        "Instruments": [
            "Bülbül",
            "Siurell",
            "Water whistle",
            "Whistle"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The body of the flute is in the form of a vessel, without fingerholes. Zoomorphic pottery whistles (Europe, Asia). (en)",
        "MIMOPage": "301"
    },
    "421.221.42": {
        "Label": "Vessel flutes with duct, with fingerholes",
        "Instruments": [
            "Svistulka"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The body of the flute is in the form of a vessel, with fingerholes. (en)",
        "MIMOPage": "302"
    },
    "421.221.421": {
        "Label": "Vessel flutes with duct, with single fingerhole",
        "Instruments": [
            "Cuckoo"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The body of the flute is in the form of a vessel, with a single fingerhole. Dog whistles etc. (en)",
        "MIMOPage": "303"
    },
    "421.221.422": {
        "Label": "Vessel flutes with duct, with two or more fingerholes",
        "Instruments": [
            "Ocarina"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The body of the flute is in the form of a vessel, with two or more fingerholes. Ocarina. (en)",
        "MIMOPage": "304"
    },
    "421.222": {
        "Label": "Sets of flutes with internal duct",
        "Instruments": [
            "Dvojanka",
            "Dvojicka"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. Two or more flutes are combined to form a set. (en)",
        "MIMOPage": "305"
    },
    "421.222.1": {
        "Label": "Sets of open flutes with internal duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. The opposite end is open. Two or more flutes are combined to form a set. (en)",
        "MIMOPage": "306"
    },
    "421.222.11": {
        "Label": "Sets of open flutes with internal duct without fingerholes",
        "Instruments": [
            "Organ"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. The opposite end is open. Two or more flutes are combined to form a set. The instrument has no fingerholes. Open flue stops of the organ. (en)",
        "MIMOPage": "307"
    },
    "421.222.11+421.222.3": {
        "Label": "Sets of open flutes with internal duct without fingerholes combined with set of partly-stopped flutes with internal duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. Two or more pipes with open end are combined with two more more pipes with closed end. The instrument has no fingerholes. Organ with both open flue and Rohrflöte stops. (en)",
        "MIMOPage": "6225"
    },
    "421.222.11+421.222.3-8": {
        "Label": "Sets of open flutes with internal duct without fingerholes combined with set of partly-stopped flutes with internal duct with keyboard",
        "Instruments": [
            "Chamber organ"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. Two or more pipes with open end are combined with two more more pipes with closed end. The instrument has no fingerholes. With keyboard. (en)",
        "MIMOPage": "6488"
    },
    "421.222.11-9": {
        "Label": "Mechanically driven sets of open flutes with internal duct without fingerholes",
        "Instruments": [
            "Barrel organ"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. The opposite end is open. Two or more flutes are combined to form a set. The instrument has no fingerholes.  With mechanical drive. (en)",
        "MIMOPage": "6489"
    },
    "421.222.12": {
        "Label": "Sets of open flutes with internal duct with fingerholes",
        "Instruments": [
            "Cetirnice",
            "Double flageolet",
            "Dvodentssivka",
            "Dvojkinje",
            "Dvojnice",
            "Dvoyanka",
            "Svirel",
            "Trojnice",
            "Valaska dvojka"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. The opposite end is open. The instrument has fingerholes. Double flageolet. (en)",
        "MIMOPage": "308"
    },
    "421.222.2": {
        "Label": "Sets of partly-stopped flutes with internal duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. The opposite end is partly stopped. Two or more flutes are combined to form a set. Rohrflöte stops of the organ. (en)",
        "MIMOPage": "309"
    },
    "421.222.3": {
        "Label": "Sets of stopped flutes with internal duct",
        "Instruments": [
            "Flûte harmonique",
            "Meifluitje",
            "Whistle"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. The opposite end is closed. Two or more flutes are combined to form a set. Stopped flue stops of the organ. (en)",
        "MIMOPage": "310"
    },
    "421.222.4": {
        "Label": "Sets of dissimilar flutes with internal duct",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within each flute, where a narrow duct directs the air stream against the sharp edge of a lateral orifice. Two or more flutes of more than one kind (open, partly-stopped or stopped) are combined to form a set. (en)",
        "MIMOPage": "6216"
    },
    "421.23": {
        "Label": "Flutes with duct formed by an internal baffle with an external cover",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. A narrow duct directs the air stream against the sharp edge of a lateral orifice. The duct is formed by an internal baffle (natural node, block of resin) and an external tied-on cover (cane, wood, hide). American Plains, S. E. Asia, Indonesia. (en)",
        "MIMOPage": "311"
    },
    "422": {
        "Label": "Reedpipes",
        "Instruments": [
            "Touloum"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a lamella. The standing waves are significantly confined within the instrument itself. (en)",
        "MIMOPage": "312"
    },
    "422.1": {
        "Label": "Reedpipes with double (or quadruple) reeds",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The pipe has a reed of paired lamellae (usually a flattened stem) which periodically open and close, controlling the flow of air. (en)",
        "MIMOPage": "313"
    },
    "422.11": {
        "Label": "Single reedpipes with double (or quadruple) reeds",
        "Instruments": [
            "Moska",
            "Mvahli",
            "Oboes",
            "Pierdziel",
            "Tarota",
            "Tible"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. (en)",
        "MIMOPage": "314"
    },
    "422.111": {
        "Label": "(Single) oboes with cylindrical bore",
        "Instruments": [
            "Duduk",
            "Sk'a'na"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The instrument has a cylindrical bore. (en)",
        "MIMOPage": "315"
    },
    "422.111+422.211": {
        "Label": "Single oboes with cylindrical bore combined with a single reedpipe with single reed",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The double-reed pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a cylindrical bore. In the single-reed reedpipe, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. Cornemuse. (en)",
        "MIMOPage": "6229"
    },
    "422.111+422.22": {
        "Label": "Single oboes with cylindrical bore combined with a set of reedpipes with single reed",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The double-reed pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a cylindrical bore. In each pipe of the set of single-reed reedpipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. Northumbrian small-pipes, Scottish small-pipes. (en)",
        "MIMOPage": "6230"
    },
    "422.111.1": {
        "Label": "(Single) oboes with cylindrical bore, without fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The instrument has a cylindrical bore and is without fingerholes. British Columbia. (en)",
        "MIMOPage": "316"
    },
    "422.111.2": {
        "Label": "(Single) oboes with cylindrical bore, with fingerholes",
        "Instruments": [
            "Alto crumhorn",
            "Balaman",
            "Bass crumhorn",
            "Bass sordun",
            "Bung'o",
            "Contrabass sordun",
            "Cornamusa",
            "Duduk",
            "Eraqyeh",
            "Guan",
            "Hichiriki",
            "Horanava",
            "Hyangpiri",
            "Kalama",
            "Mey",
            "Mukhavina",
            "Nzumari",
            "P'iri",
            "Racket",
            "Rgya-gling",
            "Sepiri",
            "Sharnai",
            "Sopila",
            "Soprano crumhorn",
            "Sordun",
            "Ssangpiri",
            "Still shawm",
            "Tenor crumhorn",
            "Vilvile"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The instrument has a cylindrical bore. The instrument has fingerholes. It is tuned by altering the length of the air column. Aulos, crumhorn. (en)",
        "MIMOPage": "317"
    },
    "422.111.2+422.211.1": {
        "Label": "Cylindrical double-reed chanter with stopped end +  cylindrical single-reed drone",
        "Instruments": [],
        "Description": "422.111.2+422.211.1",
        "MIMOPage": "6418"
    },
    "422.111.2+422.211.1-62": {
        "Label": "Cylindrical double-reed chanter with stopped end + cylindrical single-reed drone; flexible air reservoir",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The double-reed pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a cylindrical bore. In the single-reed reedpipe, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. With flexible air reservoir. (en)",
        "MIMOPage": "6410"
    },
    "422.111.2+422.22-62": {
        "Label": "Single oboes with cylindrical bore combined with a set of reedpipes with single reed with flexible air reservoir",
        "Instruments": [
            "Northumbrian pipe",
            "Small-pipe"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The double-reed pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a cylindrical bore. In each pipe of the set of single-reed reedpipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. With flexible air reservoir. (en)",
        "MIMOPage": "6411"
    },
    "422.111.2-5": {
        "Label": "(Single) wind-cap oboes with cylindrical bore, with fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The instrument has a cylindrical bore. The instrument has fingerholes. It is tuned by altering the length of the air column. With wind cap. (en)",
        "MIMOPage": "6490"
    },
    "422.111.2-62": {
        "Label": "(Single) oboes with cylindrical bore, with fingerholes with flexible air reservoir",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The instrument has a cylindrical bore. The instrument has fingerholes. It is tuned by altering the length of the air column. With flexible air reservoir. (en)",
        "MIMOPage": "6491"
    },
    "422.112": {
        "Label": "(Single) oboes with conical bore",
        "Instruments": [
            "Aboès",
            "Algaita",
            "Alto fagotto",
            "Bass oboe",
            "Bassonore",
            "Bassoon",
            "Bombarde",
            "Bommaa",
            "Caledonica",
            "Chirimia",
            "Clari",
            "Contrebasse à anche",
            "Cor anglais",
            "Dessus de musette",
            "Double bassoon",
            "Ghayta",
            "Gya ling",
            "Heckelphone",
            "Hoep",
            "Oboe",
            "Oboe d'amore",
            "Piffaro",
            "Pi mon",
            "Sarrusophone",
            "Shawm",
            "Suona",
            "Tarompet",
            "Tenora",
            "Tenor oboe",
            "Tenoroon",
            "Treble shawm",
            "Zamr",
            "Zurna"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The instrument has a conical bore. It is tuned by altering the length of the air column. European oboe. (en)",
        "MIMOPage": "318"
    },
    "422.112+422.111.2-71+422.22-62": {
        "Label": "Conical double-reed chanter + cylindrical double-reed regulator with stopped end with keys + set of cylindrical single-reed drones; flexible air reservoir",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The single pipe has a conical bore with keys. Each pipe in the set of double-reed pipes has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a conical bore. In each single-reed pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. With flexible air reservoir. (en)",
        "MIMOPage": "6412"
    },
    "422.112+422.121.2-71+422.22-62": {
        "Label": "Conical double-reed chanter + set of cylindrical double-reed regulator with stopped end with keys + set of cylindrical single-reed drones; flexible air reservoir",
        "Instruments": [
            "Union pipe"
        ],
        "Description": "422.112+422.121.2-71+422.22-62",
        "MIMOPage": "6413"
    },
    "422.112+422.122+422.22": {
        "Label": "Single oboes with conical bore combined with a set of oboes with conical bore and a set of reedpipes with single reeds",
        "Instruments": [],
        "Description": "e vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The single pipe has a conical bore. Each pipe in the set of double-reed pipes has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a conical bore. In each single-reed pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. Irish Uillean bagpipes. (en)",
        "MIMOPage": "6231"
    },
    "422.112+422.122-71+422.22-62": {
        "Label": "Single oboes with conical bore combined with a set of oboes with conical bore with keys and a set of reedpipes with single reeds with flexible air reservoir",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The single pipe has a conical bore with keys. Each pipe in the set of double-reed pipes has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a conical bore. In each single-reed pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. With flexible air reservoir. (en)",
        "MIMOPage": "6492"
    },
    "422.112+422.211": {
        "Label": "Single oboes with conical bore combined with a single reedpipe with single reed",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The double-reed pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a conical bore. In the single-reed reedpipe, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. Biniou koz or petit biniou. (en)",
        "MIMOPage": "6233"
    },
    "422.112+422.211.1-62": {
        "Label": "Conical double-reed chanter + cylindrical single-reed drone; flexible air reservoir",
        "Instruments": [
            "Biniou",
            "Gaita",
            "Xeremia"
        ],
        "Description": "422.112+422.211.1-62",
        "MIMOPage": "6414"
    },
    "422.112+422.212": {
        "Label": "Conical double-reed chanter with conical single reed drone",
        "Instruments": [
            "Bot",
            "Gaita gallega",
            "Sac de gemecs"
        ],
        "Description": "422.112+422.212",
        "MIMOPage": "8465"
    },
    "422.112+422.22": {
        "Label": "Single oboes with conical bore combined with a set of reedpipes with single reeds",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The single pipe has a conical bore. In each pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. Highland Scottish bagpipes, Lowland Scottish and Border bagpipes. (en)",
        "MIMOPage": "6232"
    },
    "422.112+422.22-62": {
        "Label": "Conical double-reed chanter + set of cylindrical single-reed drones; flexible air reservoir",
        "Instruments": [
            "Bagpipe",
            "Cabrette",
            "Piob mhor"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. The single pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The single pipe has a conical bore. In each pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. With flexible air reservoir. (en)",
        "MIMOPage": "6415"
    },
    "422.112.1": {
        "Label": "(Single) oboes with conical bore, without fingerholes",
        "Instruments": [
            "Whithorn"
        ],
        "Description": "422.112.1",
        "MIMOPage": "10034"
    },
    "422.112.2": {
        "Label": "(Single) oboes with conical bore, with fingerholes",
        "Instruments": [
            "Taepyeongso"
        ],
        "Description": "422.112.2",
        "MIMOPage": "10035"
    },
    "422.12": {
        "Label": "Sets of oboes",
        "Instruments": [
            "Diple"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. Within each of the set of pipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. Each pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. (en)",
        "MIMOPage": "319"
    },
    "422.121": {
        "Label": "Sets of oboes with cylindrical bore",
        "Instruments": [
            "Aulos"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. Within each of the set of pipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. Each pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The pipes have a cylindrical bore. The instrument is tuned by altering the lengths of the air columns. Double aulos. (en)",
        "MIMOPage": "320"
    },
    "422.121+422.22": {
        "Label": "Sets of oboes with cylindrical bore combined with a set of reedpipes with single reeds",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. Within each of the set of pipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. Each double-reed pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a cylindrical bore. In each single-reed pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. Musette de cour. (en)",
        "MIMOPage": "6234"
    },
    "422.121-71+422.22-62": {
        "Label": "Sets of oboes with cylindrical bore with keys combined with a set of reedpipes with single reeds with flexible air reservoir",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. Within each of the set of pipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. Each double-reed pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air and a cylindrical bore with keys. In each single-reed pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. With flexible air reservoir. (en)",
        "MIMOPage": "6493"
    },
    "422.122": {
        "Label": "Sets of oboes with conical bore",
        "Instruments": [
            "Chirimia"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. Within each of the set of pipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. Each pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The pipes have a conical bore. The instrument is tuned by altering the lengths of the air columns. India. (en)",
        "MIMOPage": "321"
    },
    "422.122+422.121": {
        "Label": "Sets of oboes with conical bore combined with a set of oboes with cylindrical bore",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense.The standing waves are significantly confined within the instrument itself. Within each of the set of pipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. Each pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. There are two or more pipes with conical bore and two or more pipes with cyindricaal bore. The instrument is tuned by altering the lengths of the air columns. Zampogna. (en)",
        "MIMOPage": "6235"
    },
    "422.122+422.121-62": {
        "Label": "Set of conical double-reed chanters + set of cylindrical double-reed drones, flexible air reservoir",
        "Instruments": [],
        "Description": "422.122+422.121-62",
        "MIMOPage": "6416"
    },
    "422.122+422.22": {
        "Label": "Sets of oboes with conical bore combined with a set of reedpipes with single reeds",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. Within each of the set of pipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. Each conical bore pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. In each single-reed pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. Scottish bagpipes with a regulator. (en)",
        "MIMOPage": "6236"
    },
    "422.122+422.22-62": {
        "Label": "Set of conical double-reed chanters + set of cylindrical single-reed drones; flexible air reservoir",
        "Instruments": [],
        "Description": "422.122+422.22-62",
        "MIMOPage": "6417"
    },
    "422.122-7+422.122-62": {
        "Label": "Sets of oboes some with fingerhole stopping with conical bore with flexible air reservoir",
        "Instruments": [
            "Zampogna"
        ],
        "Description": "The air itself is the vibrator in the primary sense.The standing waves are significantly confined within the instrument itself. Within each of the set of pipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. Each pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. The pipes have a conical bore. One set of pipes has fingerhole stopping. The instrument is tuned by altering the lengths of the air columns. With flexible air reservoir. (en)",
        "MIMOPage": "6494"
    },
    "422.122-71+422.22-62": {
        "Label": "Sets of oboes with conical bore with keys combined with a set of reedpipes with single reeds",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. Within each of the set of pipes, the column of air is made to vibrate by the intermittent access of an air stream produced by means of lamellae. Each conical bore pipe has a reed of paired lamellae (usually a flattened stem), which periodically open and close, controlling the flow of air. In each single-reed pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. One pipe has fingerhole stopping. With flexible air reservoir. (en)",
        "MIMOPage": "6495"
    },
    "422.2": {
        "Label": "Reedpipes with single reeds",
        "Instruments": [
            "Scramia betu"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. (en)",
        "MIMOPage": "322"
    },
    "422.21": {
        "Label": "Individual reedpipes with single reeds",
        "Instruments": [
            "Idioglot clarinet",
            "Sarunai",
            "Trompet van Halle"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the individual tubular body of the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. (en)",
        "MIMOPage": "323"
    },
    "422.211": {
        "Label": "Clarinets with cylindrical bore",
        "Instruments": [
            "Erkencho",
            "Pupuik",
            "Trutruka"
        ],
        "Description": "(Single) clarinets with cylindrical bore. The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The tubular body has a cylindrical bore. (en)",
        "MIMOPage": "324"
    },
    "422.211.1": {
        "Label": "(Single) clarinets with cylindrical bore, without fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The tubular body has a cylindrical bore, and is without fingerholes. British Columbia. (en)",
        "MIMOPage": "325"
    },
    "422.211.2": {
        "Label": "(Single) clarinets with cylindrical bore, with fingerholes",
        "Instruments": [
            "Alto clarinet",
            "Bass clarinet",
            "Basset clarinet",
            "Basset horn",
            "Birbyne",
            "Bryolka",
            "Bumpan",
            "Chalumeau",
            "Chinkuyo",
            "Clarinet",
            "Clarinette d'amour",
            "Contrabass clarinet",
            "Dudy Zywieckie",
            "Fawinin",
            "Gheteh",
            "Hornpipe",
            "Kozioł ślubny",
            "Kozioł weselny",
            "Madoura",
            "Olym shüvir",
            "Pibgorn",
            "Skalmeye"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The tubular body has a cylindrical bore, and fingerholes. The instrument is tuned by altering the length of the air column. European clarinet. (en)",
        "MIMOPage": "326"
    },
    "422.211.2-5": {
        "Label": "(Single) wind-cap clarinets with cylindrical bore, with fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The tubular body has a cylindrical bore, and fingerholes. The instrument is tuned by altering the length of the air column. With wind-cap. (en)",
        "MIMOPage": "6496"
    },
    "422.212": {
        "Label": "(Single) clarinets with conical bore",
        "Instruments": [
            "Alto saxophone",
            "Baritone saxophone",
            "Bark horn",
            "Bass saxophone",
            "Erkencho",
            "Octavin",
            "Reed horn",
            "Reh-fiep",
            "Sahunay",
            "Saxophone",
            "Soprano saxophone",
            "Swanee-sax",
            "Tarogato",
            "Tenor saxophone"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The tubular body has a conical bore. The instrument is tuned by altering the length of the air column. Saxophone. (en)",
        "MIMOPage": "327"
    },
    "422.22": {
        "Label": "Sets of reedpipes with single reeds",
        "Instruments": [
            "Alboka",
            "Arghul",
            "Askomandoura",
            "Bhujanga",
            "Chekwa",
            "Double clarinet",
            "Dozale",
            "Ghongad",
            "Launeddas",
            "Qurma",
            "Tarpa",
            "Tormay",
            "Zamr",
            "Zummara"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. In each pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. Egypt (zummara). (en)",
        "MIMOPage": "328"
    },
    "422.22-5": {
        "Label": "Sets of wind-cap reedpipes with single reeds",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. In each pipe in the set of two or more, the column of air is made to vibrate by the intermittent access of an air stream produced by means of a [single] 'reed' consisting of a lamella which periodically opens and closes an aperture, controlling the flow of air. The instrument is tuned by altering the lengths of the air columns. With wind-cap. (en)",
        "MIMOPage": "6497"
    },
    "422.22-62": {
        "Label": "Sets of clarinets with flexible air reservoir",
        "Instruments": [
            "Ciaramella",
            "Dudy Zywieckie",
            "Great Highland bagpipe",
            "Shuvir",
            "Svrljiske gajde",
            "Vlaske gajde"
        ],
        "Description": "422.22-62",
        "MIMOPage": "6519"
    },
    "422.3": {
        "Label": "Reedpipes with free reeds",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a lamella. The reed vibrates through [at] a closely fitted frame in the wall of a tube. The instrument is tuned by altering the length of the air column. There must be fingerholes in the pipe, otherwise the instrument belongs to the free reeds. S.E. Asia. (en)",
        "MIMOPage": "329"
    },
    "422.31": {
        "Label": "Single reedpipes with free reed",
        "Instruments": [
            "Bawu",
            "Dja mblai",
            "Pi so"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a lamella. The reed vibrates through [at] a closely fitted frame in the wall of an individual tube. The instrument is tuned by altering the length of the air column. There must be fingerholes in the pipe, otherwise the instrument belongs to the free reeds. (en)",
        "MIMOPage": "330"
    },
    "422.32": {
        "Label": "Double reedpipes with free reeds",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a lamella. The reed vibrates through [at] a closely fitted frame in the wall of a tube. The instrument has two pipes with reeds. It is tuned by altering the lengths of the air columns. There must be fingerholes in the pipes, otherwise the instrument belongs to the free reeds. (en)",
        "MIMOPage": "331"
    },
    "422.33": {
        "Label": "Horns with free reed",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent access of an air stream produced by means of a lamella or lamellae. The reed vibrates through [at] a closely fitted frame set into a horn. Burma. (en)",
        "MIMOPage": "332"
    },
    "422.4": {
        "Label": "Dilating reeds",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent flow of an air stream produced by means of one or more longitudinal slits in a grass or similar stem. (en)",
        "MIMOPage": "6217"
    },
    "422.41": {
        "Label": "Dilating reeds without fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent flow of an air stream produced by means of one or more longitudinal slits in a grass or similar stem. There are no fingerholes. (en)",
        "MIMOPage": "6218"
    },
    "422.42": {
        "Label": "Dilating reeds with fingerholes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The column of air is made to vibrate by the intermittent flow of an air stream produced by means of one or more longitudinal slits in a grass or similar stem. There are fingerholes. Sami (fadno). (en)",
        "MIMOPage": "6219"
    },
    "423": {
        "Label": "Labrosones (or lip-reed instruments)",
        "Instruments": [
            "Post horn",
            "Trumpets"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. (en)",
        "MIMOPage": "333"
    },
    "423.1": {
        "Label": "Natural labrosones",
        "Instruments": [
            "Caracol",
            "Natural trumpet",
            "Pututu"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The instrument has no extra devices to alter its pitch. (en)",
        "MIMOPage": "334"
    },
    "423.11": {
        "Label": "Conches",
        "Instruments": [
            "Conch-shell trumpet",
            "Hai loa",
            "Pu",
            "Tapae",
            "Tu hoa"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. A conch shell serves as a trumpet. (en)",
        "MIMOPage": "335"
    },
    "423.111": {
        "Label": "End-blown conches",
        "Instruments": [
            "Caracol",
            "Dung-dkar",
            "Horagai",
            "Pututu",
            "Quiquiztli",
            "Sankh"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. An end-blown conch shell serves as a trumpet. (en)",
        "MIMOPage": "336"
    },
    "423.111.1": {
        "Label": "End-blown conches without mouthpiece",
        "Instruments": [
            "Ananta vijaya",
            "Barataka",
            "Bion",
            "Buzio",
            "Go-mukha",
            "Nagak",
            "Su ghosha"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. A conch shell serves as a trumpet. It is end-blown, and has no mouthpiece. India. (en)",
        "MIMOPage": "337"
    },
    "423.111.2": {
        "Label": "End-blown conches with mouthpiece",
        "Instruments": [
            "Dhavalashanka"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. A conch shell serves as a trumpet. It is end-blown, and has material added to the shell form a mouthpiece. Japan (rappakai). (en)",
        "MIMOPage": "338"
    },
    "423.112": {
        "Label": "Side-blown conches",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. A side-blown conch shell serves as a trumpet. Oceania. (en)",
        "MIMOPage": "339"
    },
    "423.12": {
        "Label": "Tubular labrosones",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a whole tube. (en)",
        "MIMOPage": "340"
    },
    "423.121": {
        "Label": "End-blown labrosones",
        "Instruments": [
            "Huajras",
            "Shosh"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a whole tube. The instrument is end-blown. (en)",
        "MIMOPage": "341"
    },
    "423.121.1": {
        "Label": "End-blown straight labrosones",
        "Instruments": [
            "Haotong",
            "Kahala",
            "Surem-puch",
            "Trimbita",
            "Tulnic",
            "Vamsa"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a whole tube that is neither curved nor folded. The instrument is end-blown. (en)",
        "MIMOPage": "342"
    },
    "423.121.11": {
        "Label": "End-blown straight labrosones without mouthpiece",
        "Instruments": [
            "Didjeridu",
            "Ekhombi",
            "Puutoorino",
            "Rkang-gling",
            "Vuvuzela"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a whole tube that is neither curved nor folded. The instrument is end-blown, and has no mouthpiece. Some alphorns. (en)",
        "MIMOPage": "343"
    },
    "423.121.12": {
        "Label": "End-blown straight labrosones with mouthpiece",
        "Instruments": [
            "Alphorn",
            "Bazuna",
            "Bher",
            "Bugle",
            "Coach horn",
            "Dung-chen",
            "End-blown horn",
            "End-blown trumpet",
            "Hau-tung",
            "Hunting horn",
            "Hwang-teih",
            "Kakaki",
            "Kamay",
            "Kang ling",
            "Laba",
            "Nabal",
            "Nafir",
            "Plantation trumpet",
            "Post horn",
            "Sheypur",
            "Sunnaya",
            "Trutruka"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a whole tube that is neither curved nor folded. The instrument is end-blown, and has material added to the tube form a mouthpiece. Almost world-wide. (en)",
        "MIMOPage": "344"
    },
    "423.121.12-4": {
        "Label": "End-blown straight labrosones with mouthpiece and with crooks",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a whole tube that is neither curved nor folded. The instrument is end-blown, and has material added to the tube form a mouthpiece. With lengths of tube (crooks etc.) to set nominal pitches preparatory to playing. (en)",
        "MIMOPage": "6498"
    },
    "423.121.2": {
        "Label": "End-blown labrosones with curved or folded tubes",
        "Instruments": [
            "Cornu",
            "End-blown horn",
            "Hwang-lapa",
            "Lituus",
            "Natural trumpet",
            "Tititala"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a curved or folded tube. The instrument is end-blown. (en)",
        "MIMOPage": "345"
    },
    "423.121.21": {
        "Label": "End-blown labrosones with curved or folded tubes, without mouthpiece",
        "Instruments": [
            "Gulu",
            "Huajras",
            "Midwinterhoorn",
            "Narsiga",
            "Pututu",
            "Shofar",
            "Tambuyuk"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a curved or folded tube. The instrument is end-blown, and has no mouthpiece. Asia. (en)",
        "MIMOPage": "346"
    },
    "423.121.22": {
        "Label": "End-blown labrosones with curved or folded tubes, with mouthpiece",
        "Instruments": [
            "Alphorn",
            "Bass bugle",
            "Büchel",
            "Bugle",
            "Dung",
            "End-blown horn",
            "Horn",
            "Hunting horn",
            "Ligawka",
            "Nag-beli-baja",
            "Narsiga",
            "Natural horn",
            "Omnitonic horn",
            "Post horn",
            "Trompe de Lorraine",
            "Trutruka",
            "Tuiter"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a curved or folded tube. The instrument is end-blown, and has material added to the tube to form a mouthpiece. Lurs. (en)",
        "MIMOPage": "347"
    },
    "423.122": {
        "Label": "Side-blown labrosones",
        "Instruments": [
            "Bargumi",
            "Embuchi",
            "Malakat",
            "Nembongo",
            "Pangi"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a plain tube, with the embouchure in its side. (en)",
        "MIMOPage": "348"
    },
    "423.122.1": {
        "Label": "Side-blown straight labrosones",
        "Instruments": [
            "Amakondere",
            "Buruw",
            "Kiwiti",
            "Trutruka",
            "Turi",
            "Tuum"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a plain tube, with the embouchure in its side. The tube is straight. S. America, Africa. (en)",
        "MIMOPage": "6220"
    },
    "423.122.2": {
        "Label": "Side-blown curved labrosones",
        "Instruments": [
            "Baoorgo",
            "Lisseke",
            "Mvoula-mvouli",
            "Mvoumvouri",
            "Mvuli",
            "Ninurunu",
            "Ntsiemi",
            "Side-blown horn"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a plain tube, with the embouchure in its side. S. America, Africa. (en)",
        "MIMOPage": "6221"
    },
    "423.2": {
        "Label": "Chromatic labrosones",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a tube with extra devices to modify the pitch. (en)",
        "MIMOPage": "351"
    },
    "423.21": {
        "Label": "Labrosones with fingerholes",
        "Instruments": [
            "Rozhok",
            "Tuohitorvi"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a tube with holes to modify the pitch. (en)",
        "MIMOPage": "352"
    },
    "423.211": {
        "Label": "Labrosones with fingerholes, with cylinder bore",
        "Instruments": [
            "Keyed trumpet"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a tube with a predominantly cylindrical bore, and holes to modify the pitch. Key trumpet. (en)",
        "MIMOPage": "353"
    },
    "423.211-71-4": {
        "Label": "Labrosones with fingerholes and with keys, with cylinder bore and with crooks",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a tube with a predominantly cylindrical bore, and holes to modify the pitch. With keys. With lengths of tube (crooks etc.) to set nominal pitches preparatory to playing. (en)",
        "MIMOPage": "6499"
    },
    "423.212": {
        "Label": "Labrosones with fingerholes with (narrow) conical bore",
        "Instruments": [
            "Cornett",
            "Cornettino",
            "Post horn"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a tube with a narrow conical bore, and holes to modify the pitch. Cornetti. (en)",
        "MIMOPage": "354"
    },
    "423.213": {
        "Label": "Labrosones with fingerholes, with (wider) conical bore",
        "Instruments": [
            "Bass horn",
            "Ophimonocleide",
            "Quinticlave",
            "Russian bassoon",
            "Serpent",
            "Serpentcleide",
            "Serpent Forveille"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a tube with a wide conical bore, and holes to modify the pitch. Key bugles, serpents. (en)",
        "MIMOPage": "355"
    },
    "423.213-71": {
        "Label": "Labrosones with fingerholes and with keys, with (wider) conical bore",
        "Instruments": [
            "Alto keyed bugle",
            "Alto ophicleide",
            "Bass ophocleide",
            "Contrabass ophicleide",
            "Keyed bugle",
            "Ophicleide",
            "Tuba-Dupré"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a tube with a wide conical bore, and holes to modify the pitch. With keys. (en)",
        "MIMOPage": "6500"
    },
    "423.22": {
        "Label": "Labrosones with slides",
        "Instruments": [
            "Alto trombone",
            "Bass trombone",
            "Buccin",
            "Contrabass trombone",
            "Sackbut (trombone)",
            "Slide trumpet",
            "Soprano trombone",
            "Tenor trombone",
            "Trombone"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The body of the instrument is a tube with a telescopic section that can be extended while it is played to modify the pitch. Europe slide trumpet, trombone (this category includes slide trombones with one or two thumb valves). (en)",
        "MIMOPage": "356"
    },
    "423.23": {
        "Label": "Labrosones with valves",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. Europe. (en)",
        "MIMOPage": "357"
    },
    "423.231": {
        "Label": "Valve bugles",
        "Instruments": [
            "Bugle",
            "Russian horn",
            "Sopranino saxhorn"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body has a predominantly conical bore, and can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. (en)",
        "MIMOPage": "358"
    },
    "423.231.1": {
        "Label": "Valve bugles with narrow bore",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body has a predominantly conical, narrow bore, and can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. (en)",
        "MIMOPage": "2163"
    },
    "423.231.11": {
        "Label": "Valve bugles with narrow bore, with short air column (less than 2 m)",
        "Instruments": [
            "Bersag horn",
            "Bugle",
            "Flugelhorn",
            "Soprano flugelhorn"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the short air column which is to be made to vibrate. The tubular body has a predominantly conical, narrow bore, and can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. Flugel horn. (en)",
        "MIMOPage": "2164"
    },
    "423.231.12": {
        "Label": "Valve bugles with narrow bore, with long air column (more than 2 m)",
        "Instruments": [
            "Bass flugelhorn",
            "Cornophone",
            "Wagner tuba"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the long air column which is to be made to vibrate. The tubular body has a predominantly conical, narrow bore, and can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. Wagner tuba. (en)",
        "MIMOPage": "2165"
    },
    "423.231.2": {
        "Label": "Valve bugles with wide bore",
        "Instruments": [
            "Bass bugle",
            "Bass tuba",
            "Bombardon",
            "Contrabass bugle",
            "Contrabass saxhorn",
            "Euphonium",
            "Helicon",
            "Sousaphone",
            "Tuba"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body has a predominantly conical, wide bore, and can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. Euphonium, tuba. (en)",
        "MIMOPage": "2166"
    },
    "423.231.2-4": {
        "Label": "Valve bugles with wide bore and with crooks",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body has a predominantly conical, wide bore, and can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. With lengths of tube (crooks etc.) to set nominal pitches preparatory to playing. (en)",
        "MIMOPage": "6501"
    },
    "423.232": {
        "Label": "Valve horns",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body has a bore profile that is intermediate between conical and cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. (en)",
        "MIMOPage": "359"
    },
    "423.232.1": {
        "Label": "Valve horns with narrow bore",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body has a narrow bore profile that is intermediate between conical and cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. (en)",
        "MIMOPage": "2167"
    },
    "423.232.11": {
        "Label": "Valve horns with narrow bore, with short air column (less than 2 m)",
        "Instruments": [
            "Alto saxhorn",
            "Bugle",
            "Cornet",
            "Cornopean",
            "Echo cornet",
            "Neocor",
            "Post horn",
            "Soprano bugle"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the short air column which is to be made to vibrate. The tubular body has a narrow bore profile that is intermediate between conical and cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. Cornet, F alto horn, B flat altissimo horn. (en)",
        "MIMOPage": "2169"
    },
    "423.232.11-4": {
        "Label": "Valve horns with narrow bore, with short air column (less than 2 m) and with crooks",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the short air column which is to be made to vibrate. The tubular body has a narrow bore profile that is intermediate between conical and cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. With lengths of tube (crooks etc.) to set nominal pitches preparatory to playing. (en)",
        "MIMOPage": "6502"
    },
    "423.232.12": {
        "Label": "Valve horns with narrow bore, with long air column (more than 2 m)",
        "Instruments": [
            "Ballad horn",
            "Bugle",
            "Double horn",
            "Valve horn"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the long air column which is to be made to vibrate. The tubular body has a narrow bore profile that is intermediate between conical and cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. Most french horns. (en)",
        "MIMOPage": "2170"
    },
    "423.232.12-4": {
        "Label": "Valve horns with narrow bore, with long air column (more than 2 m) and with crooks",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the long air column which is to be made to vibrate. The tubular body has a narrow bore profile that is intermediate between conical and cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. With lengths of tube (crooks etc.) to set nominal pitches preparatory to playing. (en)",
        "MIMOPage": "6503"
    },
    "423.232.2": {
        "Label": "Valve horns with wider bore",
        "Instruments": [
            "Althorn",
            "Alto bugle",
            "Alto flugelhorn",
            "Alto horn",
            "Alto saxhorn",
            "Antoniophone",
            "Baritone bugle",
            "Baritone saxhorn",
            "Baritone sudrophone",
            "Bugle",
            "Clavicor",
            "Contralto saxhorn",
            "Duplex",
            "Flicorno",
            "Mellophone",
            "Saxhorn",
            "Saxotromba",
            "Sonorophone",
            "Soprano saxhorn",
            "Sudrophone",
            "Tenor bugle",
            "Tenor cor"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body has a wider bore profile that is intermediate between conical and cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. Althorn; tenor and baritone saxhorns. (en)",
        "MIMOPage": "2168"
    },
    "423.232.2-4": {
        "Label": "Valve horns with wider bore and with crooks",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body has a wider bore profile that is intermediate between conical and cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. With lengths of tube (crooks etc.) to set nominal pitches preparatory to playing. (en)",
        "MIMOPage": "6504"
    },
    "423.233": {
        "Label": "Valve trumpets",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the air column which is to be made to vibrate. The tubular body has a bore profile that is predominantly cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. (en)",
        "MIMOPage": "360"
    },
    "423.233.1": {
        "Label": "Valve trumpets with short air column (less than 2 m)",
        "Instruments": [
            "Althorn",
            "Alto trombone",
            "Bugle",
            "Fanfare trumpet",
            "Trumpet",
            "Valve trumpet"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the short air column which is to be made to vibrate. The tubular body has a bore profile that is predominantly cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. Most valve trumpets. (en)",
        "MIMOPage": "2160"
    },
    "423.233.1-4": {
        "Label": "Valve trumpets with short air column (less than 2 m) and with crooks",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the short air column which is to be made to vibrate. The tubular body has a bore profile that is predominantly cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. With lengths of tube (crooks etc.) to set nominal pitches preparatory to playing. (en)",
        "MIMOPage": "6505"
    },
    "423.233.2": {
        "Label": "Valve trumpets with long air column (more than 2 m)",
        "Instruments": [
            "Bass trombone",
            "Bass trumpet",
            "Bimbonifono",
            "Bugle",
            "Contrabass trombone",
            "Fanfare trumpet",
            "Tenor trombone",
            "Valve trombone"
        ],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air-stream passes through the player's vibrating lips, so gaining intermittent access to the long air column which is to be made to vibrate. The tubular body has a bore profile that is predominantly cylindrical. The body can be lengthened or shortened by connecting or disconnecting auxiliary lengths of tube. Most valve trombones. (en)",
        "MIMOPage": "2161"
    },
    "424": {
        "Label": "Membranopipes",
        "Instruments": [],
        "Description": "The air itself is the vibrator in the primary sense. The standing waves are significantly confined within the instrument itself. The air column is made to vibrate by the intermittent access of an air stream produced by means of a membrane that periodically opens and closes an aperture. (en)",
        "MIMOPage": "6222"
    },
    "5": {
        "Label": "Electrophones",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are generated using mechanically driven signal sources, electronically stored data, electronic circuitry or materials that produce acoustic sound (unmodified acoustic instruments with attached microphones or pickups are classed within groups 1-4, according to the primary source of sound). (en)",
        "MIMOPage": "6154"
    },
    "51": {
        "Label": "Electro-acoustic instruments and devices",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are produced using materials that generate acoustic sound, or by mechanically driven signal sources. Modules and configurations of acoustic, vibratory mechanisms (often resembling traditional acoustic instruments) and electronic circuitry such as transducers and amplifiers. (en)",
        "MIMOPage": "6155"
    },
    "511": {
        "Label": "Electro-acoustic idiophones",
        "Instruments": [
            "Electric carillon"
        ],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are produced using materials that generate acoustic sound, or by mechanically driven signal sources. Modules and configurations of acoustic, vibratory mechanisms and electronic circuitry such as transducers and amplifiers. The acoustic or mechanical vibration is transduced into an analogue fluctuation of an electric current. Material vibrates mechanically owing to its solidity and elasticity to provide input to a transducer (pick-up). (en)",
        "MIMOPage": "6156"
    },
    "512": {
        "Label": "Electro-acoustic membranophones",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The electric signals are produced using materials that generate acoustic sound, or by mechanically driven signal sources. Modules and configurations of acoustic, vibratory mechanisms and electronic circuitry such as transducers and amplifiers. The acoustic or mechanical vibration is transduced into an analogue fluctuation of an electric current. A tightly stretched membrane vibrates to provide input to a transducer (pick-up). (en)",
        "MIMOPage": "6157"
    },
    "513": {
        "Label": "Electro-acoustic chordophones",
        "Instruments": [
            "Electric bass guitar",
            "Electric guitar",
            "Electric violin"
        ],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are produced using materials that generate acoustic sound, or by mechanically driven signal sources. Modules and configurations of acoustic, vibratory mechanisms and electronic circuitry such as transducers and amplifiers. The acoustic or mechanical vibration is transduced into an analogue fluctuation of an electric current. One or more strings stretched between fixed points vibrate to provide input to a transducer (pick-up). (en)",
        "MIMOPage": "6158"
    },
    "514": {
        "Label": "Electro-acoustic aerophones",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are produced using materials that generate acoustic sound, or by mechanically driven signal sources. Modules and configurations of acoustic, vibratory mechanisms and electronic circuitry such as transducers and amplifiers. The acoustic or mechanical vibration is transduced into an analogue fluctuation of an electric current. Vibrating bodies of air or vibrating reeds provide input to transducers (microphones or pick-ups). (en)",
        "MIMOPage": "6159"
    },
    "515": {
        "Label": "Transducers",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound.   The acoustic or mechanical vibration is transduced into an analogue fluctuation of an electric current. (en)",
        "MIMOPage": "6160"
    },
    "52": {
        "Label": "Electromechanical instruments and devices",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are generated using mechanically driven signal sources. Modules and configurations of vibratory mechanisms and electronic circuitry such as transducers and amplifiers. Configurations of (electrically excited) silent, mechanical moving parts with encoded patterns and electronic circuitry. The movement enables the encoded patterns to be transduced into an analogue fluctuation of an electric current. (en)",
        "MIMOPage": "6161"
    },
    "521": {
        "Label": "Tone wheel instruments",
        "Instruments": [
            "Tone-wheel organ"
        ],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are generated using mechanically driven signal sources. Modules and configurations of vibratory mechanisms and electronic circuitry such as transducers and amplifiers. Configurations of (electrically excited) silent, mechanical moving parts with encoded patterns and electronic circuitry. The movement enables the encoded patterns to be transduced into an analogue fluctuation of an electric current. The patterns are encoded on a wheel and read electromagnetically or electrostatically. (en)",
        "MIMOPage": "6162"
    },
    "522": {
        "Label": "Photo-electric electromechanical instruments",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are generated using mechanically driven signal sources. Modules and configurations of vibratory mechanisms and electronic circuitry such as transducers and amplifiers. Configurations of (electrically excited) silent, mechanical moving parts with encoded patterns and electronic circuitry. The movement enables the encoded patterns to be transduced into an analogue fluctuation of an electric current. The encoded patterns are read photoelectrically. (en)",
        "MIMOPage": "6163"
    },
    "523": {
        "Label": "Record/playback devices",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are generated using mechanically driven signal sources. Modules and configurations of vibratory mechanisms and electronic circuitry such as transducers and amplifiers. Configurations of (electrically excited) silent, mechanical moving parts with encoded patterns and electronic circuitry. The movement enables the encoded patterns to be transduced into an analogue fluctuation of an electric current. The encoded patterns are recorded, and read in playing back electromagnetically or electrostatically. (en)",
        "MIMOPage": "6164"
    },
    "524": {
        "Label": "Electromechanical samplers",
        "Instruments": [
            "Mellotron"
        ],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are generated using mechanically driven signal sources. Modules and configurations of vibratory mechanisms and electronic circuitry such as transducers and amplifiers. Configurations of (electrically excited) silent, mechanical moving parts with encoded patterns and electronic circuitry. The movement enables the encoded patterns to be transduced into an analogue fluctuation of an electric current. The encoded patterns are samples. (en)",
        "MIMOPage": "6165"
    },
    "525": {
        "Label": "Electromechanical sound processing devices",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are generated using mechanically driven signal sources. Modules and configurations of vibratory mechanisms and electronic circuitry such as transducers and amplifiers. Configurations of (electrically excited) silent, mechanical moving parts with encoded patterns and electronic circuitry. The movement enables the encoded patterns to be transduced into an analogue fluctuation of an electric current. Devices to modify signals electromechanically. (en)",
        "MIMOPage": "6166"
    },
    "53": {
        "Label": "Analogue electronic instruments, modules and components",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. (en)",
        "MIMOPage": "6167"
    },
    "531": {
        "Label": "Analogue synthesizers and other electronic instruments with thermionic valve (vacuum-tube) or solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with thermionic valve (vacuum-tube) or solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals. (en)",
        "MIMOPage": "6168"
    },
    "531.1": {
        "Label": "Analogue synthesizers and other electronic instruments with thermionic valve (vacuum-tube) based devices generating and/or processing electric sound signals",
        "Instruments": [
            "Clavioline",
            "Ondes Martenot",
            "Ondioline",
            "Synthesizer",
            "Theremin",
            "Trautonium"
        ],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with thermionic valve (vacuum-tube) based devices generating and/or processing electric sound signals. (en)",
        "MIMOPage": "6169"
    },
    "531.2": {
        "Label": "Analogue synthesizers and other electronic instruments with solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals. (en)",
        "MIMOPage": "6170"
    },
    "531.21": {
        "Label": "Analogue synthesizers with solid state circuitry based devices generating and processing electric sound signals using additive synthesis",
        "Instruments": [],
        "Description": "Electric signals are passed to a loudspeaker to produce sound. The Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals. The devices use additive synthesis. (en)",
        "MIMOPage": "6171"
    },
    "531.22": {
        "Label": "Analogue synthesizers with solid state circuitry based devices generating and processing electric sound signals using subtractive synthesis",
        "Instruments": [
            "Electronic accordion"
        ],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals. The devices use subtractive synthesis. (en)",
        "MIMOPage": "6172"
    },
    "531.221": {
        "Label": "Analogue synthesizers with solid state circuitry based devices generating and processing electric sound signals using subtractive synthesis - modular synthesizers",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals. These modular devices use subtractive synthesis. (en)",
        "MIMOPage": "6173"
    },
    "531.222": {
        "Label": "Analogue synthesizers with solid state circuitry based devices generating and processing electric sound signals using subtractive synthesis - pre-set synthesizers",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electricc sound signals. These pre-set devices use subtractive synthesis. (en)",
        "MIMOPage": "6174"
    },
    "531.222.1": {
        "Label": "Analogue synthesizers with solid state circuitry based devices generating and processing electric sound signals using subtractive synthesis - pre-set monophnic synthesizers",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals. These pre-set devices use subtractive synthesis to play only one note at a time. (en)",
        "MIMOPage": "6175"
    },
    "531.222.2": {
        "Label": "Analogue synthesizers with solid state circuitry based devices generating and processing electric sound signals using subtractive synthesis - pre-set partially or fully polyphonic synthesizers",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals. These pre-set devices use subtractive synthesis and can play more than one note at a time. (en)",
        "MIMOPage": "6176"
    },
    "531.23": {
        "Label": "Analogue synthesizers with solid state circuitry based devices generating and processing electric sound signals using hybrid subtractive and additive synthesis",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals with solid state circuitry (transistor and/or analogue integrated circuitry) generating and/or processing electric sound signals. These devices use both subtractive and additive synthesis. (en)",
        "MIMOPage": "6177"
    },
    "532": {
        "Label": "Voltage control sources",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. These devices use voltage control sources. (en)",
        "MIMOPage": "6178"
    },
    "532.1": {
        "Label": "Voltage control sources - control voltage sequence generators",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. The devices use voltage control sources. Voltages are controlled by an envelope generator, a low-frequency oscillator, sequencer, slew generator, peak amplitude follower, envelope follower, or sample and hold. (en)",
        "MIMOPage": "6179"
    },
    "532.2": {
        "Label": "Voltage control sources - controleers and interfaces",
        "Instruments": [
            "Electronic"
        ],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. These devices use voltage control sources. Voltages are controlled by human interface devices, keyboards, foot switches, sensors, wheels or touchpads. (en)",
        "MIMOPage": "6180"
    },
    "533": {
        "Label": "Other analogue modules or configurations",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. The modules contain analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. The devices use analogue modules or configurations other than voltage control sources and interfaces. (en)",
        "MIMOPage": "6181"
    },
    "533.1": {
        "Label": "Analogue modules",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Modules containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. (en)",
        "MIMOPage": "6182"
    },
    "533.11": {
        "Label": "Analogue modules: audio signal generators",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Modules containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. These analogue modules use audio signal generators: oscillators producing sine, square, and saw tooth waves, beat frequency oscillators or heterodyne systems. (en)",
        "MIMOPage": "6183"
    },
    "533.12": {
        "Label": "Analogue modules: signal modifiers or processors",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Modules containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. These analogue modules use analogue signal combining, modifying, reproducing and processing devices. Mixers, sum/difference/multiple output generators etc., timbre modifiers, filter devices. (en)",
        "MIMOPage": "6184"
    },
    "533.2": {
        "Label": "Analogue configurations",
        "Instruments": [
            "Assemblage of electronic modules",
            "Electronic percussion"
        ],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Configurations containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. The devices use analogue configurations: mixer consoles (also containing filters, ring modulators etc), sequencer-based configurations, experimental configurations, or sound sculptures. (en)",
        "MIMOPage": "6185"
    },
    "533.3": {
        "Label": "Modules communicating between devices/signal convertors other than transducers",
        "Instruments": [],
        "Description": "Continuously varying electrical signals are passed to a loudspeaker to produce sound. The electrical signals are generated using electronic circuitry. Modules containing analogue fully electronic devices used to produce, process and communicate electronic sound signals and/or sequences of signals. The devices use modules communicating between devices/signal convertors other than transducers. (en)",
        "MIMOPage": "6186"
    },
    "54": {
        "Label": "Digital instruments, modules and components",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Modules and configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. (en)",
        "MIMOPage": "6187"
    },
    "541": {
        "Label": "Digital synthesizers with fixed keyboard controllers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. (en)",
        "MIMOPage": "6188"
    },
    "541.1": {
        "Label": "Digital synthesizers using frequency modulation",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using frequency modulation synthesis. (en)",
        "MIMOPage": "6189"
    },
    "541.11": {
        "Label": "Digital synthesizers using frequency modulation synthesis, without fixed keyboard controllers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using frequency modulation synthesis, without fixed keyboard controllers. (en)",
        "MIMOPage": "6761"
    },
    "541.12": {
        "Label": "Digital synthesizers using frequency modulation synthesis, with fixed keyboard controllers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using  electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using frequency modulation synthesis, with fixed keyboard controllers. (en)",
        "MIMOPage": "6762"
    },
    "541.2": {
        "Label": "Digital synthesizers using additive synthesis",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using additive synthesis. (en)",
        "MIMOPage": "6190"
    },
    "541.21": {
        "Label": "Digital synthesizers using additive synthesis, without fixed keyboard controllers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using additive synthesis without fixed keyboard controllers. (en)",
        "MIMOPage": "6763"
    },
    "541.22": {
        "Label": "Digital synthesizers using additive synthesis, with fixed keyboard controllers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using additive synthesis with fixed keyboard controllers. (en)",
        "MIMOPage": "6764"
    },
    "541.3": {
        "Label": "Digital synthesizers using phase distortion techniques",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using phase distortion techniques. (en)",
        "MIMOPage": "6191"
    },
    "541.31": {
        "Label": "Digital synthesizers using phase distortion techniques, without fixed keyboard controllers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using phase distortion techniques, without fixed keyboard controllers. (en)",
        "MIMOPage": "6765"
    },
    "541.32": {
        "Label": "Digital synthesizers using phase distortion techniques, with fixed keyboard controllers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using phase distortion techniques, with fixed keyboard controllers. (en)",
        "MIMOPage": "6766"
    },
    "541.4": {
        "Label": "Digital synthesizers using physical modelling techniques",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using physical modelling techniques. (en)",
        "MIMOPage": "6192"
    },
    "541.41": {
        "Label": "Digital synthesizers using physical modelling techniques, without fixed keyboard controllers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using physical modelling techniques, without fixed keyboard controllers. (en)",
        "MIMOPage": "6767"
    },
    "541.42": {
        "Label": "Digital synthesizers using physical modelling techniques, with fixed keyboard controllers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital synthesizers using physical modelling techniques, with fixed keyboard controllers. (en)",
        "MIMOPage": "6768"
    },
    "542": {
        "Label": "Digital control sources and interfaces",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Human interface devices: keyboards, joy-sticks, wheels, touchpads, touch screen, foot switches, sensors, detectors of environmental change. Digital sequencer, MIDI controller. (en)",
        "MIMOPage": "6193"
    },
    "543": {
        "Label": "Digital signal mixing, modifying, reproducing and processing devices",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Timbre modifiers, filter devices, amplitude modifiers, amplifier devices, reverb modifiers. Mixer, PA, digital delay, effects box. (en)",
        "MIMOPage": "6194"
    },
    "544": {
        "Label": "Digital samplers and sampling synthesizers",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital samplers and sampling synthesizers. (en)",
        "MIMOPage": "6195"
    },
    "545": {
        "Label": "Digital record/playback devices",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Digital record/playback devices. (en)",
        "MIMOPage": "6196"
    },
    "546": {
        "Label": "Other digital modules, components and configurations",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using electronically stored data and electronic circuitry. Configurations containing devices to digitally design and process electronic sound signals and/or sequences of signals. Other digital modules, components or configurations. (en)",
        "MIMOPage": "6197"
    },
    "547": {
        "Label": "Digital modules communicating between devices/signal convertors other than transducers ",
        "Instruments": [],
        "Description": "Electrical signals are generated in the form of quantized sequences of pulses. These are converted to continuous signals that activate a loudspeaker. The electrical signals are generated using materials that generate electronically stored data and electronic circuitry. Modules containing devices to digitally design and process electronic sound signals and/or sequences of signals. The devices use modules communicating between devices/signal convertors. (en)",
        "MIMOPage": "6198"
    },
    "55": {
        "Label": "Hybrid analogue/digital configurations",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are generated using electronically stored data and electronic circuitry. Devices with analogue oscillators and digital filters, etc. (en)",
        "MIMOPage": "6199"
    },
    "56": {
        "Label": "Software",
        "Instruments": [],
        "Description": "Electrical signals are passed to a loudspeaker to produce sound. The signals are generated using electronically stored data and electronic circuitry. Software. (en)",
        "MIMOPage": "6200"
    }
}