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Expand Up @@ -1634,6 +1634,122 @@ <h4>Design Researcher and Practitioner</h4>
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<p>Roger Guilemany is a founding member of the design cooperative aqui, where he contributes, through action research, to processes of ecosocial transition and the praxis of participatory design. As an independent researcher, he is interested in relationships and collaborative processes of situated production. With his design practice, he also collaborates with commoning projects and other self-governance structures.</p>

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<img class="faculty-photo" src="/assets/images/faculty/bani-brusadin.jpeg" alt="Bani Brusadin">
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<h3 class="name">Bani Brusadin</h3>

<h4>Curator, educator and researcher</h4>

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<a href="https://www.linkedin.com/in/banibrusadin" target="_blank">
<svg class="socials-faculty" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><!--! Font Awesome Free 6.4.2 by @fontawesome - https://fontawesome.com License - https://fontawesome.com/license/free (Icons: CC BY 4.0, Fonts: SIL OFL 1.1, Code: MIT License) Copyright 2023 Fonticons, Inc.--><path d="M416 32H31.9C14.3 32 0 46.5 0 64.3v383.4C0 465.5 14.3 480 31.9 480H416c17.6 0 32-14.5 32-32.3V64.3c0-17.8-14.4-32.3-32-32.3zM135.4 416H69V202.2h66.5V416zm-33.2-243c-21.3 0-38.5-17.3-38.5-38.5S80.9 96 102.2 96c21.2 0 38.5 17.3 38.5 38.5 0 21.3-17.2 38.5-38.5 38.5zm282.1 243h-66.4V312c0-24.8-.5-56.7-34.5-56.7-34.6 0-39.9 27-39.9 54.9V416h-66.4V202.2h63.7v29.2h.9c8.9-16.8 30.6-34.5 62.9-34.5 67.2 0 79.7 44.3 79.7 101.9V416z"/></svg>
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<p>Bani Brusadin is a curator, educator and researcher interested in the possible feedback loops between art, digital cultures, planetary-scale technologies and their politics. He currently collaborates with Medialab Matadero (Madrid) and Fundación Foto Colectania (Barcelona). He was one of the guest curators for the 2023 edition of the renowned Berlin-based festival of art and digital cultures transmediale. In the past he founded and co-curated The Influencers, a festival about experimental art, design and activist practices in the networked society, co-produced by the CCCB Barcelona (2004 - 2019). He holds a PhD in Advanced Artistic Practices (University of Barcelona) and teaches in BA and master degree programs at Elisava, the University of Barcelona, and Esdi. He is the author of the essay The Fog of Systems, published by Aksioma Institute for Contemporary Art Ljubljana (2021).</p>

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<img class="faculty-photo" src="/assets/images/faculty/ce-quimera.jpeg" alt="Ce Quimera">
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<h3 class="name">Ce Quimera</h3>

<h4>Artist and researcher</h4>

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<a href="https://www.linkedin.com/in/ce-quimera-038137217" target="_blank">
<svg class="socials-faculty" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><!--! Font Awesome Free 6.4.2 by @fontawesome - https://fontawesome.com License - https://fontawesome.com/license/free (Icons: CC BY 4.0, Fonts: SIL OFL 1.1, Code: MIT License) Copyright 2023 Fonticons, Inc.--><path d="M416 32H31.9C14.3 32 0 46.5 0 64.3v383.4C0 465.5 14.3 480 31.9 480H416c17.6 0 32-14.5 32-32.3V64.3c0-17.8-14.4-32.3-32-32.3zM135.4 416H69V202.2h66.5V416zm-33.2-243c-21.3 0-38.5-17.3-38.5-38.5S80.9 96 102.2 96c21.2 0 38.5 17.3 38.5 38.5 0 21.3-17.2 38.5-38.5 38.5zm282.1 243h-66.4V312c0-24.8-.5-56.7-34.5-56.7-34.6 0-39.9 27-39.9 54.9V416h-66.4V202.2h63.7v29.2h.9c8.9-16.8 30.6-34.5 62.9-34.5 67.2 0 79.7 44.3 79.7 101.9V416z"/></svg>
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<a href="https://twitter.com/quimerarosa" target="_blank">
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<a href="https://www.instagram.com/quimerarosa" target="_blank">
<svg class="socials-faculty" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><!--! Font Awesome Free 6.4.2 by @fontawesome - https://fontawesome.com License - https://fontawesome.com/license/free (Icons: CC BY 4.0, Fonts: SIL OFL 1.1, Code: MIT License) Copyright 2023 Fonticons, Inc.--><path d="M224.1 141c-63.6 0-114.9 51.3-114.9 114.9s51.3 114.9 114.9 114.9S339 319.5 339 255.9 287.7 141 224.1 141zm0 189.6c-41.1 0-74.7-33.5-74.7-74.7s33.5-74.7 74.7-74.7 74.7 33.5 74.7 74.7-33.6 74.7-74.7 74.7zm146.4-194.3c0 14.9-12 26.8-26.8 26.8-14.9 0-26.8-12-26.8-26.8s12-26.8 26.8-26.8 26.8 12 26.8 26.8zm76.1 27.2c-1.7-35.9-9.9-67.7-36.2-93.9-26.2-26.2-58-34.4-93.9-36.2-37-2.1-147.9-2.1-184.9 0-35.8 1.7-67.6 9.9-93.9 36.1s-34.4 58-36.2 93.9c-2.1 37-2.1 147.9 0 184.9 1.7 35.9 9.9 67.7 36.2 93.9s58 34.4 93.9 36.2c37 2.1 147.9 2.1 184.9 0 35.9-1.7 67.7-9.9 93.9-36.2 26.2-26.2 34.4-58 36.2-93.9 2.1-37 2.1-147.8 0-184.8zM398.8 388c-7.8 19.6-22.9 34.7-42.6 42.6-29.5 11.7-99.5 9-132.1 9s-102.7 2.6-132.1-9c-19.6-7.8-34.7-22.9-42.6-42.6-11.7-29.5-9-99.5-9-132.1s-2.6-102.7 9-132.1c7.8-19.6 22.9-34.7 42.6-42.6 29.5-11.7 99.5-9 132.1-9s102.7-2.6 132.1 9c19.6 7.8 34.7 22.9 42.6 42.6 11.7 29.5 9 99.5 9 132.1s2.7 102.7-9 132.1z"/></svg>
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<div class="faculty-bio">
<p>Artist and researcher, born in Argentina and resident in Europe since 2000, living between Barcelona and Bourges. She studied Social Anthropology in Buenos Aires, while doing internships in performing arts and in 2008, together with Kina Madno, she created the lab, Quimera Rosa. From this point on she focused her corporal and investigative work on post-identity gender policies and corporal, identity and technoscience experimentations from a trans*feminist perspective.</p>
<p>Her work currently focuses on the development of performances, transdisciplinary projects and interactive installations, elaborating devices that function through corporal activity and experimentations in biohacking. In 2016, she began working with Quimera Rosa on the project Trans*Plant, carried out and produced by Ars Electrónica and the European Media Artists in Residence Exchange (EMARE), Hangar and the Barcelona Biomedical Research Park (PRBB), the University of California in Davis and L'Antre Peaux. She is a resident artist together with Gaia Leandra at the Hangar wetlab (2020/2022), where she carries out projects of investigation and experimentation in art and science from a transhackfeminist vision.</p>

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<img class="faculty-photo" src="/assets/images/faculty/mario-santamaria.jpeg" alt="Mario Santamaria">
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<h3 class="name">Mario Santamaria</h3>

<h4>Postdigital artist</h4>

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<a href="https://www.mariosantamaria.net" target="_blank">
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<a href="https://twitter.com/m_msanta" target="_blank">
<svg class="socials-faculty" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><!--! Font Awesome Free 6.4.2 by @fontawesome - https://fontawesome.com License - https://fontawesome.com/license/free (Icons: CC BY 4.0, Fonts: SIL OFL 1.1, Code: MIT License) Copyright 2023 Fonticons, Inc.--><path d="M389.2 48h70.6L305.6 224.2 487 464H345L233.7 318.6 106.5 464H35.8l164.9-188.5L26.8 48h145.6l100.5 132.9L389.2 48zm-24.8 373.8h39.1L151.1 88h-42l255.3 333.8z"/></svg>
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<a href="https://www.instagram.com/m_msantamaria/" target="_blank">
<svg class="socials-faculty" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><!--! Font Awesome Free 6.4.2 by @fontawesome - https://fontawesome.com License - https://fontawesome.com/license/free (Icons: CC BY 4.0, Fonts: SIL OFL 1.1, Code: MIT License) Copyright 2023 Fonticons, Inc.--><path d="M224.1 141c-63.6 0-114.9 51.3-114.9 114.9s51.3 114.9 114.9 114.9S339 319.5 339 255.9 287.7 141 224.1 141zm0 189.6c-41.1 0-74.7-33.5-74.7-74.7s33.5-74.7 74.7-74.7 74.7 33.5 74.7 74.7-33.6 74.7-74.7 74.7zm146.4-194.3c0 14.9-12 26.8-26.8 26.8-14.9 0-26.8-12-26.8-26.8s12-26.8 26.8-26.8 26.8 12 26.8 26.8zm76.1 27.2c-1.7-35.9-9.9-67.7-36.2-93.9-26.2-26.2-58-34.4-93.9-36.2-37-2.1-147.9-2.1-184.9 0-35.8 1.7-67.6 9.9-93.9 36.1s-34.4 58-36.2 93.9c-2.1 37-2.1 147.9 0 184.9 1.7 35.9 9.9 67.7 36.2 93.9s58 34.4 93.9 36.2c37 2.1 147.9 2.1 184.9 0 35.9-1.7 67.7-9.9 93.9-36.2 26.2-26.2 34.4-58 36.2-93.9 2.1-37 2.1-147.8 0-184.8zM398.8 388c-7.8 19.6-22.9 34.7-42.6 42.6-29.5 11.7-99.5 9-132.1 9s-102.7 2.6-132.1-9c-19.6-7.8-34.7-22.9-42.6-42.6-11.7-29.5-9-99.5-9-132.1s-2.6-102.7 9-132.1c7.8-19.6 22.9-34.7 42.6-42.6 29.5-11.7 99.5-9 132.1-9s102.7-2.6 132.1 9c19.6 7.8 34.7 22.9 42.6 42.6 11.7 29.5 9 99.5 9 132.1s2.7 102.7-9 132.1z"/></svg>
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<div class="faculty-bio">
<p>The artistic practice of Mario Santamaría (Burgos, Spain, 1985) studies the phenomenon of the contemporary observer, paying attention to two processes, the representational practices and the machines vision or mediation. Using different tactics such as appropiation, remake or assembly, his work involves different fields like the conflict, the memory, the virtuality or the surveillance. He has been a resident artist at Hangar (Barcelona, 2015), Kunststiftung Baden-Württemberg (Stuttgart, Germany, 2015) and Flax Art Studios (Belfast, Northern Ireland, 2014), among others. At CCCB he is a regular contributor to the The Influencers festival where he has developed projects such as Internet Yami-Ichi (2016, 2017) or Barcelona Internet Tour (2018).</p>

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