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## Bing | ||
In music, a rhapsody is a one-movement work that is episodic yet integrated, | ||
free-flowing in structure, featuring a range of highly contrasted moods, | ||
color, and tonality. It is characterized by an air of spontaneous inspiration | ||
and a sense of improvisation, making it freer in form than a set of | ||
variations. The word "rhapsody" is derived from the Greek word "rhapsōidia," | ||
which means "recitation of selections from epic poetry". | ||
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The rhapsody form has been used by many composers throughout history, | ||
including Johannes Brahms, George Gershwin, and Sergei Rachmaninoff. Some | ||
famous examples of rhapsodies include: | ||
- Rhapsody in Blue by George Gershwin, which is a jazz-influenced rhapsody for | ||
piano and orchestra . | ||
- Hungarian Rhapsody No. 2 by Franz Liszt, which is a virtuosic piano piece | ||
that incorporates Hungarian folk melodies . | ||
- Rhapsody on a Theme of Paganini by Sergei Rachmaninoff, which is a set of 24 | ||
variations on a theme by Niccolò Paganini for piano and orchestra. | ||
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## Bing | ||
A sonata is a type of musical composition that usually consists of two to four | ||
movements, each in a related key but with a unique musical character. The | ||
term "sonata" originally denoted a composition played on instruments, as | ||
opposed to one that was cantata, or "sung," by voices. Its first such use was | ||
in 1561, when it was applied to a suite of dances for lute. | ||
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The sonata form has been used by many composers throughout history, including | ||
Ludwig van Beethoven, Wolfgang Amadeus Mozart, Johann Sebastian Bach, Joseph | ||
Haydn, and Franz Schubert . Most frequently, it refers to such a piece for one | ||
or two instruments, such as Beethoven's Moonlight Sonata (1801) for piano. By | ||
extension, sonata can also refer to a composition for a larger instrumental | ||
group having more than two or three parts, such as a string quartet or an | ||
orchestra, provided that the composition is based on principles of musical | ||
form that from the mid-18th century were used in sonatas for small | ||
instrumental groups . | ||
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From Britannica: | ||
Most first movements of Classical sonatas are in sonata form, and they are | ||
usually fast; the second movement commonly provides the contrast of a slower | ||
tempo; and the last movement in most cases is again fast. When there are four | ||
movements, a simpler, dance-style movement of the type also found in the suite | ||
is included. This is usually placed between the slow second movement and the | ||
finale; in some cases it stands second and the slow movement third. |
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BoulderCreek.txt 0.0.2 UTF-8 dh:2024-01-07 | ||
*---|----1----|----2----|----3----|----4----|----5----|----6----|----7----|--* | ||
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BOULDER CREEK RHAPSODY | ||
====================== | ||
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As an exercise in creating music with a Digital Audio Workstation and all of | ||
the digital tools and software that I have for that purpose, I am thinking of | ||
a Boulder Creek Rhapsody, based on the forest fire, mud and flood, and | ||
expected recovery. I favor cinematic forms. | ||
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I have had too many Digital Audio Workstations and am now down to using only | ||
Ableton Live 11 Lite, which is free for me. I have tons of add-ons, including | ||
much from Native Instruments, the source of my computer's audio dock. | ||
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I also have legacy Cakewalk SONAR Platinum and Cakewalk by BandLab. I am | ||
keeping an eye on Cakewalk.next and BandLab Studio. The Clegacy CakeWalk may | ||
be the best selection, since I can use all of the Native Instrument plug-ins | ||
and instruments with legacy Cakewalk. | ||
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Ableton may have messed up the tutorials for Live Lite and I am waiting to see | ||
if there will be a Live 12 Lite update available. We'll see. | ||
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I am just getting started. | ||
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MANIFEST | ||
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BoulderCreek.txt | ||
This manifest and job jar. | ||
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Boulder-Creek-2024-01-02.txt | ||
More from Co-Pilot on Sonata and Rhapsody forms. I forgot where I | ||
had ths material already and went on the Internet again. | ||
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BoulderCreekForm.txt | ||
A text file of my research into symphonic forms, useful in the choice | ||
of "rhapsody" and also useful in determining some of the details. | ||
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NativeInstruments-MelodicTechno-2024-01-07.htm | ||
NativeInstruments-MelodicTechno-2024-01-07_files/ | ||
Capture of NI Tutorial on MelodicTechno with a lesson on building | ||
such a song. Some of the ideas may apply here, although this will | ||
not be dance. Umm, so far as I know. | ||
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Rhapsody-GeneratedWithAI-2023-10-08-0941.jfif | ||
Bing-chat offered image along with explanation of Rhapsody. | ||
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TonePoem-GeneratedWithAI-2023-10-08-0927.jfif | ||
A Bing-chat offered image along with explanation of Tone Poem | ||
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TonePoem-GeneratedWithAI-2023-10-08-0928.jfif | ||
Another of the Big-chat offered images generated along with | ||
explanation of Tone Poem. | ||
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*---|----1----|----2----|----3----|----4----|----5----|----6----|----7----|--* | ||
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Copyright 2023 Dennis E. Hamilton | ||
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Licensed under the Apache License, Version 2.0 (the "License"); | ||
you may not use this file except in compliance with the License. | ||
You may obtain a copy of the License at | ||
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http://www.apache.org/licenses/LICENSE-2.0 | ||
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Unless required by applicable law or agreed to in writing, software | ||
distributed under the License is distributed on an "AS IS" BASIS, | ||
WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | ||
See the License for the specific language governing permissions and | ||
limitations under the License. | ||
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*---|----1----|----2----|----3----|----4----|----5----|----6----|----7----|--* | ||
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ATTRIBUTION | ||
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Hamilton, Dennis E. Boulder Creek Rhapsody. myCleanC project file | ||
BoulderCreek.txt version 0.0.2 dated 2024-01-07, available on the Internet | ||
as a version of | ||
<https://github.com/orcmid/myCleanC/blob/master/BoulderCreek/BoulderCreek.txt> | ||
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TODO | ||
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* Listen to "Rhapsody in Blue" and the other Gerschwin I like for more | ||
understanding of the form. | ||
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* Listen to the Liszt "Hungarian Rhapsodies" for understanding of the form. | ||
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* Listen to Rachmaninoff "Rhapsody on a Theme by Paganini" for more sense. | ||
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* Do the Native instruments Melodic Techno tutorial to see what I can do | ||
to be more in a rhapsody form. | ||
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* THIS HAS NOTHING TO DO WITH MY CLEAN C. This needs to go under Audio of | ||
nfoTools. | ||
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DONE | ||
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2023-01-07 Nothing to See here. Move Along. | ||
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0.0.2 2024-01-07T17:02Z Add Melodic Techno info, and expand on DAWs to use | ||
0.0.1 2023-10-08T18:00Z Initial synopsis and manifest. | ||
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***end of BoulderCreek.txt *** |
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BoulderCreekForm.txt 0.0.1 UTF-8 dh:2023-10-08 | ||
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BOULDER CREEK RHAPSODY | ||
====================== | ||
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As an exercise in creating music with a Digital Audio Workstation and all of | ||
the digital tools and software that I have for that purpose, I am thinking of | ||
a Boulder Creek Homage, based on the forest fire, mud and flood, and expected | ||
recovery. I favor cinematic forms. | ||
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I am asking Bing Chat about the standard musical forms to help refine my | ||
ideas. All if the quotations are Bing Chat results, edited for form here. | ||
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RHAPSODY | ||
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Ah, the best choice, although I am pleased for the additional information that | ||
I obtained first. | ||
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"A rhapsody is a musical composition that is episodic yet integrated, free- | ||
flowing in structure, and features a range of highly contrasted moods, color, | ||
and tonality. The word 'rhapsody' is derived from the Greek word 'rhapsōidia', | ||
meaning 'recitation of selections from epic poetry'. | ||
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"The rhapsody is a form of instrumental music that is characterized by its | ||
improvisatory character and its lack of formal structure. It is often composed | ||
for a solo instrument or for an orchestra and can be considered a type of tone | ||
poem. | ||
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"Some examples of rhapsodies include: | ||
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- Hungarian Rhapsodies by Franz Liszt: A set of 19 piano pieces that are | ||
based on Hungarian folk themes | ||
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- Rhapsody in Blue by George Gershwin: A piece for solo piano and jazz band | ||
that combines elements of classical music with jazz | ||
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- Romanian Rhapsodies by George Enescu: Two orchestral works that are based | ||
on Romanian folk music" | ||
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OVERTURE | ||
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Ahah!!! It is OK to think of this as an overture. I still need to think | ||
about form though. | ||
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"A musical overture is a piece of music that is played at the beginning of an | ||
opera, ballet, or musical. It is usually an instrumental composition, but | ||
sometimes it can include vocal parts as well. The overture serves as an | ||
introduction to the work that follows and often contains the main musical | ||
themes of the work. | ||
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"The overture originated in the 17th century as a short instrumental flourish | ||
or a sung prologue for operas, ballets, or oratorios. During the early | ||
Romantic era, composers such as Beethoven and Mendelssohn composed overtures | ||
which were independent, self-existing instrumental, programmatic works that | ||
foreshadowed genres such as the symphonic poem. These were 'at first | ||
undoubtedly intended to be played at the head of a programme'". | ||
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"There are two main types of overtures: concert overtures and opera overtures. | ||
Concert overtures are independent works that are not associated with any | ||
particular drama or story. They are usually played at the beginning of a | ||
concert and are intended to stand alone as a complete composition. ..." | ||
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SYMPHONIC POEM | ||
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Following on "Overture" I asked about "tone poem" This was even more fun: | ||
Bing Chat offered me some graphical images along with the explanation. | ||
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"A tone poem is a piece of orchestral music that is usually in one movement | ||
and is based on a descriptive or rhapsodic theme. It is also known as a | ||
symphonic poem. The tone poem is intended to evoke the contents of a story, | ||
poem, painting, place, or other non-musical source. The term 'tone poem' was | ||
first used by the composer Carl Loewe in 1828. | ||
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"The tone poem is different from traditional classical symphonic movements in | ||
that its music is intended to inspire listeners to imagine or consider scenes, | ||
images, specific ideas, or moods and not necessarily to focus on following | ||
traditional patterns of musical form such as sonata form. The tone poem was a | ||
direct consequence of Romanticism, which encouraged literary, pictorial, and | ||
dramatic associations in music. | ||
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"While many tone poems may compare in size and scale to symphonic movements | ||
(or even reach the length of an entire symphony), they are unlike traditional | ||
classical symphonic movements in that their music is intended to inspire | ||
listeners to imagine or consider scenes, images, specific ideas or moods, and | ||
not (necessarily) to focus on following traditional patterns of musical form | ||
such as sonata form. According to the musicologist Hugh Macdonald, the tone | ||
poem met three 19th-century aesthetic goals: it related music to outside | ||
sources; it often combined or compressed multiple movements into a single | ||
principal section; and it elevated instrumental program music to an aesthetic | ||
level that could be regarded as equivalent to, or higher than opera". | ||
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SONATA | ||
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This has the correct number of parts (4): | ||
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"A sonata is a type of musical composition that usually consists of two to four | ||
movements, each in a related key but with a unique musical character. The | ||
term evolved through the history of music, designating a variety of forms | ||
until the Classical era, when it took on increasing importance. Sonata is a | ||
vague term, with varying meanings depending on the context and time period. | ||
By the early 19th century, it came to represent a principle of composing | ||
large-scale works. It was applied to most instrumental genres and | ||
regarded—alongside the fugue—as one of two fundamental methods of organizing, | ||
interpreting and analyzing concert music. | ||
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"The sonata is typically played by a solo instrument or a small instrumental | ||
ensemble. The Baroque period sonata was for one or more instruments almost | ||
always with continuo. After the Baroque period most works designated as | ||
sonatas specifically are performed by a solo instrument, most often a keyboard | ||
instrument, or by a solo instrument accompanied by a keyboard instrument. | ||
Sonatas for a solo instrument other than keyboard have been composed, as have | ||
sonatas for other combinations of instruments." | ||
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CONCERTO | ||
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Hmm ... I would bend the instruments idea here, but the 3-part form doesn't | ||
quite fit. | ||
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"A concerto is a musical composition that features a solo instrument or | ||
instruments accompanied by an orchestra or other ensemble. The soloist and | ||
the ensemble are related to each other by alternation, competition, and | ||
combination. The concerto typically consists of three movements, with a slow | ||
movement (e.g., lento or adagio) sandwiched between two fast movements (e.g., | ||
presto or allegro). The concerto originated as a genre of vocal music in the | ||
late 16th century, and the instrumental variant appeared around a century | ||
later. The first keyboard concertos were written around the same time, and in | ||
the second half of the 18th century, the piano became the most used keyboard | ||
instrument. Composers of the Classical Era such as Joseph Haydn, Wolfgang | ||
Amadeus Mozart, and Ludwig van Beethoven each wrote several piano concertos, | ||
and to a lesser extent, violin concertos and concertos for other instruments. | ||
In the Romantic Era, many composers continued to write solo concertos, and | ||
more exceptionally, concertos for more than one instrument. During the 20th | ||
century, concertos were written by many composers for orchestral instruments | ||
which had been neglected in the 19th century such as the clarinet, viola, and | ||
French horn. In the second half of the 20th century and onwards into the 21st | ||
century, a great many composers have continued to write concertos for less | ||
usual instruments, including orchestral ones such as the double bass and cor | ||
anglais, but also folk instruments." | ||
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SYMPHONY | ||
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"A symphony is a lengthy musical composition for an orchestra, usually | ||
consisting of several large sections or movements, at least one of which | ||
usually employs sonata form. The term 'symphony' has had many meanings from | ||
its origins in ancient Greek era, but by the late 18th century, it had taken | ||
on the meaning common today. The word 'symphony' is derived from the Greek | ||
word “sumphōnia”, meaning 'agreement or concord of sound', 'concert of vocal | ||
or instrumental music', from 'sumphōnos' meaning 'harmonious'. | ||
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"Symphonies are almost always scored for an orchestra consisting of a group of | ||
musicians, which altogether number about 30 to 100 musicians. ... Some | ||
symphonies also contain vocal parts (e.g., Beethoven Ninth Symphony). | ||
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"The symphony typically consists of three movements, with a slow movement | ||
(e.g., lento or adagio) sandwiched between two fast movements (e.g., presto or | ||
allegro). The first movement is usually in sonata form (also called first- | ||
movement form). | ||
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"Symphonies are regarded as one of two fundamental methods of organizing, | ||
interpreting and analyzing concert music, alongside the fugue. The symphony is | ||
considered one of the most important genres of Western classical music and has | ||
been written by many composers throughout history." | ||
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*---|----1----|----2----|----3----|----4----|----5----|----6----|----7----|--* | ||
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0.0.1 2023-10-08T16:50Z Initial gathering of terminology for Boulder Creek | ||
composition | ||
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***end of BoulderCreekForm *** |
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