updated sketch text

parent-example.pd

@@ -1,51 +1,55 @@
 #N struct text float x float y text t;
 #N canvas 429 188 1111 607 10;
 #X obj 340 320 sketch01, f 16;
-#X obj 340 160 tgl 15 0 empty empty empty 17 7 0 10 #fcfcfc #000000
-#000000 0 1;
+#X obj 340 140 tgl 15 0 empty empty empty 17 7 0 10 #fcfcfc #000000
+#000000 1 1;
 #X text 370 60 👈 click to start;
 #X obj 600 480 dac~, f 11;
 #X text 450 320 👈 click to open bop sketch;
 #X obj 770 320 sketch01, f 16;
-#X obj 770 160 tgl 15 0 empty empty empty 17 7 0 10 #fcfcfc #000000
-#000000 0 1;
-#X msg 50 390 rewind 1;
-#X text 70 360 sync!;
-#X obj 50 360 bng 15 250 50 0 empty empty empty 17 7 0 10 #fcfcfc #000000
+#X obj 770 140 tgl 15 0 empty empty empty 17 7 0 10 #fcfcfc #000000
+#000000 1 1;
+#X msg 50 400 rewind 1;
+#X text 70 370 sync!;
+#X obj 50 370 bng 15 250 50 0 empty empty empty 17 7 0 10 #fcfcfc #000000
 #000000;
-#X text 190 210 Send messages to all connected bop modules!, f 23
-;
+#X text 40 200 Send messages to all connected bop modules!, f 45;
 #X obj 600 400 +~;
 #X obj 660 398 +~;
-#X text 50 70 This demonstrates playing two instances of the same bop
-sketch at different bpms and summing them together., f 33;
-#X obj 50 440 s \$0-to-all-sketches;
+#X obj 50 450 s \$0-to-all-sketches;
 #X obj 360 280 r \$0-to-all-sketches;
 #X obj 800 290 r \$0-to-all-sketches;
 #X obj 340 60 tgl 15 0 empty empty empty 17 7 0 10 #fcfcfc #000000
-#000000 0 1;
-#X text 40 310 control both patches simultaneously, f 23;
-#X msg 110 390 notelist a3 e4 a2 e3;
-#X msg 340 220 play \$1 \, bpm 100 \, pan -0.5 \, audio 0 \, amp 0.6
+#000000 1 1;
+#X text 40 320 control both patches simultaneously, f 23;
+#X msg 120 400 notelist a3 e4 a2 e3;
+#X msg 340 200 play \$1 \, bpm 100 \, pan -0.5 \, audio 0 \, amp 0.6
 ;
-#X msg 770 230 play \$1 \, bpm 80 \, pan 0.5 \, audio 0 \, amp 0.6
+#X msg 770 210 play \$1 \, bpm 80 \, pan 0.5 \, audio 0 \, amp 0.6
 ;
 #X msg 790 260 bpm 300;
+#X text 50 70 This demonstrates playing two instances of the same bop
+sketch \, each receiving different messages via an inlet., f 33;
+#X text 140 370 change tonality;
+#X obj 120 370 bng 15 250 50 0 empty empty empty 17 7 0 10 #fcfcfc
+#000000 #000000;
+#X text 850 260 control sketch independantly;
 #X connect 0 0 11 0;
 #X connect 0 1 12 0;
-#X connect 1 0 20 0;
+#X connect 1 0 19 0;
 #X connect 5 0 11 1;
 #X connect 5 1 12 1;
-#X connect 6 0 21 0;
-#X connect 7 0 14 0;
+#X connect 6 0 20 0;
+#X connect 7 0 13 0;
 #X connect 9 0 7 0;
 #X connect 11 0 3 0;
 #X connect 12 0 3 1;
-#X connect 15 0 0 0;
-#X connect 16 0 5 0;
-#X connect 17 0 1 0;
-#X connect 17 0 6 0;
-#X connect 19 0 14 0;
-#X connect 20 0 0 0;
+#X connect 14 0 0 0;
+#X connect 15 0 5 0;
+#X connect 16 0 1 0;
+#X connect 16 0 6 0;
+#X connect 18 0 13 0;
+#X connect 19 0 0 0;
+#X connect 20 0 5 0;
 #X connect 21 0 5 0;
-#X connect 22 0 5 0;
+#X connect 24 0 18 0;

sketch01.pd

@@ -2,27 +2,29 @@
 #N canvas 0 23 1680 968 10;
 #X declare -path ./bop;
 #X declare -path ./samples;
-#X obj 470 250 cnv 15 271 40 empty empty empty 20 12 0 14 #f4c8e4 #404040
+#X obj 100 870 cnv 15 283 316 empty empty empty 20 12 0 14 #c7e2ca
+#404040 0;
+#X obj 470 240 cnv 15 271 40 empty empty empty 20 12 0 14 #f4c8e4 #404040
 0;
 #X obj 490 1525 outlet~;
 #X obj 560 1525 outlet~;
-#X obj 140 1152 tgl 15 1 empty empty ENABLE\  17 7 0 10 #fcfcfc #000000
+#X obj 110 1122 tgl 15 1 empty empty ENABLE\  17 7 0 10 #fcfcfc #000000
 #000000 1 1;
-#X obj 140 1180 switch~;
+#X obj 110 1150 switch~;
 #X obj 490 105 bop;
-#A saved 90;
+#A saved 100;
 #X obj 490 1225 bop.mix;
-#A saved 0 0.739139 0;
+#A saved 0 0.599977 -0.5;
 #X obj 490 825 bop.sampler;
 #A saved note1.wav 0 0.269663 0 1 0 4.2951 1;
-#X obj 490 335 bop.rhythm;
-#A saved 24 2.80952 1 0 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0
+#X obj 490 320 bop.rhythm;
+#A saved 24 2.80952 1 1 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0\ 1\ 0\ 0
 ;
 #X obj 490 550 bop.notelist;
 #A saved g3\ f#3\ e3\ d3\ c3\ b2\ a2\ g2 0.075;
 #X obj 800 120 bop.palette;
-#X obj 140 1120 route play;
-#X obj 140 930 inlet;
+#X obj 110 1090 route play;
+#X obj 110 930 inlet;
 #X obj 490 650 bop.notefx;
 #A saved 0.56 0.08 0 0 100 112 1 25 35.8696;
 #X obj 490 1045 bop.reverb;
@@ -33,87 +35,91 @@
 #X msg 690 1365 audio \$1;
 #X obj 100 10 declare -path ./bop;
 #X obj 100 35 declare -path ./samples;
-#X text 480 260 LEFT;
-#X text 540 260 RIGHT;
-#X text 600 260 MIDI-notes;
-#X msg 320 360 play 1;
+#X text 480 250 LEFT;
+#X text 540 250 RIGHT;
+#X msg 100 380 play 1;
 #X obj 100 100 cnv 15 336 30 empty empty 🐦\ WELCOME\ TO\ THE\ BOP\ STARTER\ SKETCH
 20 12 0 14 #94c4ec #ffffff 0;
-#X msg 370 360 play 0;
-#X text 800 100 🐣use bop.palette to browse and create bop.modules
-;
+#X msg 150 380 play 0;
 #X text 100 140 🦉bop is a modular tool suite for music making in
 Purr Data and Pure Data vanilla., f 55;
-#X text 100 180 bop in pd vanilla requires the cyclone \, iemguts \,
-and freeverb libraries., f 55;
-#X text 100 250 bop uses the same inlet/outlet convention as ORAC.
-, f 53;
-#X text 220 920 🦉This bop sketch can be controlled from a parent
+#X text 190 920 🦉This bop sketch can be controlled from a parent
 patch to be mixed with bop other sketches., f 24;
-#X text 220 980 Close this patch and open parent-example.pd to see
+#X text 190 990 Close this patch and open parent-example.pd to see
 how., f 26;
-#X msg 120 580 notelist c#3 d#3 f3 f#3 g#3 a#3 c4;
-#X text 100 500 change this message and watch it received by the notelist
-module's "notelist" parameter., f 34;
-#X msg 100 550 notelist g3 f#3 e3 d3 c3 b2 a2 g2;
-#X obj 320 400 s \$0-to-bop;
+#X msg 120 590 notelist c#3 d#3 f3 f#3 g#3 a#3 c4;
+#X msg 100 560 notelist g3 f#3 e3 d3 c3 b2 a2 g2;
+#X obj 100 420 s \$0-to-bop;
 #X obj 690 75 r \$0-to-bop;
-#X obj 140 960 s \$0-to-bop;
-#X text 670 260 messages;
-#X obj 100 610 s \$0-to-bop;
-#X text 320 1330 you can intercept messages from upstream to automate
-other parameters - or do any other pd ninja moves to glue things together.
-, f 22;
-#X text 160 860 RUNNING MULTIPLE SKETCHES, f 26;
-#X text 160 720 modules and their parameters will save their state
+#X obj 110 960 s \$0-to-bop;
+#X text 670 250 messages;
+#X obj 100 620 s \$0-to-bop;
+#X text 150 880 RUNNING MULTIPLE SKETCHES, f 26;
+#X text 100 730 modules and their parameters will save their state
 with the parent patch making it easy to tweak and save., f 42;
-#X text 100 280 audio \, MIDI and messages are passed through from
-top to bottom, f 52;
-#X text 100 360 messages are addressed by parameter label. these play
-messages control the large toggle labelled play on the first bop module
-in the chain \, as well as the toggle on this bop.rhythm, f 30;
-#X obj 140 1090 r \$0-to-bop;
-#X text 220 1120 👈 this maps bop play messages to the switch~ object
+#X obj 110 1060 r \$0-to-bop;
+#X text 190 1090 👈 this maps bop play messages to the switch~ object
 to free resources when not playing., f 24;
-#X connect 3 0 4 0;
-#X connect 5 0 8 0;
-#X connect 5 1 8 1;
-#X connect 5 2 8 2;
-#X connect 5 3 8 3;
-#X connect 6 0 15 0;
-#X connect 6 1 15 1;
-#X connect 6 2 15 2;
-#X connect 6 3 16 0;
-#X connect 7 0 14 0;
-#X connect 7 1 14 1;
-#X connect 7 2 14 2;
-#X connect 7 3 14 3;
-#X connect 8 0 9 0;
-#X connect 8 1 9 1;
-#X connect 8 2 9 2;
-#X connect 8 3 9 3;
-#X connect 9 0 13 0;
-#X connect 9 1 13 1;
-#X connect 9 2 13 2;
-#X connect 9 3 13 3;
-#X connect 11 0 3 0;
-#X connect 12 0 37 0;
-#X connect 13 0 7 0;
-#X connect 13 1 7 1;
-#X connect 13 2 7 2;
-#X connect 13 3 7 3;
-#X connect 14 0 6 0;
-#X connect 14 1 6 1;
-#X connect 14 2 6 2;
-#X connect 14 3 6 3;
-#X connect 15 0 1 0;
-#X connect 15 1 2 0;
-#X connect 16 0 17 0;
-#X connect 16 1 15 3;
-#X connect 17 0 15 3;
-#X connect 23 0 35 0;
-#X connect 25 0 35 0;
-#X connect 32 0 39 0;
-#X connect 34 0 39 0;
-#X connect 36 0 5 3;
-#X connect 45 0 11 0;
+#X text 610 250 notes;
+#X text 100 240 bop uses the same inlet/outlet convention as ORAC 👉
+, f 53;
+#X text 100 180 pd vanilla requires the cyclone \, iemguts \, and freeverb
+libraries to run bop., f 55;
+#X text 210 380 👈 these play messages to the right control the large
+toggle labelled play on the first bop module in the chain \, as well
+as the toggle on this bop.rhythm., f 29;
+#X text 100 500 click the messages below and watch them received by
+the notelist module's "notelist" parameter., f 36;
+#X text 100 330 🐓 messages are addressed by parameter label., f
+50;
+#X text 100 270 audio \, MIDI notes \, and messages are passed through
+modules and flow from top to bottom., f 53;
+#X text 800 100 🐣 use bop.palette to browse and create bop.modules
+;
+#X text 100 1380 this binds incoming play messages to also enable/disable
+audio output 👉, f 44;
+#X text 100 1330 you can intercept messages from upstream to automate
+other parameters - or do other pd ninja moves to glue things together.
+, f 44;
+#X connect 4 0 5 0;
+#X connect 6 0 9 0;
+#X connect 6 1 9 1;
+#X connect 6 2 9 2;
+#X connect 6 3 9 3;
+#X connect 7 0 16 0;
+#X connect 7 1 16 1;
+#X connect 7 2 16 2;
+#X connect 7 3 17 0;
+#X connect 8 0 15 0;
+#X connect 8 1 15 1;
+#X connect 8 2 15 2;
+#X connect 8 3 15 3;
+#X connect 9 0 10 0;
+#X connect 9 1 10 1;
+#X connect 9 2 10 2;
+#X connect 9 3 10 3;
+#X connect 10 0 14 0;
+#X connect 10 1 14 1;
+#X connect 10 2 14 2;
+#X connect 10 3 14 3;
+#X connect 12 0 4 0;
+#X connect 13 0 33 0;
+#X connect 14 0 8 0;
+#X connect 14 1 8 1;
+#X connect 14 2 8 2;
+#X connect 14 3 8 3;
+#X connect 15 0 7 0;
+#X connect 15 1 7 1;
+#X connect 15 2 7 2;
+#X connect 15 3 7 3;
+#X connect 16 0 2 0;
+#X connect 16 1 3 0;
+#X connect 17 0 18 0;
+#X connect 17 1 16 3;
+#X connect 18 0 16 3;
+#X connect 23 0 31 0;
+#X connect 25 0 31 0;
+#X connect 29 0 35 0;
+#X connect 30 0 35 0;
+#X connect 32 0 6 3;
+#X connect 38 0 12 0;